A lavishly illustrated celebration of these glorious animals-and a poignant lament for their future Elephants are among the most beloved of all creatures. Their behavior can seem almost human, from their complex social interactions to their need to mourn their dead. They are also among the most persecuted of animals, subjected to untold cruelty at the hands of humans through the ages. In this stunningly illustrated book, Errol Fuller provides a rich and moving portrait of elephants, exploring their natural history, the legends that have grown up around them, their unique place in art and literature, and their urgent need for protection today. Fuller traces the evolution of these majestic animals from prehistoric mammoths and mastodons to today's African and Asian elephants, and looks at their behavior, herd dynamics, and social life. He examines the role of elephants in cultures around the world, from folklore and fine art to the exploitation of elephants as war machines and circus animals. Fuller also discusses the importance of conservation, warning that continued poaching and habitat degradation could send these iconic animals the way of the dodo. Featuring many evocative photos never before published, Elephant is a fittingly exquisite tribute to these breathtaking creatures.

At the start of the nineteenth century, Passenger Pigeons were perhaps the most abundant birds on the planet, numbering literally in the billions. The flocks were so large and so dense that they blackened the skies, even blotting out the sun for days at a stretch. Yet by the end of the century, the most common bird in North America had vanished from the wild. In 1914, the last known representative of her species, Martha, died in a cage at the Cincinnati Zoo.

This stunningly illustrated book tells the astonishing story of North America's Passenger Pigeon, a bird species that--like the Tyrannosaur, the Mammoth, and the Dodo--has become one of the great icons of extinction. Errol Fuller describes how these fast, agile, and handsomely plumaged birds were immortalized by the ornithologist and painter John James Audubon, and captured the imagination of writers such as James Fenimore Cooper, Henry David Thoreau, and Mark Twain. He shows how widespread deforestation, the demand for cheap and plentiful pigeon meat, and the indiscriminate killing of Passenger Pigeons for sport led to their catastrophic decline. Fuller provides an evocative memorial to a bird species that was once so important to the ecology of North America, and reminds us of just how fragile the natural world can be.

Published in the centennial year of Martha's death, "The Passenger Pigeon" features rare archival images as well as haunting photos of live birds.

This book tells the story of the Mammoth, how it lived and died and how its memory lives on in the present day. The Mammoth, with its shaggy coat, enormous tusks, and ponderous presence, is one of the great icons of extinction. It is also one of the few prehistoric creatures that is known not only from a few scattered fossilised bones, but from specimens that have been perfectly preserved. Complete mammoths lie frozen in the icy wastes of Siberia, and from time to time one is exposed as the temperature or conditions change. So, while there is doubt about when most prehistoric animals first appeared on earth, we know precisely when and where the mammoth lived. Not only are there excellent specimens, we also have pictures of mammoths painted by people who actually saw them alive - our ancestors who, thousands of years ago, decorated the walls of caves with the animal's image. Today, this artistic tradition continues and many modern painters have chosen to create pictures showing the mammoth as it appeared in life.

The extinction of the Dodo from the shores of Mauritius followed closely on the arrival of Dutch and Portuguese sailors on the island in the 16th Century. Using a diverse number of sources, the author describes the behaviour and myths surrounding this unusual and iconic bird.

The first three chapters investigate the Dodo's natural history through the use of historical documents, illustrations, paintings, old drawings and literary sources. Its behaviour is examined in the quotes from 16 of the written reports by travellers to the island, and the anatomy of the Dodo is investigated from the bone records kept by anatomists and naturalists from the 16th to the 19th centuries.

The mythology surrounding the Dodo has grown ever since it became extinct. Lewis Carroll’s use of the Dodo in Alice's Adventures in Wonderland elevated the bird to iconic status and sparked a spate of Dodo characters in newspapers, adverts and cartoons. In chapter four, the author investigates how man incorporated the image of the Dodo into literature and the arts to become the powerful cultural icon that it is today. He then looks more closely at two other species: the Solitary Dodo, from the island of Rodrigues in the Indian Ocean and the White Dodo of the Réunion Island. Both are now extinct, but are thought to have been related to the Mauritian Dodo.

