At the turn of the nineteenth century, Haiti became the first and only modern country born from a slave revolt. During the first decades of Haitian independence, a wealth of original poetry was created by the inhabitants of the former French Caribbean island colony and published in Haitian newspapers. These deeply felt poems celebrated the legitimacy of the new nation and the value of the authors' African origins while revealing a common mission shared by all Haitians in the young republic: freedom from oppressors and equality for all. This powerfully moving collection of Haitian verse written between 1804 and the late 1840s sheds a much-needed light on an important and often neglected period in Haiti's literary history. Editors Doris Kadish and Deborah Jenson have gathered together poetry that has remained largely unknown and difficult to access since its original publication two centuries ago. Featuring superb translations from the original French by Norman Shapiro and a foreword by the Haitian-born novelist Edwidge Danticat, this essential volume stands as a monument to a turning point in Haitian and world history and makes a significant corpus of poetry accessible to a wide audience for the first time.

The dew breaker is a quiet man, a husband and father, a hard-working barber, a kindly landlord to the men living in a basement apartment in his home. He is a fixture in his Brooklyn neighbourhood, recognizable by the terrifying scar on his face. But beneath the surface of this American life lies a dangerous truth: the brutal crimes committed in the country of his birth. As his story unfolds, we enter the lives of those around him: his devoted wife and rebellious daughter, his sometimes unsuspecting, sometimes apprehensive neighbours, tenants, and clients. And in the Haiti of the dew breaker's past, we witness his last, desperate act of violence, and his first encounter with the woman who will offer him a form of redemption-albeit imperfect-that will change him forever . . . By the author of The Farming of Bones, The Dew Breaker is a wonderful novel of interconnected lives-a book of love, remorse, and hope; of rebellions both personal and political; of the compromises often necessary after the most intimate brushes with history.

Spanning a period of over three hundred years and twenty-five countries, The Penguin Book of Migration Literature is a wide-ranging anthology that brings together well-known authors such as Mohsin Hamid, Zadie Smith and Salman Rushdie alongside emerging writers like Deepak Unnikrishnan, Warsan Shire and Djamila Ibrahim. A compelling and original collection of migration writings, this is a unique work that conveys the intricacies of worldwide migration patterns and the diversity of immigrant experiences.

Can we move beyond borders that divide us without losing our identity? Over the past decade, the yearning for rootedness, for being part of a story bigger than oneself, has flared up as a cultural force to be reckoned with. There's much to affirm in this desire to belong to a people. That means pride in all that is admirable in the nation to which we belong - and repentance for its historic sins. A focus on national identity, of course, can lead to darker places. The new nationalists, who in Western countries often appeal to the memory of a Christian past, applaud when governments fortify borders to keep out people who are fleeing for their lives. (Needless to say, such actions are contrary to the Christian faith.) Is our yearning for roots doomed to lead to a heartless politics of exclusion? Does maintaining group or national identity require borders guarded with lethal violence? The answer isn't artificial schemes for universal brotherhood, such as a universal language. Our differences are what make a community human. Might the true ground for community lie deeper even than shared nationality or language? After all, the biblical vision of humankind's ultimate future has "every tribe and language and people and nation" coming together - beyond all borders but still as themselves. In this issue: - Santiago Ramos describes a double homelessness immigrant children experience as outsiders in both countries. - Ashley Lucas profiles a Black Panther imprisoned for life and looks at the impact on his family. - Simeon Wiehler helps a museum repatriate a thousand human skulls collected by a colonialist. - Yaniv Sagee calls Zionism back to its founding vision of a shared society with Palestinians. - Stephanie Saldana finds the lost legendary chocolates of Damascus being crafted in Texas. - Edwidge Danticat says storytelling builds a home that no physical separation can take away. - Phographer River Claure reimagines Saint-Exupery's Le Petit Prince as an Aymara fairy tale. - Ann Thomas tells of liminal experiences while helping families choose a cemetery plot. - Russell Moore challenges the church to reclaim its integrity and staunch an exodus. You'll also find: - Prize-winning poems by Mhairi Owens, Susan de Sola, and Forester McClatchey - A profile of Japanese peacemaker Toyohiko Kagawa - Reviews of Fredrik deBoer's The Cult of Smart, Anna Neima's The Utopians, and Amor Towles's The Lincoln Highway - Insights on following Jesus from E. Stanley Jones, Barbara Brown Taylor, Teresa of Avila, Oscar Romero, Martin Luther King Jr., Eberhard Arnold, Leonardo Boff, Meister Eckhart, C. S. Lewis, Hermas, and Dietrich Bonhoeffer Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.

