Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Second World War has finally ended and so begins a new era of freedom and opportunity for the Cazalet family. Elizabeth Jane Howard's magnificent Cazalet Chronicles continues with Casting Off, the fourth novel in the saga. The Cazalet cousins are now in their twenties, trying to piece together their lives in the aftermath of the war. Louise is faced with her father's new mistress and her mother's grief at his betrayal, while suffering in a loveless marriage of her own. Clary is struggling to understand why her beloved father chose to stay in France long after it was safe to return to Britain, and both she and Polly are madly in love with much older men. Polly, Clary and Louise must face the truth about the adult world, while their fathers - Rupert, Hugh and Edward - must make choices that will decide their own, and the family's, future. With cover artwork exclusively designed by artist Luke Edward Hall, this is the heartbreaking and heartwarming fourth instalment of Elizabeth Jane Howard's bestselling series. It is followed by All Change, the fifth and final book in the series. 'Charming, poignant and quite irresistible . . . to be cherished and shared' - The Times

All Change is the fifth and final volume in Elizabeth Jane Howard's bestselling The Cazalet Chronicles, where the old world begins to fade from view and a new dawn emerges. It is the 1950s and as the Duchy, the Cazalets' beloved matriarch, dies, she takes with her the last remnants of a disappearing world - houses with servants, class, and tradition - in which the Cazalets have thrived. Louise, now divorced, becomes entangled in a painful affair, while Polly and Clary must balance marriage and motherhood with their own ideas and ambitions. Hugh and Edward, now in their sixties, are feeling ill-equipped for this modern world, while Villy, long abandoned by her husband, must at last learn to live independently. But it is Rachel, who has always lived for others, who will face her greatest challenges yet. As the Cazalets descend on Home Place for Christmas, only one thing is certain: nothing will ever be the same again. With cover artwork exclusively designed by artist Luke Edward Hall, this is the heartbreaking and heartwarming final instalment of Elizabeth Jane Howard's bestselling series. 'She is one of those novelists who shows, through her work, what the novel is for . . . She helps us to do the necessary thing - open our eyes and our hearts' - Hilary Mantel, author of Wolf Hall

The Light Years is a modern classic of twentieth-century English life in the countryside, and is the first novel in Elizabeth Jane Howard's extraordinary, bestselling family saga The Cazalet Chronicles. Every summer, the Cazalet brothers - Hugh, Edward and Rupert - return to the family home in the heart of the Sussex countryside with their wives and children. There, they are joined by their parents and unmarried sister Rachel to enjoy two blissful months of picnics, games, and excursions to the coast. But despite the idyllic setting, nothing can be done to soothe the siblings' heartache: Hugh is haunted by the ravages of the Great War, Edward is torn between his wife and his latest infidelity, and Rupert is in turmoil over his inability to please his demanding wife. Meanwhile, Rachel risks losing her only chance at happiness because of her unflinching loyalty to the family. With cover artwork exclusively designed by artist Luke Edward Hall, this is an edition to treasure. Continue the dazzling historical series with Marking Time, Marking Time and Confusion. 'Charming, poignant and quite irresistible . . . to be cherished and shared' - Times

This book offers a new reading of Marcell Mauss' and Lewis Hyde's theories of poetry as gift, exploring poetry exchanges within 20th and 21st century communities of poets, publishers, audiences and readers operating along a gift economy. The text considers trans-Atlantic case studies across fields of performance and ecopoetics, small press publishing and poetry institutions, with focus on Joan Retallack, Bob Holman, Anne Waldman, Bob Cobbing, and feminist performance. Elizabeth-Jane Burnett focuses on innovative poetry that resists commodification, drawing on ethnography to show parallels with gift giving tribal societies; she also considers the ethical, philosophical and psychological motivations for such exchanges with particular reference to poethics. This book will appeal to researchers in modern poetry, poetry teachers, advanced students of modern literature, and those with an interest in poetry.

.Through the lenses of history this important book probes the events in Southeast Asia in the thirty years after 1945. This book compiles the most current scholarly interpretations on the causes and outcome of the Vietnam War. The contributors reflect on and discuss various aspects of the Vietnam conflicts and clear away many of the misconceptions and myths that still surround the wars. They try to understand how and why events in Southeast Asia happened as they did, and the impact they had both regionally and globally. A useful reference for any scholar of the Vietnam War, "The Vietnam War as History" will appeal to the general reader as well, particularly those who served in Vietnam.

The chapters offer a diverse set of approaches of the war. Many of the contributors disagree philosophically on the causes and nature of the conflict. Some--Thomas Cubbage and Harry Summers--write from their personal involvement in the war. Others take a more detached view. And still others seek to provide further insight into some of the twisted questions that surrounded the conflict. All are united in their attempts to come to terms with the wars in Vietnam as a distinct historical event.

Honest and unflinching, this book illuminates the literary world of the latter half of the 20th century, as well as giving a personal insight into the life of Elizabeth Jane Howard.