‘But how sweet a fruit the ‘suppose’ must be, that people will sup and sup on it! A juicy fruit, like a lychee but without the pit, sparkling and light green: a fruit that hides the tart within the sweet.’

In this haunting collection of stories, a young man’s obsession leads to tragedy and a woman’s bitterness poisons a family’s legacy. In delicate, piercing prose, Chang captures a world of quiet cruelties and calamitous desires in pre-revolutionary China.

This illustrated encyclopedia examines the unique influence and contributions of women in every era of American history, from the colonial period to the present. It not only covers the issues that have had an impact on women, but also traces the influence of women's achievements on society as a whole. Divided into three chronologically arranged volumes, the set includes historical surveys and thematic essays on central issues and political changes affecting women's lives during each period. These are followed by A-Z entries on significant events and social movements, laws, court cases and more, as well as profiles of notable American women from all walks of life and all fields of endeavor. Primary sources and original documents are included throughout.

A New York Review Books Original
" A] giant of modern Chinese literature" "-The New York Times"
"With language as sharp as a knife edge, Eileen Chang cut open a huge divide in Chinese culture, between the classical patriarchy and our troubled modernity. She was one of the very few able truly to connect that divide, just as her heroines often disappeared inside it. She is the fallen angel of Chinese literature, and now, with these excellent new translations, English readers can discover why she is so revered by Chinese readers everywhere." "-"Ang Lee
Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang's achievement is her short fiction--tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. "Love in a Fallen City," the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.

Eileen Chang is one of the great writers of twentieth-century China, where she enjoys a passionate following both on the mainland and in Taiwan. At the heart of Chang's achievement is her short fiction - tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when she was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces readers to the stark and glamorous vision of a modern master.

From one of twentieth-century China's greatest writers and the author of Lust, Caution, this is an unforgettable story of a love affair set in 1930s Shanghai. Manzhen is a young worker in a Shanghai factory, where she meets Shijun, the son of wealthy merchants. Despite family complications, they fall in love and begin to dream of a shared life together - until circumstances force them apart. When they are reunited after a separation of many years, can they start their relationship again? Or is it destined to be the romance of only half a lifetime? This affectionate and captivating novel tells the moving story of an enduring love affair, and offers a fascinating window onto Chinese life in the first half of the twentieth century. Eileen Chang was born in Shanghai in 1920. She studied literature at the University of Hong Kong but returned to Shanghai in 1941 during the Japanese occupation, where she established her reputation as a literary star. She moved to America in 1955 and died in Los Angeles in 1995. Karen S. Kingsbury taught and studied in Chinese-speaking cities for nearly two decades, and currently lives in Pennsylvania, USA. She has translated Love in a Fallen City for Penguin Classics, as well as other essays and stories by Chang. 'A giant of modern Chinese literature' The New York Times 'Eileen Chang is the fallen angel of Chinese literature' Ang Lee 'A dazzling and distinctive fiction writer' New York Times Book Review 'Chang's world is a stark and mysterious place where people strive to find their way in love but often fail under the pressures of family, tradition, and reputation' New Yorker

Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, "The Sing-song Girls of Shanghai" is now available for the first time in English.

Neither sentimental nor sensationalistic in its portrayal of courtesans and their male patrons, Han's work inquires into the moral and psychological consequences of desire. Han, himself a frequent habituA(c) of Shanghai brothels, reveals a world populated by lonely souls who seek consolation amid the pleasures and decadence of Shanghai's demimonde. He describes the romantic games played by sing-song girls to lure men, as well as the tragic consequences faced by those who unexpectedly fall in love with their customers. Han also tells the stories of male patrons who find themselves emotionally trapped between desire and their sense of propriety.

First published in 1892, and made into a film by Hou Hsiao-hsien in 1998, "The Sing-song Girls of Shanghai" is recognized as a pioneering work of Chinese fiction in its use of psychological realism and its infusion of modernist sensibilities into the traditional genre of courtesan fiction. The novel's stature has grown with the recent discovery of Eileen Chang's previously unknown translation, which was unearthedamong her papers at the University of Southern California. Chang, who lived in Shanghai until 1956 when she moved to California and began to write in English, is one of the most acclaimed Chinese writers of the twentieth century.

Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, "The Sing-song Girls of Shanghai" is now available for the first time in English.

Neither sentimental nor sensationalistic in its portrayal of courtesans and their male patrons, Han's work inquires into the moral and psychological consequences of desire. Han, himself a frequent habitu? of Shanghai brothels, reveals a world populated by lonely souls who seek consolation amid the pleasures and decadence of Shanghai's demimonde. He describes the romantic games played by sing-song girls to lure men, as well as the tragic consequences faced by those who unexpectedly fall in love with their customers. Han also tells the stories of male patrons who find themselves emotionally trapped between desire and their sense of propriety.

First published in 1892, and made into a film by Hou Hsiao-hsien in 1998, "The Sing-song Girls of Shanghai" is recognized as a pioneering work of Chinese fiction in its use of psychological realism and its infusion of modernist sensibilities into the traditional genre of courtesan fiction. The novel's stature has grown with the recent discovery of Eileen Chang's previously unknown translation, which was unearthed among her papers at the University of Southern California. Chang, who lived in Shanghai until 1956 when she moved to California and began to write in English, is one of the most acclaimed Chinese writers of the twentieth century.

The Rouge of the North is the story of Yindi, a beautiful young bride who marries the blind, bedridden son of a rich and noble family. Captive to household ritual, to the strategies and contempt of her sisters-in-law, and to the exacting dictates of her husband's mother, Yindi is pressed beneath the weight of an existence that offers no hope of change. Dramatic events in the outside world fail to make their way into this insular society. Chang's brilliant portrayal of the slow suffocation of passion, moral strength, and physical vitality--together with her masterful evocation of the sights, smells, and sounds of daily existence--make The Rouge of the North a remarkable chronicle of a vanished way of life.

Now a major motion picture from Oscar-winning director Ang Lee ("Crouching Tiger, Hidden Dragon, Brokeback Mountain"): an intensely passionate story of love and espionage, set in Shanghai during World War II.
In the midst of the Japanese occupation of China and Hong Kong, two lives become intertwined: Wong Chia Chi, a young student active in the resistance, and Mr. Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai's tea parties and secret interrogations, they become embroiled in the complicated politics of wartime -- and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.

The first of Eileen Chang's novels to be written in English, The Rice-Sprout Song portrays the horror and absurdity that the land-reform movement brings to a southern village in China during the early 1950s. Contrary to the hopes of the peasants in this story, the redistribution of land does not mean an end to hunger. Man-made and natural disasters bring about the threat of famine, while China's involvement in the Korean War further deepens the peasants' misery. Chang's chilling depiction of the peasants' desperate attempts to survive both the impending famine and government abuse makes for spellbinding reading. Her critique of communism rewrites the land-reform discourse at the same time it lays bare the volatile relations between politics and literature.