Wide Sargasso Sea, a masterpiece of modern fiction, was Jean Rhys's return to the literary center stage. She had a startling early career and was known for her extraordinary prose and haunting women characters. With Wide Sargasso Sea, her last and best-selling novel, she ingeniously brings into light one of fiction's most fascinating characters: the madwoman in the attic from Charlotte Bronte's Jane Eyre. This mesmerizing work introduces us to Antoinette Cosway, a sensual and protected young woman who is sold into marriage to the prideful Mr. Rochester. Rhys portrays Cosway amidst a society so driven by hatred, so skewed in its sexual relations, that it can literally drive a woman out of her mind. A new introduction by the award-winning Edwidge Danticat, author most recently of Claire of the Sea Light, expresses the enduring importance of this work. Drawing on her own Caribbean background, she illuminates the setting's impact on Rhys and her astonishing work.

"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."--"Create Dangerously"

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.

"Create Dangerously" is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

Edwidge Danticat's groundbreaking debut, with new introduction from Booker Prize winner Bernardine Evaristo. An Oprah Book Club selection 'A vision of female solidarity which transcends place and time' Sunday Times 'A novel that rewards the reader again and again with small but exquisite and unforgettable epiphanies' Washington Post 'Extraordinarily successful' New York Times Book Review 'A first novel of precious humanity' Independent At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti - to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti - and the enduring strength of Haiti's women - with vibrant imagery and narrative grace that bear witness to her people's suffering and courage.

Claire goes missing the night her father agrees to give her up for adoption. Her mother died when she was born. In the tiny fishing town of Ville Rose, Haiti, she and her father are not the only ones to have experienced loss. As the poor townspeople search by moonlight for the seven-year-old girl, each remembers what death has stolen from their own lives: a forbidden love cut down by slum gangsters; a mother whose rare affluence could not save her child. In prose that shimmers with folkloric imagery, Danticat intertwines their stories to reveal a deep connection between locals of distinct classes and creeds. Her vision of modern Haiti makes the unknowable familiar; like the townspeople, the reader shares a common humanity - always caught between the darkness and the light.

From the internationally acclaimed, best-selling author of Brother, I'm Dying, a collection of vividly imagined stories about community, family, and love. AUGUST 2020 REESE'S BOOK CLUB PICK WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD WINNER OF THE STORY PRIZE WINNER OF THE 2020 VILCEK PRIZE IN LITERATURE Rich with hard-won wisdom and humanity, set in locales from Miami and Port-au-Prince to a small unnamed country in the Caribbean and beyond, Everything Inside is at once wide in scope and intimate, as it explores the forces that pull us together, or drive us apart, sometimes in the same searing instant. In these eight powerful, emotionally absorbing stories, a romance unexpectedly sparks between two wounded friends; a marriage ends for what seem like noble reasons, but with irreparable consequences; a young woman holds on to an impossible dream even as she fights for her survival; two lovers reunite after unimaginable tragedy, both for their country and in their lives; a baby's christening brings three generations of a family to a precarious dance between old and new; a man falls to his death in slow motion, reliving the defining moments of the life he is about to lose. This is the indelible work of a keen observer of the human heart--a master.

At the age of twelve, Sophie Caco is sent from her impoverished village of Croix-des-Rosets to New York, to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti--to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence, in a novel that bears witness to the traditions, suffering, and wisdom of an entire people.

An unprecedented visual history of African women told in striking and subversive historical photographs--featuring an Introduction by Edwidge Danticat and a Foreword by Jacqueline Woodson.

Most of us grew up with images of African women that were purely anthropological--bright displays of exotica where the deeper personhood seemed tucked away. Or they were chronicles of war and poverty--"poverty porn." But now, curator Catherine E. McKinley draws on her extensive collection of historical and contemporary photos to present a visual history spanning a hundred-year arc (1870-1970) of what is among the earliest photography on the continent. These images tell a different story of African women: how deeply cosmopolitan and modern they are in their style; how they were able to reclaim the tools of the colonial oppression that threatened their selfhood and livelihoods.

