During a period when writing was often the only form of self-expression for women, Her Own Life contains extracts from the autobiographical texts of twelve seventeenth-century women addressing a wide range of issues central to their lives.

Between 1540 and 1654, The Byrth of Mankynde was a huge commercial success. Offering information on fertility, pregnancy, birth, and infant care, and written in a chatty, colloquial style, it influenced most other literary works of the period bearing on sex, reproduction, and childcare. Until now, this important text has been unavailable except for a microfilm of the 1654 edition. For this new annotated edition of the 1560 version, Elaine Hobby has modernized the spelling and included informative notes. In her critical introduction, she not only traces the development of the book from its German origins, but also shows how early-modern ideas about the reproductive process combined ancient, medieval, and contemporary conceptions. Combining editorial rigour with a concern for the needs of the informed non-specialist, Hobby has made available a text that will be useful to scholars and students in a range of academic disciplines, including literature, history, and women's studies.

During a period when writing was often the only form of self-expression for women, Her Own Life contains extracts from the autobiographical texts of twelve seventeenth-century women addressing a wide range of issues central to their lives.

eBook available with sample pages: 0203358961

Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.

John, Lord Hervey (1696-1743), the confidant of Queen Caroline and antagonist of Alexander Pope, was a government minister, a political pamphleteer and a poet. In his verse writings, collected together for the first time in this edition, he savagely attacks his opponents, including the King and his ministers, as well as Pope, but he also expresses his deepest personal feelings. Hervey was married, with eight children, and his verse conveys his affection for his wife and family members, but his strongest commitment was to his lover, Stephen Fox. Some of his verse is written directly to Fox, but he also explores intense emotional conflicts in Ovidian epistles (which include 'lesbian' poems), in a verse tragedy Agrippina and through his collaborative poetic relationship with Lady Mary Wortley Montagu. Although his verse was sometimes mocked by contemporaries, he was a fluent and flexible versifier and a master of poetic argument.

Essays exploring the complex relationship between literature and science. In 1959 C. P. Snow memorably described the `gulf of mutual incomprehension' which existed between `literary intellectuals' and scientists, referring to them as `two cultures'. This volume looks at the extent to which this has changed. Ranging from the middle ages to twentieth-century science fiction and literary theory, and using different texts, genres, and methodologies, the essays collected here demonstrate the complexity of literature, science, and theinterfaces between them. Texts and authors discussed include Ian McEwan's Saturday; Sheridan le Fanu; The Birth of Mankind; Franco Morretti; Anna Barbauld; Dorothy L. Sayers; The Cloud of Unknowing; George Eliot and Mary Wollstonecraft. Dr SHARON RUSTON is Senior Lecturer in English at the University of Keele. CONTRIBUTORS: SHARON RUSTON, GILLIAN RUDD, ELAINE HOBBY, ALICE JENKINS, KATY PRICE, MARTIN WILLIS, BRIAN BAKER, DAVID AMIGONI

When the midwife Jane Sharp wrote the Midwives Book in 1671, she became the first British woman to publish a midwifery manual. Drawing on works by her male contemporaries, and weaving together medical information and lively anecdotes, she produced a book that is instructive, accessible, witty, and constantly surprising.

When the midwife Jane Sharp wrote The Midwives Book in 1671, she became the first British woman to publish a midwifery manual. Drawing on works by her male contemporaries, and weaving together medical information and lively anecdotes, she produced a book that is instructive, accessible, witty, and constantly surprising.