"Fake news!" screams Donald Trump from his Twitter account when journalists ask tough questions about his past or present behaviour. Meanwhile, his Fox & Friends fan club makes dubious claims about anyone who challenges his power. Fake news inflames racism, stokes fear, spreads confusion, and undermines democracy.All while CO2 levels continue to rise as "experts" tell us it's nothing to worry about. But how do we tell which news is real? In this meticulously researched but accessibly written comic, Erin Steuter shows us how to spot fake news and how to stop it. Won't Get Fooled Again is an engaging examination of the Fake News phenomenon, as seen through the eyes and ears of students, families, shoppers and seniors. No one is safe from its clutches, but there are ways to escape. Using current examples from around the world, this entertaining comic explains the ways that governments, media owners, advertisers, powerful corporations, and think tanks can influence the organization and content of the news media to manipulate voters or reap billions in profits This graphic novel will educate and elucidate.

Drone Nation unveils an unexpected scenario where international drone warfare leads to a state of permanent war through increasing numbers of assassinations of the western world's declared enemies. It provides historical context for the rise and acceptance of drone warfare and examines likely future impacts. The book discusses the broad political-economic forces at play in the United States. Topics include US strategic traditions, domestic political institutions, military-industrial complex, intra-military pressures, think tanks, media, and international law. The authors argue that social progress is not necessarily continuous. While there was widespread social and economic progress from the 1950s through 1970s in the United States, the country is now in a period of economic and political regression. The rise of drone warfare, and the domestic use of drones, is partly to blame. This gradual and important change signals a major departure from the traditional embrace of international law, military ethics, and domestic privacy.

Drone Nation unveils an unexpected scenario where international drone warfare leads to a state of permanent war through increasing numbers of assassinations of the western world's declared enemies. It provides historical context for the rise and acceptance of drone warfare and examines likely future impacts. The book discusses the broad political-economic forces at play in the United States. Topics include US strategic traditions, domestic political institutions, military-industrial complex, intra-military pressures, think tanks, media, and international law. The authors argue that social progress is not necessarily continuous. While there was widespread social and economic progress from the 1950s through 1970s in the United States, the country is now in a period of economic and political regression. The rise of drone warfare, and the domestic use of drones, is partly to blame. This gradual and important change signals a major departure from the traditional embrace of international law, military ethics, and domestic privacy.

Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of militarism in American popular culture in the war on terror, from 9/11 to the present day. The authors detail the role of Hollywood and the entertainment industries in rallying both the troops and the public for war and show how toys, video games, music, and television support contemporary militarism. At the same time that popular culture is enlisting support for militarism, it is also serving as a major source of resistance to the war on terror through the traditional mediums of music and movies, and increasingly through the humor and insight of anti-war artists who are jamming the culture of militarism. The satire of The Daily Show, The Simpsons, and South Park are further examples of so-called culture jamming. This book is for readers who question the persistence of a warrior culture and offers new insights into the perpetuation of militaristic values throughout American culture.

Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of militarism in American popular culture in the war on terror, from 9/11 to the present day. The authors detail the role of Hollywood and the entertainment industries in rallying both the troops and the public for war and show how toys, video games, music, and television support contemporary militarism. At the same time that popular culture is enlisting support for militarism, it is also serving as a major source of resistance to the war on terror through the traditional mediums of music and movies, and increasingly through the humor and insight of anti-war artists who are jamming the culture of militarism. The satire of The Daily Show, The Simpsons, and South Park are further examples of so-called culture jamming. This book is for readers who question the persistence of a warrior culture and offers new insights into the perpetuation of militaristic values throughout American culture.

When photographs documenting the torture and humiliation of prisoners at Abu Ghraib came to the attention of a horrified public, national and international voices were raised in shock, asking how this happened. At War with Metaphor offers an answer, arguing that the abuses of Abu Ghraib were part of a systemic continuum of dehumanization. This continuum has its roots in our public discussions of the war on terror and the metaphors through which they are repeatedly framed. Arguing earnestly and incisively that these metaphors, if left unexamined, bind us into a cycle of violence that will only be intensified by a responsive violence of metaphor, Steuter and Wills examine compelling examples of the images of animal, insect, and disease that inform, shape, and limit our understanding of the war on terror. Tying these images to historical and contemporary uses of propaganda through a readable, accessible analysis of media filters, At War with Metaphor vividly explores how news media, including political cartoons and talk radio, are enmeshed in these damaging, dehumanizing metaphors. Analyzing media through the lenses of race and Orientalism, it invites us to hold our media and ourselves accountable for the choices we make in talking war and making enemies.

When photographs documenting the torture and humiliation of prisoners at Abu Ghraib came to the attention of a horrified public, national and international voices were raised in shock, asking how this happened. At War with Metaphor offers an answer, arguing that the abuses of Abu Ghraib were part of a systemic continuum of dehumanization. This continuum has its roots in our public discussions of the war on terror and the metaphors through which they are repeatedly framed. Arguing earnestly and incisively that these metaphors, if left unexamined, bind us into a cycle of violence that will only be intensified by a responsive violence of metaphor, Steuter and Wills examine compelling examples of the images of animal, insect, and disease that inform, shape, and limit our understanding of the war on terror. Tying these images to historical and contemporary uses of propaganda through a readable, accessible analysis of media filters, At War with Metaphor vividly explores how news media, including political cartoons and talk radio, are enmeshed in these damaging, dehumanizing metaphors. Analyzing media through the lenses of race and Orientalism, it invites us to hold our media and ourselves accountable for the choices we make in talking war and making enemies.