This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

This book explores the ways in which translation deals with sexual and textual undecidability, adopting an interdisciplinary approach bridging translation, transgender studies, and queer studies in analyzing the translations of six texts in English, French, and Spanish labelled as 'trans.' Rose draws on experimental translation methods, such as the use of the palimpsest, and builds on theory from areas such as philosophy, linguistics, queer studies, and transgender studies and the work of such thinkers as Derrida and Deleuze to encourage critical thinking around how all texts and trans texts specifically work to be queer and how queerness in translation might be celebrated. These texts illustrate the ways in which their authors play language games and how these can be translated between languages that use gender in different ways and the subsequent implications for our understanding of the act of translation and how we present our gender identity or identities. In showing what translation and transgender identity can learn from one another, Rose lays the foundation for future directions for research into the translation of trans identity, making this book key reading for scholars in translation studies, transgender studies, and queer studies.

This book explores the ways in which translation deals with sexual and textual undecidability, adopting an interdisciplinary approach bridging translation, transgender studies, and queer studies in analyzing the translations of six texts in English, French, and Spanish labelled as 'trans.' Rose draws on experimental translation methods, such as the use of the palimpsest, and builds on theory from areas such as philosophy, linguistics, queer studies, and transgender studies and the work of such thinkers as Derrida and Deleuze to encourage critical thinking around how all texts and trans texts specifically work to be queer and how queerness in translation might be celebrated. These texts illustrate the ways in which their authors play language games and how these can be translated between languages that use gender in different ways and the subsequent implications for our understanding of the act of translation and how we present our gender identity or identities. In showing what translation and transgender identity can learn from one another, Rose lays the foundation for future directions for research into the translation of trans identity, making this book key reading for scholars in translation studies, transgender studies, and queer studies.

This volume explores the relationship between oneiric and historical episodes of atrocity as depicted in transnational twentieth- and twenty-first-century art, film, literature and theatre. Examining the political and aesthetic power harnessed by dreams in increasingly 'dark times', it takes as its starting point the overlooked significance granted to the oneiric beyond Freudian psychoanalysis. By reading the oneiric within variously known cultural texts - including Holocaust fiction, world cinema, Bronx theatre, surrealist art and two collections of wartime dream transcriptions - the volume also offers a renewed perspective on modern and contemporary trauma. In so doing, it demonstrates the relevance of the oneiric, beyond the interpretative framework of psychoanalysis, as an aesthetic and political tool with which to alert us and respond to the violence of our contemporary world. -- .

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term's conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

This volume is the first of its kind to explore the notion of untranslatability from a wide variety of interdisciplinary perspectives and its implications within the broader context of translation studies. Featuring contributions from both leading authorities and emerging scholars in the field, the book looks to go beyond traditional comparisons of target texts and their sources to more rigorously investigate the myriad ways in which the term untranslatability is both conceptualized and applied. The first half of the volume focuses on untranslatability as a theoretical or philosophical construct, both to ground and extend the term's conceptual remit, while the second half is composed of case studies in which the term is applied and contextualized in a diverse set of literary text types and genres, including poetry, philosophical works, song lyrics, memoir, and scripture. A final chapter examines untranslatability in the real world and the challenges it brings in practical contexts. Extending the conversation in this burgeoning contemporary debate, this volume is key reading for graduate students and researchers in translation studies, comparative literature, gender studies, and philosophy of language. The editors are grateful to the University of East Anglia Faculty of Arts and Humanities, who supported the book with a publication grant.

Pediatric Emergencies comprehensively covers the practical management of pediatric emergencies based on organ systems, with a strong emphasis on clinical relevance. Each chapter explores the background, classic clinical presentation, atypical clinical presentation, differential diagnosis, diagnostic confirmation, treatment, clinical algorithm, disposition, complications, and pitfalls of each topic. Clinical pearls included in each chapter can be used at the bedside, and case examples allow readers to compare and contrast pediatric complaints to adult presentations. More clinically focused than a traditional textbook, and more comprehensive than a typical clinical guide, Pediatric Emergencies is an ideal resource for emergency providers of various backgrounds and training, including emergency physicians, emergency medicine residents, pediatric emergency medicine fellows, pediatricians, and other primary care providers who work in urgent care settings.

This easy-to-follow guide shows how you can achieve that flawless and pretty look, but stay natural and real at the same time. This book will show you how to: - Look after your skin so that it looks healthy and beautiful - Apply your foundation perfectly to contour your face - Emphasise your eyes for a natural or a smokey evening look - Choose your lip colour and apply your lipstick - Match your make-up to your prom dress or party clothes It also includes make-up tips and must-haves for your handbag. Author Emily says: I have written this book to teach you the art of applying perfect makeup, and to help you create the right look for you, your skin and most importantly your age. Contents: Preface; 1. Introduction; 2. Beautiful Skin; 3. The Perfect Base; 4. Emphasise Your Eyes; 5. Pretty Lips; 6. Play with your Looks; 7. Prom Queen; 8. Party Girl; 9. Pre-teen Princess; 10. Top Ten Tips; 11. 5-minute Looks You'll Love; 12. Top Tips for Summer Skin; 13. Top Tips for Winter Skin... 14. The Beauty of Nature; 15. Aloe Vera - Nature's Gift; 16. Your Questions Answered; 17. Be Inspired; Acknowledgements. Index.

Tell the world what really bugs with you prompts, questions, lists, and more to help you express yourself without judgement with The Stuff I Hate Journal. Why be toxically positive when you can positively negative? What really gets under your skin? Can’t stand the latest clothes trends, popular shows, or TikTok challenges? That’s okay. This is your safe space to tell it like it is and do it without reserve. So ready, set, get mad! With The Stuff I Hate Journal, you will find ample opportunity to express what makes them want to scream, with 150 prompts, lists, questions, and more. From creating a list of your top five hate songs to crafting your perfect comeback to a nasty comment to deciding what three things could happen in a grocery store that would make you leave seething, this book has it all. No opinion is too angry, no statement too dramatic. Proudly tell the world how you really feel!