From the moment Europeans were introduced to the birds of paradise in the early sixteenth century, their unique beauty was recognized and commemorated in the first name that they were given - birds so beautiful they must be from paradise. Originally they were thought not to have legs and therefore never to land. Still very rarely encountered, even in their natural habitat of New Guinea, they are still birds that elicit sheer awe in those who are lucky enough to see them. Drawn From Paradise will showcase the magnificence and beauty of the birds of paradise as they have never before been seen, with more than two-hundred hand-painted images and sketches by the men who originally studied them and luminary artists such as Jacques Barraband, William Hart, John Gould, Rubens and Breughel, to name a few. The art comes from the private collections of the two authors and has been rarely if ever published. Not only will the book feature the beautiful Greater Bird of Paradise-a bird that was originally believed to have been sent from Paradise, and was thought to never touch the earth-but it will also present more than forty other distinct species currently recognized-each representing amazing differences in size, shape, and color patterning.

The introduction provides a brief history into the discovery of these illustrious birds, from how they were originally perceived and idolized by the natives of New Guinea, to the arrival of Europeans, who were immediately captivated by their bright, vibrant colors. The chapters are ordered according to the sequence in which the birds representing the various genera made their appearance in Europe (thereby highlighting the books educational aspect). Within its pages, readers will catch a glimpse of these birds through vivid, highly-detailed painting, as well as learn more about each individual bird and genus-comparisons and contrasts between the males and females, as well as between the different genus's.

A tour through art and history, with a good deal of ornithology thrown in, Drawn From Paradise is not only a must-have for ornithologists and bird-watchers, but also a beautiful collectible for students, artists, and aesthetes. Its central idea is to showcase the breathtaking beauty of these birds and the enormous interest that still surrounds them even today.

Drawn from Paradise is David Attenborough's journey through the cultural history of the birds of paradise, one of the most exquisite and extravagant, colourful and intriguing families of birds. From the moment they were introduced to the European mind in the early sixteenth century, their unique beauty was recognised and commemorated in the first name that they were given - birds so beautiful must be birds from paradise. In this unique exploration of a truly awe-inspiring family of birds which to this day is still shrouded in mystery, David Attenborough and Errol Fuller trace the natural history of these enigmatic birds through their depiction in western works of art throughout the centuries, featuring beautiful illustrations by such luminary artists as Jacques Barraband, William Hart, John Gould, Rubens and Breughel, to name but a few. Experienced ornithologists and general nature and art enthusiasts alike will delight in this journey of discovery of the world's most beautiful and mysterious birds.

A photograph of an animal long-gone evokes a feeling of loss more than a painting ever can. Often tinted sepia or black-and-white, these images were mainly taken in zoos or wildlife parks, and in a handful of cases featured the last known individual of the species. There are some familiar examples, such as Martha, the last Passenger Pigeon, or the Ivory-billed Woodpecker, recently fledged and perching happily on the hat of one of the biologists that had just ringed it. But for every Martha there are a number of less familiar extinct birds and mammals that were caught on camera prior to their demise. The photographic record of extinction is the focus of this remarkable book, written by the world's leading authority on vanished animals, Errol Fuller. Lost Animals features photographs dating from around 1870 to as recently as 2004, the year that saw the demise of the Hawaiian Po'ouli. From a mother Thylacine and her pups to now-extinct birds such as the Heath Hen and Carolina Parakeet, Fuller tells the tale of each animal, why it became extinct, and discusses the circumstances surrounding the photography itself, in a book rich with unique images. The photographs themselves are poignant and compelling. They provide a tangible link to animals that have now vanished forever, in a book that brings the past to life while delivering a warning for the future.