This book details the intersections between the personal life and exceptional writing of Louise Erdrich, perhaps the most critically and economically successful American Indian author ever. Known for her engrossing explorations of Native American themes, Louise Erdrich has created award-winning novels, poetry, stories, and more for three decades. Tracks on a Page: Louise Erdrich, Her Life and Works examines Erdrich's oeuvre in light of her experiences, her gender, and her heritage as the daughter of a Chippewa mother and German-American father. The book covers Erdrich from her birth to the present, offering fresh information and perspectives based on original research. By interweaving biography and literary analysis, the author, who is herself Native American, gives readers a complete and nuanced understanding of the ways in which Erdrich's identity as a woman and an American Indian have influenced her life and her writing. Tracks on a Page is the first, book-length work to approach Erdrich and her works from a non-Euro-Western perspective. It contextualizes both life and writing through the lenses of American Indian history, politics, economics, and culture, offering readers new and intriguing ways to appreciate this outstanding author. Chronological organization takes the reader from Erdrich's childhood, through her years at Dartmouth College, her personal life, and her career as a writer

Opening July 4, 1969, on the Pine Ridge Reservation, "The Red Bird All-Indian Traveling Band "begins with a raucous Fourth of July gig that abruptly ends with the Red Birds ducking out of the performance in a hilarious hail of beer bottles. By the end of the evening, community member Buffalo Ames is dead, presumed to be murdered, just outside the bar. Sissy Roberts, the band's singer and the "best female guitar picker on the rez," is reluctantly drawn into the ensuing investigation by an FBI agent who discovers Sissy's knack for hearing other people's secrets.
"The Red Bird All-Indian Traveling Band "is part mystery, part community chronicle. Shaped by a cast of skillfully drawn characters, all of whom at one time or another are potential suspects, at the core of the story is smart and compassionate Sissy. Four years past high school, Sissy's wry humor punctuates descriptions of reservation life as she learns more about Ames's potential killer, and as she embarks on a personal search for ways to buck expectations and leave rural South Dakota to attend college.
Ames's death is just an example of the undercurrents of violence and passions that run through this fast-moving novel of singing, loving, and fighting. Following Sissy as she unravels the mystery of both Buffalo Ames's death and her own future, "The Red Bird All-Indian Traveling Band "is the story of Indian Country on the verge of historic change and a woman unwilling to let change pass her by.

There is nothing particularly noteworthy about an Easter turkey. But when the turkey is stark white and appears on Easter Sunday on the doorstep of a Lakota medicine woman and her teenage granddaughter, it is clearly out of the ordinary. Taking turns, Stella and her grandmother, Hazel Latour, tell the story of what follows as the mysterious turkey stirs up discord on the reservation, where some greet it as "wakan," holy and sacred because of its coloring and timing, and others dismiss it as inexplicable but unimportant, while a less reputable local healer views it as a clear challenge to his standing. A tour de force of storytelling, "The Sacred White Turkey" is at once remarkably entertaining, rich with suspense and humor, and deeply philosophical, exploring questions of spirituality and power, abuse and trickery, all within a framework that embraces both Native and Catholic traditions. As the Latours find themselves the target of escalating violence, embroiled in a BIA leasing scandal, and witnesses to a turkey crucifixion, readers will find themselves thoroughly engaged in the unfolding mystery and meaning of the sacred white turkey.

Beaten, raped, and left for dead at the side of a road on the Standing Rock Reservation, the young Elsie Roberts disappears into her self to revisit the haunts of her childhood and, perhaps, in the depths of her experience to uncover the deepest mystery of all. In Elsie's Business, Elsie's search through her own memories ultimately intersects with the search of a stranger who is seeking Elsie's story. A picture emerges of a poor child, half black and half Native, whose mother has barely eked out a living for the two of them by tanning deerskins and cleaning houses. Rebuilding her life in a different town as a housekeeper, tanner, and beader of moccasins and bags, much like her mother, the taciturn Elsie finds modest comfort and connections among the white people who employ and befriend her. But her peace is fleeting, for someone from her past or possibly her present would like to see her silenced completely. A mystery of mesmerizing suspense and sadness, Elsie's Business weaves the story of a ravaged woman into the traditional tales of her people to create a vivid sense of communities bound by storytelling and understanding and sundered by ignorance and silence. English at the University of Arizona.

Luther Standing Bear, a Lakota Sioux born in the 1860s, heard these legends in his youth, when his people were being moved to reservations. In haunting mood and imagery, they celebrate the old nomadic life of the Sioux, when buffalo were plentiful and all nature fed the spirit. The twenty stories honor not only the buffalo but also the dog, the horse, the eagle, and the wolf as workaday helpers and agents of divine intervention; the wisdom of the medicine man; and the heroism and resourcefulness of individual men and women.