An Egyptologist investigates a death at the British Museum in a "charming" Victorian mystery by the New York Times-bestselling author of The Painted Queen (The Denver Post). Back in London after an archaeological dig, adventurous sleuth Amelia Peabody--"rather like Indiana Jones, Sherlock Holmes and Miss Marple all rolled into one"--discovers that a night watchman at the museum has perished in the shadow of a mummy case (The Washington Post Book World). There are murmurings about an ancient curse, but a skeptical Amelia is determined to find an all-too-human killer. Soon, she's balancing family demands, including the troubles of her precocious son, Ramses (aka Walter), with not just one unsolved crime, but two . . . From a recipient of multiple honors including the Mystery Writers of America's Grand Master Award, this murder mystery set in Victorian-era England is a witty, rollicking, and "deeply satisfying" romp (Entertainment Weekly) in a "jewel of a series" (The New York Times Book Review).

A Christmas slaying, an Egyptian puzzle, and a night in the home of a stranger-three chillers from the New York Times-bestselling "grandmaster" of mystery (Publishers Weekly). A thriller writer is embroiled in a real-life whodunit when a friend drops dead in front of her, with her own hatpin impaled in his back. The violation of a sealed West Bank tomb, its rock walls intact, provides a Thebes investigator with a mystifying conundrum. And two sisters take shelter from a storm in a shuttered old house at the end of a country road . . . only to discover they're not alone. Settle in with this trio of short stories-available for the first time in a single volume-from one of the most popular mystery writers of all time. With her customary sharp wit, historical expertise, and effortless knack for freezing the blood, Elizabeth Peters "never fails to entertain" (The Plain Dealer).

A brand-new Elizabeth Peters novel is one of the uncompromising pleasures in life. As Peter Theroux in the New York Times Book Review points out, "Her wonderfully witty voice and her penchant for history lessons of the Nile both ancient and modern keep (her) high adventure moving for even the highest brows". In her previous outing, The Last Camel Died at Noon, Amelia Peabody and her dashing husband, Emerson, discovered a fabulous lost oasis in the Nubian desert. Now, in the seventh mystery in the series, the Emerson-Peabodys are traveling up the Nile once again to encounter their most deadly adversary, the Master Criminal, who is back at his sinister best. Amelia Peabody was unabashedly proud of her newest translation, a fragment of the ancient fairytale "The Doomed Prince". Later, she would wonder why no sense of foreboding struck her as she retold the story of the king's favorite son who had been warned that he would die from the snake, the crocodile, or the dog. Little did she realize, as she and her beloved husband sailed blissfully toward the pyramids of ancient Egypt, that those very beasts (and a cat as well) would be part of a deadly plot. The expedition began so happily....Leaving their delightful, but catastrophically precocious, son, Ramses, back in England, Amelia hoped this romantic trip might rejuvenate her thirteen-year-old marriage and bring back the thrills that she feared were fading. She and her dear Emerson were returning to the remote desert site where they had first fallen in love, Amarna, the holy city of Akhenaton and his beautiful queen, Nefertiti. But their return would threaten not only their marriage, but their very lives with perils as chilling as a mummy'scurse. An old enemy was determined to learn Amelia and Emerson's most closely guarded secret: the location of a legendary long-lost oasis and a race of people bedecked in gold. So cunning was his scheme that Amelia might overlook - until it was too late - the truth about the mysterious cat called Anubis, the identity of the spy among their retinue, and the nature of the stunning blow that could rob her of all she held dear. A quintessential Elizabeth Peters adventure, The Snake, the Crocodile and the Dog will sweep readers toward an ingenious climax designed to shock and utterly surprise us all.

How much power does a father have to influence his children's development? A lively and often heated public debate on the role and value of the father in a family has been underway in the United States for the past decade. Nevertheless, we are far from understanding the complex ways in which fathers make contributions to their families and children. Fatherhood: Research, Interventions, and Policies addresses the central questions of the role of fathers: What is the impact of father involvement on child outcomes? What factors predict increased involvement of fathers?Bringing together papers presented at the Conference on Father Involvement, this volume includes contributions by leading scholars in anthropology, demography, economics, family science, psychology, and sociology. Many of the contributors also address the implications of father involvement for family policy issues, including family leave, child care, and child support. Furthermore, the discussion of fatherhood ranges well beyond the case of intact, middle-class, white families to include fathers from various ethnic groups and socioeconomic classes and of varied marital status, including fathers of nonmarital children, single-father families, and nonresident fathers. Fatherhood: Research, Interventions, and Policies addresses both practical and theoretical concerns, including: the redefinition of fatherhood changes over time in research on fatherhood the predictive power of fathers'activities on their children's adult outcomes the correlation between fathers'income and their involvement with their nonmarital children the influence of fathers on their sons'probability of growing up to become responsible fathers the effects of divorce on father-son and father-daughter relationships interventions that help to keep divorced fathers in touch with their childrenThis comprehensive, powerful book combines pioneering empirical research with thoughtful consideration of the social and psychological implications of fatherhood. It is essential reading for researchers, policymakers, psychologists, and students of family studies, human development, gender studies, social policy, sociology, and human ecology.

