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In the best Rabelaisian tradition, this brilliant satire weaves a tale of improbabilities around the seat of the last great taboo. Oilei Bomboki wakes one morning with an excruciating pain that sends him anxiously searching for a cure. Unsuccessful treatments at the hands of various healers and doctors, culminating in a bizarre operation, lead the desperate Oilei to seek the help of Babu Vivekanand--sage, yogi, and conman. Through Babu's teachings, Oilei learns to love and respect the source of his own complaint. By turns savage and absurdly comic, this brilliant satire allows Hau'ofa to comment on aspects of life in a small Pacific community perched precariously between traditional and modern ways.
In a time of dynamism and contradiction in Pacific cultural production, a time of 'turning things over' and 'writing from the inside out, ' this far-reaching volume provides a comprehensive set of essays and interviews on the emergent literatures of the New Pacific. With its dynamic combination of important position papers, polemics, and decolonizing critiques by noted authors and of analysis by new and established post-colonial scholars, this volume exposes 'the maze and mix of literatures and cultural identities breaking down and building up across the Pacific Ocean.' This pioneering work will be the definitive resource for anyone researching or teaching Pacific literature and will be invaluable for bringing Pacific culture to readers outside the region
Tiko, a tiny island in the Pacific Ocean, faces a tidal wave of D-E-V-E-L-O-P-M-E-N-T, which threatens to demolish ancestral ways and the human spirit. From Sione, who prefers to play cards with his secretary during work hours, to Ole Pasifikiwei, who masters the twists and turns of international funding games, all of the characters in these pages are seasoned surfers, capable of riding the biggest wave to shore. These are not stories of fatal impact so much as upbeat tales of indigenous responses to cultural and economic imperialism. Epeli Hauofa uses devices derived from oral storytelling to create a South Pacific voice that is lucid, hilarious, and compassionate in a work that has long been regarded as a milestone in Pacific literature.
In the best Rabelaisian tradition, Kisses in the Nederends weaves a tale of improbabilities around the seat of the last great taboo. Oilei Bomboki wakes one morning with an excruciating pain that sends him anxiously searching for a cure. Unsuccessful treatments at the hands of various healers and doctors, culminating in a bizarre operation, lead the desperate Oilei to seek the help of Babu Vivekanand - sage, yogi, and conman. Through Babu's teachings Oilei learns to love and respect the source of his own (and, ultimately, everyone's) complaint. By turns savage and absurdly comic, this brilliant satire allows Hauofa to comment on aspects of life in a small Pacific community perched precariously between traditional and modern ways. "A Promise of Renewal: An interview with Epeli Hauofa" follows the novel.
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