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The Book of Small is a collection of thirty-six short stories
about a childhood in a town that still had vestiges of its pioneer
past. Emily Carr tells stories about her family, neighbours,
friends and strangers-who run the gamut from genteel people in high
society to disreputable frequenters of saloons-as well as an array
of beloved pets. All are observed through the sharp eyes and ears
of a young and ever-curious girl. Carr's writing is a disarming
combination of charm and devastating frankness.
The title of artist, writer, and rebel Emily Carr's first book
means "Laughing One," the nickname given her by the Native people
of Canada's west coast. She returned the favor with Klee Wyck, a
collection of 21 "word portraits" of their lives and ways. The
memoir describes in witty, vivid detail Carr's visits and travels
as she painted their totem poles and villages and got to know a
people whose "quiet strength healed my heart." The book is reissued
here with restored text and features the original introduction by
Ira Dilworth and a new introduction by Carr scholar Kathryn Bridge.
Poetry. Winner of the New Measure Poetry Prize. "If ostranenie-to
make strange-is the mandate of contemporary poetry, Emily Carr has
achieved this both brilliantly and beautifully. Kaleidoscopic in
its glimmering slivers, the life she brings us is built of charged
familiars slightly and completely changed: the sun turns on its
stem; the stallion rolls in a pasture of blue ether. Although she
references poetic antecedents from Wallace Stevens and William
Carlos Williams to Joan Retallack and Mary Ruefle, it's not their
voices, but their facility for invention, itself here reinvented,
that keeps waking us up into a world sometimes alarming, often
unsettling, and always careening until we, too, arrive 'delirious
& shredded, sailing sideways through the greenly ravished
vowels'"--Cole Swensen.
Previously unpublished writings from Emily Carr's journals,
notebooks and correspondence that provide fresh insights into the
life and character of a Canadian legend. EMILY CARR (1871-1945) was
an extraordinary writer and artist. Although primarily a painter,
she first gained recognition as an author for her seven popular,
critically acclaimed books about her journeys to Native communities
and her stories about life as an artist, as a small child in
Victoria at the turn of the last century and as a landlady. Susan
Crean's introductions to the book and to each of the three sections
provide an illuminating context, both historical and cultural, for
this previously unpublished material and assess its contribution to
the story of Emily Carr.
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