Essays using feminist approaches to offer fresh insights into aspects of the texts and the material culture of the middle ages. Feminist discourses have called into question axiomatic world views and shown how gender and sexuality inevitably shape our perceptions, both historically and in the present moment. Founding Feminisms in Medieval Studies advances that critical endeavour with new questions and insights relating to gender and queer studies, sexualities, the subaltern, margins, and blurred boundaries. The volume's contributions, from French literary studies as well as German, English, history and art history, evince a variety of modes of feminist analysis, primarily in medieval studies but with extensions into early modernism. Several interrogate the ethics of feminist hermeneutics, the function of women characters in various literary genres, and so-called "natural" binaries - sex/gender, male/female, East/West, etc. - that undergird our vision of the world. Others investigate learned women and notions of female readership, authorship, and patronage in the production and reception of texts and manuscripts. Still others look at bodies - male male, female, neither, and both - and how clothes cover and socially encode them. Founding Feminisms in Medieval Studies is a tribute to E. Jane Burns, whose important work has proven foundational to late twentieth- and early twenty-first-century Old French feminist studies. Through her scholarship, teaching, and leadership in co-founding the Society for Medieval Feminist Scholarship, Burns has inspired a new generation of feminist scholars. Laine E. Doggett is Associate Professor of French at St. Mary's College of Maryland, St. Mary's City; Daniel E. O'Sullivan is Professor of French at the University of Mississippi. Contributors: Cynthia J. Brown, Matilda Tomaryn Bruckner, Kristin L. Burr, Madeline H. Caviness, Laine E. Doggett, Sarah-Grace Heller,Ruth Mazo Karras, Roberta L. Krueger, Sharon Kinoshita, Tom Linkinen, Daniel E. O'Sullivan, Lisa Perfetti, Ann Marie Rasmussen, Nancy Freeman Regalado, Elizabeth Robertson, Helen Solterer

This volume provides a serious examination of substance use prevention research and practice as components of the continuum from health promotion through to prevention and health care in sub-groups and in the general population. Extensive background chapters provide portals into the evolution of the field and the cutting edge research being conducted on the etiology, epidemiology, and genetics of substance use and abuse. The global nature and health burden of substance use and abuse incorporates assessments of the serious problems related to the prevention of legal substance use (i.e., alcohol and tobacco) and how lessons learned in those arenas may apply to the prevention of illicit substance use. Research and practice chapters detail a range of effective evidence-based programs, policies and practices and emerging prevention interventions from the literatures on the family and school contexts in addition to innovations involving mindfulness and the social media. Continued advancements in substance use prevention research, practice, training, and policy are projected. Included among topics addressed are: Progression of substance use to abuse and substance use disorders The tobacco prevention experience: a model for substance use prevention? Policy interventions: intended and unintended influences on substance use Qualitative methods in the study of psychoactive substance use Use of media and social media in the prevention of substance use Supporting prevention science and prevention research internationally The array of research accomplishments and real-world methods presented in Prevention of Substance Use merits the attention of a variety of researchers and practitioners, including public health professionals, health psychologists, and epidemiologists.

One of the most important medieval writers studied in historical and literary context. Julian of Norwich, the fourteenth/early fifteenth-century anchoress and mystic, is one of the most important and best-known figures of the Middle Ages. Her Revelations, intense visions of the divine, have been widely studied and read; the first known writings of an English woman, their influence extends over theology and literature. However, many aspects of both her life and thought remain enigmatic. This exciting new collection offers a comprehensive, accessible coverage of the key aspects of debate surrounding Julian. It places the author within a wide range of contemporary literary, social, historical and religious contexts, and also provides a wealth of new insightsinto manuscript traditions, perspectives on her writing and ways of interpreting it, building on the work of many of the most active and influential researchers within Julian studies, and including the fruits of the most recent,ground-breaking findings. It will therefore be a vital companion for all of Julian's readers in the twenty-first century. Dr Liz Herbert McAvoy is Senior Lecturer in Gender in English and Medieval Studies at Swansea University. Contributors: Denise M. Baker, Alexandra Barratt, Marleen Cre, Elisabeth Dutton,Vincent Gillespie, Cate Gunn, Ena Jenkins, E.A. Jones, Liz Herbert McAvoy, Laura Saetveit Miles, Kim M. Philips, Elizabeth Robertson,Sarah Salih, Annie Sutherland, Diane Watt, Barry Windeatt.

