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This volume provides an overview of the landscape of mediated
female agencies and subjectivities in the last decade. In three
sections, the book covers the films of women directors, television
shows featuring women in lead roles, and the representational
struggles of women in cultural context, with a special focus on
changes in the transformative power of narratives and images across
genres and platforms. This collection derives from the editors'
multi-year experiences as scholars and practitioners in the field
of film and television. It is an effort that aims to describe and
understand female agencies and subjectivities across screen
narratives, gather scholars from around the world to generate
timely discussions, and inspire fellow researchers and
practitioners of film and television.
This volume is an attempt to contextualise the coup attempt of 15
July 2016 in Turkey, within the framework of militarism and
masculinities. The immediate aftermath of the 15 July in Turkey
witnessed confusion, contestation and negotiation among different
narratives, until a hegemonic version was superimposed on the
collective memory as part of official history building. This
project is an attempt to bring a fresh and critical perspective by
compiling together analyses from various disciplines of political
science, media and film studies, literature, sociology and cultural
studies. Several chapters of this volume delineate the paradox of
"victorious militarism," meaning that despite the failure of the
coup, its aftermath has been shaped by a new wave of
state-sponsored gendered militarism, with the establishment of a
regime of "state of emergency."
This volume provides an overview of the landscape of mediated
female agencies and subjectivities in the last decade. In three
sections, the book covers the films of women directors, television
shows featuring women in lead roles, and the representational
struggles of women in cultural context, with a special focus on
changes in the transformative power of narratives and images across
genres and platforms. This collection derives from the editors'
multi-year experiences as scholars and practitioners in the field
of film and television. It is an effort that aims to describe and
understand female agencies and subjectivities across screen
narratives, gather scholars from around the world to generate
timely discussions, and inspire fellow researchers and
practitioners of film and television.
This volume is an attempt to contextualise the coup attempt of 15
July 2016 in Turkey, within the framework of militarism and
masculinities. The immediate aftermath of the 15 July in Turkey
witnessed confusion, contestation and negotiation among different
narratives, until a hegemonic version was superimposed on the
collective memory as part of official history building. This
project is an attempt to bring a fresh and critical perspective by
compiling together analyses from various disciplines of political
science, media and film studies, literature, sociology and cultural
studies. Several chapters of this volume delineate the paradox of
"victorious militarism," meaning that despite the failure of the
coup, its aftermath has been shaped by a new wave of
state-sponsored gendered militarism, with the establishment of a
regime of "state of emergency."
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