Amelia Peabody is Elizabeth Peters' most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men's pants and no-nonsense attitude! In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress - Evelyn Barton-Forbes - and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn't need women to help him solve mysteries -- at least that's what he thinks! 'Think Miss Marple with early feminist gloss crossed with Indiana Jones... Dastardly deeds, whirlwind romances, curious mummies and all the fun and intrigue of Egyptian excavations, with a heroine who wields a sturdy parasol rather than a magnum. Accomplished entertainment.' Guardian

Although federal and state support for childcare has increased dramatically in response to welfare work requirements, low-income families are still facing difficulties balancing work and family obligations. There is wide variation across states in the strictness of welfare work requirements and in the generosity of childcare support. In addition, the level of co-payments required and the flexibility to use subsidies for informal modes of childcare differ across states, leading families to make different childcare and employment choices. The purpose of From Welfare to Childcare is first to describe what changes occurred in childcare following the 1996 welfare reform legislation, and then to analyze how federal welfare and subsidy policies influence the availability, accessibility, and quality of childcare arrangements for single mothers with young children. National in scope, it focuses on how the reforms influence the way that children are cared for when their mothers leave welfare and enter the workforce. This book is suitable for national, state, and local policymakers, non-profit organizations that study and attempt to influence public policy, and scholars interested in family and social policy issues. It can be used as a text in graduate level courses on welfare, poverty, and children and public policy.

How much power does a father have to influence his children's development? A lively and often heated public debate on the role and value of the father in a family has been underway in the United States for the past decade. Nevertheless, we are far from understanding the complex ways in which fathers make contributions to their families and children. Fatherhood: Research, Interventions, and Policies addresses the central questions of the role of fathers: Ž What is the impact of father involvement on child outcomes? Ž What factors predict increased involvement of fathers?Bringing together papers presented at the Conference on Father Involvement, this volume includes contributions by leading scholars in anthropology, demography, economics, family science, psychology, and sociology. Many of the contributors also address the implications of father involvement for family policy issues, including family leave, child care, and child support. Furthermore, the discussion of fatherhood ranges well beyond the case of intact, middle-class, white families to include fathers from various ethnic groups and socioeconomic classes and of varied marital status, including fathers of nonmarital children, single-father families, and nonresident fathers. Fatherhood: Research, Interventions, and Policies addresses both practical and theoretical concerns, including: the redefinition of fatherhood changes over time in research on fatherhood the predictive power of fathers'activities on their children's adult outcomes the correlation between fathers'income and their involvement with their nonmarital children the influence of fathers on their sons'probability of growing up to become responsible fathers the effects of divorce on father-son and father-daughter relationships interventions that help to keep divorced fathers in touch with their childrenThis comprehensive, powerful book combines pioneering empirical research with thoughtful consideration of the social and psychological implications of fatherhood. It is essential reading for researchers, policymakers, psychologists, and students of family studies, human development, gender studies, social policy, sociology, and human ecology.

Join our plucky Victorian Egyptologist , together with her devastatingly handsome and brilliant husband Radcliffe, in another exciting escapade The irascible husband of Victorian Egyptologist Amelia Peabody is living up to his reputation as 'The Father of Curses'. Denied permission to dig at the pyramids of Dahshoor, Emerson is awarded instead the 'pyramids' of Mazghunah - countless mounds of rubble in the middle of nowhere. Nothing in this barren spot seems of any interest but then a murder in Cairo changes all of that. The dead man was an antiques dealer, killed in his shop, so when a sinister-looking Egyptian spotted at the crime scene turns up in Mazghunah, Amelia can't resist following his trail. At the same time she has to keep an eagle eye on her wayward son Rameses and his elegant and calculating cat and look into the mysterious disappearance of a mummy case...

