This book is an epistemological journey studying the art museum across disciplines. The aim is to explore how each discipline frames its investigation of the museum. Grounded in the "philosophy of practices" by the Italian philosopher Carlo Sini, this volume claims that the art museum exists in reality as an interdisciplinary space, but knowledge about it is built by numerous disciplines. The book opens with a theoretical framework based on the philosophy of practice by the philosopher Carlo Sini, explaining why the art museum is considered an interdisciplinary space and what is the epistemological role of academic disciplines. Each following chapter explains what we learn about the museum from each discipline. The book ends with a model of how we can bring these different disciplines together in one class, without embarking in a time-consuming program building and offers further reflections on the value of this epistemological investigation. It will be of use to upper-level students and researchers, in sociology of the arts, sociology of culture, interior architecture, art history, and nonprofit management.

In this book, Eleonora Redaelli investigates the arts in American cities, providing insight into urban cultural policy discourse through the lens of space. By unpacking the ways in which scholars and policymakers account for geographic configuration and spatial relation, this monograph presents a unique approach to the arts and public policy. Redaelli analyses five main concepts of the international discourse in cultural policy - cultural planning, cultural mapping, creative industries, cultural districts and creative placemaking - highlighting how each of them contributes to the understanding of how the arts connect with place. Employing a selection of American cities as case, this book is an essential contribution to our understanding of cultural policy and its effects. It will be of interest to students and scholars of sociology, public policy, urban studies, arts management and cultural studies.