Featuring works by celebrated African masters, African studios of local legend, and anonymous artists, The African Lookbook captures the dignity, playfulness, austerity, grandeur, and fantasy-making of African women across centuries. McKinley also features photos by Europeans--most starkly, striking nudes--revealing the relationships between white men and the Black female sitters where, at best, a grave power imbalance lies. It's a bittersweet truth that when there is exploitation there can also be profound resistance expressed in unexpected ways--even if it's only in gazing back. These photos tell the story of how the sewing machine and the camera became powerful tools for women's self-expression, revealing a truly glorious display of everyday beauty.

'Go back to where you started, or as far back as you can, examine all of it, travel your road again and tell the truth about it. Sing or shout or testify or keep it to yourself: but know whence you came.' Originally published in 1953, Go Tell it on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem. Baldwin's rendering of his protagonist's spiritual, sexual and moral struggle towards self-invention opened new possibilities in the American language and in the way Americans understood themselves.

"The Other Side of the Sea, " the first novel by this major Haitian author to be translated into English, is riveted on the other shore--whether it is the ancestral Africa that still haunts Haitians, the America to which so many have emigrated, or even that final shore, the uncertain afterlife awaiting us all. With a grandmother and her grandson sharing the narration, this rich and concise tale covers an impressive span of Haitian history and emotion. Too old to leave her veranda, Noubot reflects on her past, touching on the 1937 Parsley Massacre, in which thousands of Haitians died at the hands of Dominican soldiers, and laments the exodus of so many young people from Haiti, although, ironically, she dreamed of making the trip herself (her name means New Boat in Creole). Her story is juxtaposed with that of her grandson, Jonas, as he suffers the abandonment of friends--including his lover--who emigrated during the Duvalier dictatorships, even feeling an urge to join them. Perhaps most striking is the addition of a third voice--that of an anonymous passenger in steerage recounting a slave ship's progress to the New World from Africa. This voice from long ago provides a powerful depiction of the sights, sounds, and smells of the Middle Passage and a fascinating counterpoint to the evocations of modern Haiti.

CARAF Books: Caribbean and African Literature Translated from French

A work of fiction, most of Vale of Tears takes place in the Haitian capital of Port-au-Prince, where the book's protagonist, Coralie, is trying to scrounge up enough money during the New Year holiday to pay her rent. Part of the book is set in France, where Coralie spent part of World War 2. Through 14 chapters that alternate between the present and past and seem to correspond with Christ's passion, the reader learns how Coralie's fortunes have changed steadily for the worse from childhood to middle age, beginning when she had to endure the spite of her step-mother, a woman who eventually stole her inheritance and separated Coralie from her only child. From being a beautiful light-skinned woman who was happily married and prosperous at one time, Coralie eventually finds herself being forced to sell herself and live apart from her only child, as her fortunes begin to get worse. In the end, she finds herself reduced to begging for money from family members and acquaintances and washing clothes for prostitutes.

From the age of four, award-winning writer Edwidge Danticat came to think of her uncle Joseph as her "second father," when she was placed in his care after her parents left Haiti for America. And so she was both elated and saddened when, at twelve, she joined her parents and youngest brothers in New York City. As Edwidge made a life in a new country, adjusting to being far away from so many who she loved, she and her family continued to fear for the safety of those still in Haiti as the political situation deteriorated.
In 2004, they entered into a terrifying tale of good people caught up in events beyond their control. "Brother I'm Dying" is an astonishing true-life epic, told on an intimate scale by one of our finest writers.

Lisette, a Saint-Domingue-born Creole slave and daughter of an African-born "bossale," has inherited not only the condition of slavery but the traumatic memory of the Middle Passage as well. The stories told to her by her grandmother and godmother, including the horrific voyage aboard the infamous slave ship "Rosali"e, have become part of her own story, the one she tells in this haunting novel by the acclaimed Haitian writer Evelyne Trouillot.

Inspired by the colonial tale of an African midwife who kept a cord of some seventy knots, each one marking a child she had killed at birth, the novel transports us back to Saint-Domingue, before it became Haiti. The year is 1750, and a rash of poisonings is sowing fear among the plantation masters, already unsettled by the unrest caused by Makandal, the legendary Maroon leader. Through this tumultuous time, Lisette struggles to maintain her dignity and to imagine a future for her unborn child. In telling Lisette's story, Trouillot gives the revolution that will soon rock the island a human face and at long last sheds light on the invisible women and men of Haitian history.

The original French edition of "Rosalie l'infame" received the "Prix Soroptimist de la romanciere francophone," honoring a novel written by a woman from a French-speaking country which showcases the cultural and literary diversity of the French-speaking world.