Have YOU ever had a bad week? The hilarious new series taking the world by storm. Just when Justin thought nothing could top the diabolical disasters and harrowing humiliations of Monday, Tuesday, Wednesday, Thursday, Friday and Saturday (Zombie Apocalypse, anyone?!) along comes ... Sunday! It’s categorically the worst! There’s a catastrophic alien invasion and the fate of the entire planet rests solely on Justin’s shoulders. (And he can’t even do one push up!) Brace yourself for the cataclysmic conclusion to the global hit series.

This book studies the role of international actors in the areas of transitional justice and justice sector aid with respect to traditional justice and legal pluralism in sub-Saharan Africa. Based on a number of case studies, the chapters describe the kinds of policies and interventions that are supported and financed by international actors, with special attention for the kinds of strategies that are deployed in order to address areas of tension with human rights. The volume then explores the relationship between international actors' practices and the body of knowledge that exists in these domains, as well as in general socio legal theory. Thereby, this contribution offers empirical data drawn from examples of who is doing what in a series of case studies, identifies regional trends and links them to the existing literature by examining the extent to which the insights generated so far by scholars and practitioners is reflected in the work of international actors. Based on this, the book formulates a number of hypotheses that may explain current trends and proposes additional issues that need to be considered in future research agendas. Finally, the volume links two fields of intervention that have so far evolved in rather parallel ways and explores the commonalities and differences that can be found in the areas of transitional justice and justice sector aid.

Eva Tichauer was born in Berlin at the end of the First World War into a socialist Jewish family. After a happy childhood in a well-off intellectual milieu, the destiny of her family was turned upside-down by the rise of Hitler in 1933. They emigrated to Paris in July of that year, and life started to become difficult. Eva was in her second year of medical studies in 1939 when war was declared, with fatal consequences for her and her family: they sere forced to the Spanish frontier, then returned to Paris to a flat which had been searched by the Gestapo. Eva was then compelled to break off her studies due to a quota system being imposed on Jewish students.

Have YOU ever had a bad week? The hilarious new series taking the world by storm. He’s been naked in front of the whole school, survived a marooning, a kidnapping AND a giant sinkhole, and every one of these cringe inducing moments has gone mega viral! Justin Chase is having the WORST WEEK EVER! Time for nice relaxing weekend, right? WRONG! As Justin must face his spookiest challenge yet… zombies! No, really! And these aren’t just any zombies… he lives next door to the cemetery for ELITE ATHLETES! Monday was manic, Tuesday was traumatizing, Wednesday was weird, Thursday was terrifying and Friday was frantic. But now… it’s SATURDAY. The sixth book in the hilarious new seven-part highly-illustrated series for fans of the globally bestselling Treehouse series.

Het jy al ooit ’n goor week gehad? Justin Chase het! Ná ’n gespartel en gespook lewe hy darem nog ná ’n taai Maandag, Dinsdag, Woensdag en Donderdag. Maar nou is dit . . . Vrydag!

Net toe Justin dink sy woeste week kan nie woester word nie, bereik hy ’n nuwe laagtepunt. ’n Onderaardse ontbering. Op die bodem van ’n gapende gat. Die donkerste, diepste dieptes. Maak jou reg vir ’n bibberboud-belewenis!

"Het jy al ooit ’n goor week gehad? Justin Chase het! Maandag was mal, Dinsdag was dol, Woensdag was woes, en nou is dit . . . Donderdag.

Justin is steeds teen sy sin ’n internetsensasie en mense van oor die wêreld vergaap hulle aan al sy vernederendste oomblikke. Verder word hy met iemand anders verwar en boonop ontvoer en afgepers. Ons arme held gaan tot die uiterste beproef word!"

Het JY al ooit ’n GOOR WEEK gehad? Justin Chase het MAANDAG en DINSDAG skaars oorleef, maar nou is dit . . . WOENSDAG!

Sy kat is steeds spoorloos weg. Hy word per ongeluk ’n internetsensasie. En op die oomblik swem haaie in sirkels om hom, want hy’s vasgekeer in ’n hart-gaan-staan, vel-word-hoendervleis, mond-hang-oop, lewe-op-die-spel SOS (sweet-op-sweet) situasie saam met sy ongelooflik irriterende aartsvyand!

Joel’s heart stops as the rest of the world welcomes the start of a new century. What happens next will change the course of three people’s lives forever . . .

It’s nearly midnight on the eve of the millennium when eighteen-year-old Joel’s heart stops. A school friend, Kerry, performs CPR for almost twenty exhausting minutes, ultimately saving Joel’s life, while her best friend Tim freezes, unable to help.

That moment of life and death changes the course of all three lives over the next two decades: each time Kerry, Joel and Tim believe they’ve found love, discovered their vocation, or simply moved on, their lives collide again.

Structured around the four simple steps involved in CPR, Eva Carter’s How to Save a Life is both a love story and an exploration of what it means to be brave – because bravery isn’t just about life or death decisions; it’s also about how to keep on living afterwards . . .

With job insecurity and precarious employment at an all-time high, and burnout labelled as the new worker pandemic, this incisive book sets out to initiate debate and fuel learning in the continually evolving field of work psychology. Bringing together a diverse group of international experts, the editors pose critical questions that look to the future of research in the field.

A gorgeous 20th anniversary edition of Eva Ibbotson's award-winning, bestselling classic adventure, with a beautiful cover by Katie Hickey and an introduction by award-winning author of Letters from the Lighthouse Emma Carroll.

A joyous Amazon adventure set in the lush nature of Brazil, Journey to the River Sea is filled with mystery and extraordinary characters.

Maia, an orphan, can't wait to reach her distant relatives a thousand miles up the Amazon. She imagines a loving family with whom she will share great adventures. Instead she finds two spiteful cousins who see the jungle as the enemy and refuse to go outdoors. But the wonders of the rainforest more than make up for the hideous twins and their parents.

And when Maia meets a mysterious boy who lives alone on the wild river shores, she begins a spectacular journey to the heart of an extraordinary and beautiful new world.

Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. This insightful Research Agenda examines the multidimensional relationship between heritage planning and pressing current societal challenges around climate, identity and development. Mapping future avenues for the field, it suggests new approaches to executing, studying and reflecting on heritage planning. Expert international contributors raise key questions that challenge practice and research to push for structural and institutional change, highlighting how heritage planning, conservation, and adaptive reuse have transformative potential - and the responsibilities that come with such potential. Chapters explore central topics including industrial heritage and conservation planning, digital reconstruction methods and remote sensing technologies, rural tourism, participation and heritage-led regeneration, as well as issues around contestation and politicization, and the conceptualisations of heritage planning. Spanning the domains of theoretical and empirical insights, from academic outlooks to professional challenges, this Research Agenda will be a vital resource for academics and students of urban and human geography, heritage studies, planning, urban design and architecture. Its examination of particular heritage projects will also be useful for policy makers and professionals working in the heritage planning field.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.