The genre of medieval romance examined through the lens of their physical and their metrical forms. Romances were immensely popular with medieval readers, as evidenced by their ubiquity in manuscripts and early print. The essays collected here deal with the textual transmission of medieval romances in England and Scotland, combining this with investigations into their metre and form; this comparison of the romances in both their material form and their verse form sheds new light on their cultural and social contexts. Topics addressed include the textualhistory of Sir Orfeo; the singing of Middle English romances; their rhythms and rhyme schemes; their printed transmission from Caxton to Wynkyn de Worde; and the representation of the Otherworld in manuscript miscellanies. AD PUTTER is Professor of Medieval English at the University of Bristol; JUDITH A. JEFFERSON is Research Associate at the University of Bristol. Contributors: Michelle de Groot, Judith A. Jefferson, RebeccaE. Lyons, Carol M. Meale, Donka Minkova, Nicholas Mylkebust, Derek Pearsall, Rhiannon Purdie, Ad Putter, Elizabeth Robertson, Jordi Sanchez-Marti, Thorlac Turville-Petre

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise. The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text. Contributors: ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.

These thirteen essays by distinguished Chaucerians deal with the most neglected genre of the Canterbury Tales, the religious tales. Although the prose works are also discussed, the primary focus of the volume is on Chaucer's four poems in rhyme royal: the Clerk's Tale, the Man of Law's Tale, the Second Nun's Tale and the Prioress's Tale. Almost all of Chaucer's tales are religious in some sense, but these four works deal specifically and deeply with faith and spiritual transcendence. They appeal to qualities, such as pathos, not now in critical fashion, but at the same time they seem extraordinarily contemporary in their special interest in women and feminist issues. The time is appropriate to recognise their importance in Chaucer's canon, for he is a religious poet as surely as he is a poet of comedy and secular love. These essays survey past criticism on the religious tales and offer new approaches. Contributors: C. DAVID BENSON, ELIZABETH ROBINSON, DEREK PEARSALL, BARBARA NOLAN, ROBERT WORTH FRANK, LINDA GEORGIANNA, CHARLOTTE C. MORSE, A.S.G. EDWARDS, CAROLYN COLETTE, ELIZABETH D. KIRK, GEORGE R. KEISER, JANE COWGILL.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.

Astonishing in its cultural and theological scope, William Langland s iconoclastic masterpiece is at once a historical relic and a deeply spiritual vision, probing not only the social and religious aristocracy but also the day-to-day realities of a largely voiceless proletariat class. E. Talbot Donaldson s translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem s distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. "Sources and Backgrounds" includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. "Criticism" includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included."

The story of the Dundee mill girl who, inspired by David Livingstone, became a missionary herself in Calabar, a part of Africa known as 'the White Man's Grave'. There she adopted many children who would otherwise have been left to die; when her mediating skills were recognised she became the British Empire's first woman magistrate. Her name lives on in the Mary Slessor Foundation, a charity working in Africa to improve health, skills training and facilitate agricultural projects. Mary Slessor was one of the most remarkable Scotswomen of any generation and the first to be depicted on a Scottish banknote. First published in 2001; this edition has had some material updated and a replacement photograph.

Liebe und Leid im Heiligen Land Autobiographische Erzahlung Shakespeare ware stolz darauf gewesen, eine Handlung wie diese zu prasentieren: eine junge sudafrikanische Kunstlerin geht nach Jerusalem, um fur die Internationale Christliche Botschaft ICEJ zu arbeiten. Dort trifft sie einen leidenschaftlichen, jungen orthodoxen Juden, den man gelehrt hat, alles zu verachten, woran die junge Kunstlerin glaubt. Das Leben ubertrifft die Fantasie eines Meisters und so wird auch diese autobiografische Erzahlung die inneren Erwartungen des Lesers ubersteigen!