for SABar and piano Suitable for concert use, this simple, delightful setting of a Yeats poem embraces nature's beauty and the secret joy of solitude. Soaring melodies, rich harmonic language, and a piano part that is both driving and supportive create a piece that is evocative and poignant. Also available in versions for SSA and piano and TTB and piano.

for SATB unaccompanied This is a warm and tender piece setting the last three verses of Christina Rossetti's 'What good shall my life do me?', which encourages leading a life of love as an example for others. Daley's heartfelt melodies are set to hymn-like textures and flow freely in ever-changing time signatures.

Suitable for SATB unaccompanied, this setting is taken from a text by John Donne. It is particularly appropriate during Lent.

Suitable for SATB unaccompanied, this setting of the Tenebrae Responsories captures the sense of anguish and tension inherent in the text. Emotive chromatic harmonies and brief passages of strong unison writing combine to create a poignantly expressive Lenten anthem.

for SATB and organ This is an exuberant setting of Psalm 95. A memorable rhythmic pattern is established by the organ toccata as it alternates between 4/4 and 7/8 for the outer sections of the anthem. The inner section offers a more straightforward setting of the text ending in D major, softer and a cappella. This would be an effective anthem for major festivals in the church year and during the Easter season.

for SATB and organ or brass quartet and timpani Eleanor Daley sets this Wesley text in an antiphonal style between the SATB choir and organ (or brass quartet, parts available separately). The sound is majestic and declamatory, just as one would expect from an Easter fanfare, with a hint of modal harmony, resulting in a strong and accessible Eastertide anthem.

for SATB unaccompanied A beautiful arrangement of one of Canada's oldest and most popular carols. After four verses, the final refrain culminates in a resplendent 'in excelsis gloria' before concluding with the stillness of the opening. Also in World Carols for Choirs SATB, with an upper voice version in World Carols for Choirs SSA.

for SATB with divisions unaccompanied This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It is an accessible work whose opening bars suggest the gentle undulation of a stream. The exquisite tune receives varied treatment in each verse. Troeger's text is based on John 4:7-15 and is particulary suitable for Lent.

for SATB with divisions unaccompanied This canticle sets a text by the distinguished American hymn-writer Thomas Troeger. It enlivens Troeger's already joyful text with an exciting 7/8 rhythm and a thrilling soprano descant. Troeger's text is based on Mark 8:34 making it suitable for general use as well as Lent.

Suitable for SATB unaccompanied, this anthem is set to an allegorical and evocative text by Robert Bridges. It is appropriate for many occasions.

Suitable for SSA and piano, this title features a setting of an Yeats poem which embraces nature's beauty and the secret joy of solitude. It is intended for concert use.

for SATB unaccompanied This is a straightforward and effective anthem set to a well-known text from the Song of Solomon. The choral texture is interspersed with several soli or semi-chorus passages which alternate between the upper and lower voices, reinforcing the message of love's power to bind people together. Suitable for both sacred and secular use.

for TTB and piano Suitable for concert use, this simple, delightful setting of a Yeats poem embraces nature's beauty and the secret joy of solitude. Soaring melodies, rich harmonic language, and a piano part that is both driving and supportive create a piece that is evocative and poignant. Also available in versions for SSA and piano and SABar and piano.

for SATB unaccompanied Suitable for the seasons of Advent and Christmas or for any Marian feast, this anthem takes as its starting point a reflective and compelling tune from Piae Cantiones, a sacred collection from 1582. Daley successfully creates a fresh new sound, however, by using contemporary harmonies. An English singing translation is included.