Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book offers a new reading of Marcell Mauss' and Lewis Hyde's theories of poetry as gift, exploring poetry exchanges within 20th and 21st century communities of poets, publishers, audiences and readers operating along a gift economy. The text considers trans-Atlantic case studies across fields of performance and ecopoetics, small press publishing and poetry institutions, with focus on Joan Retallack, Bob Holman, Anne Waldman, Bob Cobbing, and feminist performance. Elizabeth-Jane Burnett focuses on innovative poetry that resists commodification, drawing on ethnography to show parallels with gift giving tribal societies; she also considers the ethical, philosophical and psychological motivations for such exchanges with particular reference to poethics. This book will appeal to researchers in modern poetry, poetry teachers, advanced students of modern literature, and those with an interest in poetry.

.Through the lenses of history this important book probes the events in Southeast Asia in the thirty years after 1945. This book compiles the most current scholarly interpretations on the causes and outcome of the Vietnam War. The contributors reflect on and discuss various aspects of the Vietnam conflicts and clear away many of the misconceptions and myths that still surround the wars. They try to understand how and why events in Southeast Asia happened as they did, and the impact they had both regionally and globally. A useful reference for any scholar of the Vietnam War, "The Vietnam War as History" will appeal to the general reader as well, particularly those who served in Vietnam.

The chapters offer a diverse set of approaches of the war. Many of the contributors disagree philosophically on the causes and nature of the conflict. Some--Thomas Cubbage and Harry Summers--write from their personal involvement in the war. Others take a more detached view. And still others seek to provide further insight into some of the twisted questions that surrounded the conflict. All are united in their attempts to come to terms with the wars in Vietnam as a distinct historical event.

After a strange and alarming phone call from her elderly uncle Pete gets abruptly cut off, kindergarten teacher Betsy McGovern returns to her hometown of Eagle Point, Maine. She soon learns that her beloved uncle Pete and godmother, Lily Mae Warren, the lighthouse keeper of Eagle Point Light, have been kidnapped.

Eagle Point sheriff Francis Willette helps Betsy unravel the puzzling family secrets and shocking local murders that welcome her home. Betsy and the handsome sheriff sort out the clues to the case while they sort out the feelings they have for each other. Betsy also has to keep Eagle Point Light burning. Watching her back might not be a bad idea, either.

With two dead bodies and no solid suspects, Betsy and Francis frantically work to solve the case and bring Betsy's loved ones home before they become the final victims in an elaborate scheme to keep past secrets hidden.