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Emerson, and their wild and precocious eight-year-old son, Ramses. The much-coveted burial chamber of the Black Pyramid in Dahshoor is theirs for the digging. But there is a great evil in the wind that roils the hot sands sweeping through the bustling streets and marketplaces of Cairo. The brazen moonlight abduction of Ramses--and an expedition subsequently cursed by misfortune and death--have alerted Amelia to the likely presence of her arch nemesis the Master Criminal, notorious looter of the living and the dead. But it is far more than ill-gotten riches that motivates the evil genius this time around. For now the most valuable and elusive prize of all is nearly in his grasp: the meddling lady archaeologist who has sworn to deliver him to justice . . . Amelia Peabody!

Join our plucky Victorian Egyptologist , together with her devastatingly handsome and brilliant husband Radcliffe, in another exciting escapade When Lady Baskerville's husband Sir Henry dies after discovering what may have been an undisturbed royal tomb in Luxor, she appeals to eminent archaeologist Radcliffe Emerson and his wife Amelia to take over the excavation. Amid rumours of a curse haunting all those involved with the dig, the intrepid couple proceeds to Egypt, where they begin to suspect that Sir Henry did not die a natural death, and they are confident that the accidents that plague the dig are caused by a sinister human element, not a pharoah's curse

Set in 1884, this is the first installment in what has become a beloved bestselling series. At thirty-two, strong-willed Amelia Peabody, a self-proclaimed spinster, decides to use her ample inheritance to indulge her passion, Egyptology. On her way to Egypt, Amelia encounters a young woman named Evelyn Barton-Forbes. The two become fast friends and travel on together, encountering mysteries, missing mummies, and Radcliffe Emerson, a dashing and opinionated archaeologist who doesn't need a woman's help -- or so he thinks.

When a masked stranger offers to reveal an Egyptian queen's lost tomb to Amelia and Emerson in 1900, they are intrigued to say the least. But the guide mysteriously disappears, leaving them to sail to Thebes to follow his trail. The fact that Ramses and Nefret are along on the journey both helps and hampers efforts to solve this mystery. Soon all four are risking their lives as they foil kidnappers, grave robbers and ancient curses. And intrepid Amelia finds herself faced with a surprising new villain who is every bit as clever and resourceful as she is

Banned from the Valley of the Kings, Amelia Peabody and her distinguished husband have returned to England with their 19-year-old son Ramses and their foster daughter, Nefret. Ramses is secretly in love with Nefret and plans to flee to Germany to avoid temptation. Then a mysterious visitor changes the plan for the whole family. Set in the Sudan, this is another exciting adventure which follows the Peabody family as they confront all the forces against them armed only with a crumbling map and an important letter...

It's 1892, and Amelia and Emerson, who is now her husband, are back in England raising their young son Ramses, when they are approached by a damsel in distress. Lady Baskerville's husband, Sir Henry, has died after uncovering what may have been royal tomb in Luxor. Amid rumors of a curse haunting all those involved with the dig, Amelia and Emerson proceed to Egypt and begin to suspect that Sir Henry did not die a natural death. The accidents plaguing the dig appear to be caused by a sinister human element, not a pharaoh's curse.

Mobilitat ist ein Hauptcharakteristikum des Wirtschaftslebens: Unternehmen stehen nicht nur vor sprachpolitischen Herausforderungen, sondern mussen sich auch mit dem Spannungsfeld zwischen lokaler Realitat und Internationalisierungsprozessen auseinandersetzen und sich dabei der Frage stellen, wie sie in einer von Mobilitat getriebenen Welt ihre Kunden, Investoren und andere Stakeholder (besser) erreichen koennen. Die physische und virtuelle Mobilitat von Unternehmen, Personen, Kapital, Waren und Dienstleistungen fuhrt zu neuen Markt- und Kommunikationsbedingungen, in denen die Mobilitat mitunter auch selbst in Form von Mobilitatsloesungen als Produkt fungiert. Sie wirkt sich unmittelbar auf den Inhalt und die Art der Wirtschaftskommunikation aus, die dieser interdisziplinar ausgerichtete Band aus den Blickwinkeln von Theoretikern und Praktikern ausleuchtet.

In this latest Amelia Peabody mystery there's more trouble in store for our intrepid Egyptologist. This time it is of a distinctly personal nature. Her niece's new, Egyptian, husband stands accused of forging priceless antiquities. Is he guilty, or merely the fall guy for some unscrupulous villain? Meanwhile, matters are complicated by the arrival of Amelia's detestable nephew who begins an ardently amorous pursuit of her son's wife, Nefret...

