An emotionally powerful debut with a magical twist, set between WWII France and present-day Appalachia, about generations of women in a family, their secret healing abilities, and the mysterious consequences they must contend with when they use their skills on someone they love.

For generations, the Winston women have possessed an unspoken magical gift: they can heal with the touch of a hand. It’s a tradition they’ve always had to practice in secret, in the moonlight hours, when the fireflies dance and the whippoorwill birds sing.

But not every healer has rightfully passed on this knowledge to her descendants, and for young Louise Winston, the discovery of her abilities comes in less-than-ideal circumstances—she brings her best friend back from death following an accident, the day after he professed his long-held feelings for her, five days before she’s supposed to move away.

Desperate for answers, and to avoid this new reality between them, Louise escapes to her grandmother’s lush Appalachian orchard. There, she uncovers her family’s hidden history in a tattered journal, stemming back to her brave great-grandmother who illicitly healed Allied soldiers in war-torn France. But just as Louise begins to embrace her unique legacy, she learns that it can also come with a mysterious cost. And with a life hanging in the balance, she’ll be forced to make the most impossible of choices…

Spanning eighty years, The Moonlight Healers is a deeply empathetic, heartfelt novel about mothers and daughters, life and death, and the beautiful resilience of love.

Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and resentment of their male peers and found new ways to explain the war through the people who lived through it. In You Don't Belong Here, Elizabeth Becker uses these women's work and lives to illuminate the Vietnam War from the 1965 American buildup, through the Tet Offensive, the expansion into Cambodia, the American defeat and its aftermath. Arriving herself in the last years of the war, Elizabeth writes as an historian and a witness to what these women accomplished. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice, and forever altering the craft of war reportage for generations. Deeply reported and filled with personal letters, interviews, and profound insight, You Don't Belong Here fills a void in the history of women and of war.

The largest global business in the world today is tourism. Employing one out of twelve people in the world and producing $6.5 trillion of the world's economy, it is the main source of income for many countries. Elizabeth Becker describes the dimensions of this industry and its huge effect on the world economy, the environment, and our culture.

Becker travels the world to offer lively portraits of far-off places: France invented the tour and is still the leader of the travel business; Venice is dying of over-tourism.

In Cambodia, Becker watches tourists crawl over the decaying temples of Angkor, jeopardizing precious cultural sites.

Costa Rica has abandoned raising cattle for American restaurants in order to protect their jungles for the lucrative field of eco-tourism.

Dubai, in the Arabian Gulf, has transformed a patch of desert into one of the world's largest shopping malls.

Africa's safaris are thriving, even if its environment and wildlife are not; ocean cruise ships are spoiling the oceans and ruining city ports.

China, the giant, is at last inviting tourists and at the same time sending its own out in droves.

Becker's investigation of global travel industry practices and their long-term ramifications is an eye-opening examination of this tremendous phenomenon. It is a staggering and unexamined element of the global economy.

Award-winning journalist Elizabeth Becker started covering Cambodia in 1973 for "The Washington Post," when the country was perceived as little more than a footnote to the Vietnam War. Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people--nearly a quarter of the population--were killed in what was one of this century's worst crimes against humanity."When the War Was Over" is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, "When the War Was Over" illuminates the darkness of Cambodia with the intensity of a bolt of lightning.

Mosques in the Metropolis offers a unique look into two of Europe's largest mosques and the communities they support. Elisabeth Becker provides a complex picture of Islam in Europe at a particularly fraught time, shedding light on both experiences of deep and enduring marginalization and the agency of Muslim populaces. She balances individual Muslim voices with the historical and structural forces at play, revealing, in all their complexity, the people for whom the mosques are centers of religion and community life. As her interlocutors come to life in the pages, the metropolis emerges as a space alternative to the nation in which they can contend with degrading images of Islam and Muslims. Ultimately Becker insists that caste is a crucial lens through which to view Muslims in Europe, and through this lens she critiques what she perceives as the failures of European pluralism. To amplify her point, she brings Jewish history and twentieth-century Jewish thought into the conversation directly, drawing on scholars such as Walter Benjamin, Zygmunt Bauman, and Hannah Arendt to describe both Jewish and Muslim life and marginality. By challenging Eurocentric notions, from "progress" to "civility," "tolerance" to "freedom" and "equality, what is at stake, Becker insists, is the possibility of a truly plural Europe.

Mosques in the Metropolis offers a unique look into two of Europe's largest mosques and the communities they support. Elisabeth Becker provides a complex picture of Islam in Europe at a particularly fraught time, shedding light on both experiences of deep and enduring marginalization and the agency of Muslim populaces. She balances individual Muslim voices with the historical and structural forces at play, revealing, in all their complexity, the people for whom the mosques are centers of religion and community life. As her interlocutors come to life in the pages, the metropolis emerges as a space alternative to the nation in which they can contend with degrading images of Islam and Muslims. Ultimately Becker insists that caste is a crucial lens through which to view Muslims in Europe, and through this lens she critiques what she perceives as the failures of European pluralism. To amplify her point, she brings Jewish history and twentieth-century Jewish thought into the conversation directly, drawing on scholars such as Walter Benjamin, Zygmunt Bauman, and Hannah Arendt to describe both Jewish and Muslim life and marginality. By challenging Eurocentric notions, from "progress" to "civility," "tolerance" to "freedom" and "equality, what is at stake, Becker insists, is the possibility of a truly plural Europe.

The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war. Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade. At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and resentment of their male peers and found new ways to explain the war through the people who lived through it. In You Don't Belong Here, Elizabeth Becker uses these women's work and lives to illuminate the Vietnam War from the 1965 American buildup, through the Tet Offensive, the expansion into Cambodia, the American defeat and its aftermath. Arriving herself in the last years of the war, Elizabeth writes as an historian and a witness to what these women accomplished. What emerges is an unforgettable story of three journalists forging their place in a land of men, often at great personal sacrifice, and forever altering the craft of war reportage for generations. Deeply reported and filled with personal letters, interviews, and profound insight, You Don't Belong Here fills a void in the history of women and of war.