The Metamorphoses or Golden Ass of Apuleius (ca. 170 CE) is a Latin novel written by a native of Madauros in Roman North Africa, roughly equal to modern Tunisia together with parts of Libya and Algeria. Apuleius' novel is based on the model of a lost Greek novel; it narrates the adventures of a Greek character with a Roman name who spends the bulk of the novel transformed into an animal, traveling from Greece to Rome only to end his adventures in the capital city of the empire as a priest of the Egyptian goddess Isis. Apuleius' Florida and Apology deal more explicitly with the African provenance and character of their author while also demonstrating his complex interaction with Greek, Roman, and local cultures. Apuleius' philosophical works raise other questions about Greek vs. African and Roman cultural identity. Apuleius in Africa addresses the problem of this intricate complex of different identities and its connection to Apuleius' literary production. It especially emphasizes Apuleius' African heritage, a heritage that has for the most part been either downplayed or even deplored by previous scholarship. The contributors include philologists, historians, and experts in material culture; among them are some of the most respected scholars in their fields. The chapters give due attention to all elements of Apuleius' oeuvre, and break new ground both on the interpretation of Apuleius' literary production and on the culture of the Roman Empire in the second century. The volume also includes a modern, sub-Saharan contribution in which "Africa" mainly means Mediterranean Africa.

The Metamorphoses or Golden Ass of Apuleius (ca. 170 CE) is a Latin novel written by a native of Madauros in Roman North Africa, roughly equal to modern Tunisia together with parts of Libya and Algeria. Apuleius novel is based on the model of a lost Greek novel; it narrates the adventures of a Greek character with a Roman name who spends the bulk of the novel transformed into an animal, traveling from Greece to Rome only to end his adventures in the capital city of the empire as a priest of the Egyptian goddess Isis. Apuleius Florida and Apology deal more explicitly with the African provenance and character of their author while also demonstrating his complex interaction with Greek, Roman, and local cultures. Apuleius philosophical works raise other questions about Greek vs. African and Roman cultural identity.

Apuleius in Africa addresses the problem of this intricate complex of different identities and its connection to Apuleius literary production. It especially emphasizes Apuleius African heritage, a heritage that has for the most part been either downplayed or even deplored by previous scholarship. The contributors include philologists, historians, and experts in material culture; among them are some of the most respected scholars in their fields. The chapters give due attention to all elements of Apuleius oeuvre, and break new ground both on the interpretation of Apuleius literary production and on the culture of the Roman Empire in the second century. The volume also includes a modern, sub-Saharan contribution in which "Africa" mainly means Mediterranean Africa."

Apuleius's The Golden Ass, one of a handful of extant ancient novels, remains relatively unknown. Peter Singer, the renowned philosopher and author of the modern classic Animal Liberation, remedies this neglect, bringing the comic tale back to the wider reading public. With a version stripped of the many tales extraneous to the main narrative, Singer exposes the core of the text: the adventures of the man-turned-animal, Lucius. Singer has teamed with Apuleius scholar and translator Ellen Finkelpearl to create a delightful rollicking story in which we follow the adventures of this cocky young man transformed into a donkey, through his travails, erotic adventures and enlightenment. With Singer's vision, superbly illustrated by prize-winning artists Anya and and Varya Kendel, this newly rendered canonical work is bound to be enjoyed by anyone who cares about human and animal life. Afterwords by Singer and Finkelpearl assess the significance of The Golden Ass for our thoughts about animals, ancient and modern.

Apuleius's The Golden Ass, one of a handful of extant ancient novels, remains relatively unknown. Peter Singer, the renowned philosopher and author of the modern classic Animal Liberation, remedies this neglect, bringing the comic tale back to the wider reading public. With a version stripped of the many tales extraneous to the main narrative, Singer exposes the core of the text: the adventures of the man-turned-animal, Lucius. Singer has teamed with Apuleius scholar and translator Ellen Finkelpearl to create a delightful rollicking story in which we follow the adventures of this cocky young man transformed into a donkey, through his travails, erotic adventures and enlightenment. With Singer's vision, superbly illustrated by prize-winning artists Anya and and Varya Kendel, this newly rendered canonical work is bound to be enjoyed by anyone who cares about human and animal life. Afterwords by Singer and Finkelpearl assess the significance of The Golden Ass for our thoughts about animals, ancient and modern.