Trouble is brewing in Egypt at the close of 1914 and no one will escape the coming tempest. With the world at war, Amelia Peabody and her husband Radcliffe Emerson have returned to Cairo for another season of archaeological excavation--despite the increasing danger of an attack on the Suez Canal and on Egypt itself.

A terrible conflict looms. A long-simmering love affair is resolved. A dastardly plot unfolds. There is no escaping the furious storm that now threatens the Emersons and their world--so Amelia plunges right into it.

It is 1914 and Amelia Peabody and her husband Emerson are back in Egypt for another season of archaeological excavation. But this year a new menace hangs over the dig: rumblings of war abound in Europe while over in the East, Turkish and German forces are massing for an attack on the Suez Canal. There are problems closer to home too: their son Rameses, passionately opposed to the war, is collecting white feathers and challenges from the British community of Cairo, their beautiful ward Nefret seems to have become involved with Amelia's detested nephew Percy, while David, the young Egyptian married to their niece Lia, has been interned because of his nationalist sympathies. Even Amelia finds it difficult to concentrate on pyramids when her children are in trouble and Cairo teems with enemy agents, including her old nemesis. Can Amelia unmask the Master Criminal and prevent a bloody uprising in Cairo, rescue Nefret from the attentions of her nephew, defend her son against unknown enemies and prevent Emerson from dashing off to fight in the looming war? If anyone can it's Amelia - but this time she is going to need all the help that she can get; and some of it from a completely unexpected source.

Autumn 1921. The Peabody-Emerson clan are enjoying a fruitful period of excavation in Egypt. But when they hear the alarming tale of a man's mysterious death their digging turns to detecting. His widow is convinced her husband was the victim of a curse and implores the Emersons to find and return the small 'deadly' statue that killed him to the tomb from which it was stolen -- before it claims another life. From bitter experience the Emersons know it would be a serious mistake to start chasing tomb robbers. But Amelia and family soon start to find the curse may be more real than ever imagined...

Undeterred by world war and enemy submarines, Amelia and Emerson set sail once again for Egypt, where ghosts of an ancient past and spectres of a present-day evil hover silently over an inscrutable land. In the autumn of 1915 Cairo is transformed into an army camp teeming with enemy agents and shockingly bold tomb robbers are brazenly desecrating the ancient sites. Amelia seeks refuge at a remote dig in Luxor, but this provides no guarantee of safety when she discovers a fresh corpse in an ancient tomb. But are the Emersons in even darker danger with the intervention of one of Amelia's oldest and most dangerous adversaries? Tanatalising clues suggest this might be so, and point towards an archaelogical discovery of unparalleled importance - and the resurrection of a voice that has been silent for milennia.

She may be a bestselling author, but ex-librarian Jacqueline Kirby's views on the publishing biz aren't fit to print. In fact, she's thinking of trading celebrity for serenity and a house far away from fiendish editors and demented fans when her agent whispers the only words that could ever make her stay: Naked in the Ice. Seven years ago, this blockbuster skyrocketed Kathleen Darcy to instant fame. Now the author's heirs are looking for a writer to pen the sequel. It's an opportunity no novelist in her right mind would pass up, and there's no doubting Jacqueline's sanity...until she starts digging through the missing woman's papers--and her past. Until she gets mixed up with Kathleen's enigmatic lover. Until a series of nasty accidents convince her much too late that someone wants to bring Jacqueline's story--and her life--to a premature end.

Radcliffe Emerson, the irascible husband of fellow archaeologist and Egyptologist Amelia Peabody, has earned the nickname "Father of Curses"--and at Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere. And there is nothing in the barren area worthy of their interest--until an antiquities dealer is murdered in his own shop. A second sighting of a sinister stranger from the crime scene, a mysterious scrap of papyrus, and a missing mummy case have all whetted Amelia's curiosity. But when the Emersons start digging for answers in an ancient tomb, events take a darker and deadlier turn--and there may be no surviving the very modern terrors their efforts reveal.

The fifteenth adventure for Amelia, Emerson and the whole Peabody-Emerson clan! At last the Great War is over. Amelia, her distinguished Egyptologist husband Emerson and their extended family are preparing for another season of excavation in Egypt. To everyone's great joy their son Ramses and his wife Nefret have become parents. Amelia, enjoying her role of fond (yet firm) grandmother, hopes that for once, this will be a quiet year with Ramses no longer undertaking perilous missions for British intelligence and no old enemies on their trail. Amelia is sadly mistaken. Past dangers cast shadows across the seemingly peaceful present, and a new adversary - unlike any Amelia has ever encountered - will chart a course that puts her beloved family directly in the path of destruction.