Winner! 1993 Olivier Award, Best Musical Revival Winner! Five 1994 Tony Awards, including Best Revival of a Musical Winner! Three 1994 Drama Desk Awards Nominee: Seven 1994 Drama Desk Awards, including Outstanding Musical Revival Winner! Two 2018 Tony Awards Nominee: Eleven 2018 Tony Awards, including Best Revival of a Musical Winner! Five 2018 Drama Desk Awards, including Outstanding Orchestrations Nominee: Twelve 2018 Drama Desk Awards, including Outstanding Musical Revival In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the gentle millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

Comedy / Characters: 17 male, 5 female, (extras)

Scenery: Interior and 4 exteriors

Liliom is a shiftless young bully in Budapest. He works intermittently as a barker for a merry go round and many servant girls fall victim to his charms. Among these girls is Julie, whom he eventually marries. Learning that he is about to become a father Liliom participates in a robbery to enhance his fortunes. But he is caught and stabs himself rather than submit to arrest. He is tried in the Magistrate's court on high, but they see through him there. They know what repentance is in his heart though he is much too cocky to admit it. He is sentenced to a term of years in the purifying fires with the promise that after that sentence has been served he can go back to earth with a chance to do one good deed there. A tender and moving story told with a master's touch.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Die Panflote: Funfzehn Skizzen Ferenc Molnar Oesterheld, 1912 Literary Criticism; European; Eastern; Hungarian literature; Literary Criticism / European / Eastern

There is a great lesson for all women and men in this wonderful story. It is one that will impress with its power. But I am glad to say that I do not believe fully in its truth. The Devil here wins his victory, as he has won many. But each year, as men and women get better, the victories of Satan are fewer. Good men and good women fight against evil and do not yield. This tragic, heart breaking story, by the wonderful new writer, tells one side of the battle between good and evil that goes on in every human heart. It has its lesson for all men and women. It is a powerful warning against playing with fire. Its lesson, taught in the downfall of the man and woman, is 'Keep away from evil, and the appearance of evil.'

THIS 68 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Theatre Guild Anthology V1, by Ferenc Molnar. To purchase the entire book, please order ISBN 1419156225.

THIS 68 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Theatre Guild Anthology V1, by Ferenc Molnar. To purchase the entire book, please order ISBN 1419156225.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

THIS 68 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: The Theatre Guild Anthology V1, by Ferenc Molnar. To purchase the entire book, please order ISBN 1419156225.

This volume analyses the role of civil society in the reform and oversight of the security sector in post- communist countries as a key aspect of the transition towards democracy. It is widely accepted that civil society actors have an important contribution to make in the governance of the security sector. However, that specific role has not been subject to much close or comparative examination. This book constitutes an attempt to examine and compare experiences of civil society participation in security oversight across Central and Eastern Europe. The first part of the volume presents the reader with the theoretical and conceptual background against which the potential role of civil society in security sector governance can be understood and assessed. The remainder of the book is comprised of nine country studies of civil society engagement with the security sector. Reviewing developments over the past 15 years of regime transformation in the region, the book draws upon a rich variety of cases that cast light on the different experiences, challenges, and successes of civil society actors and the media in democratization, security sector reform, and the exercise of democratic oversight of the security sector.

"Marina Caparini" is senior fellow at the Geneva Centre for the Democratic Control of Armed Forces. "Philipp H. Fluri" is deputy director of DCAF and executive director of DCAF Brussels (Belgium). "Ferenc Molnar" is a military sociologist and deputy director of the Centre for Strategic and Defence Studies, National Defence University, Budapest (Hungary).