Essays reflecting the present state of Layamon studies, identifying problems and outlining current directions in research. This volume investigates the problems with which the contemporary reader of Layamon's Brut is faced: To what extent is the archaic feel of the Brut part of a deliberate aesthetic strategy of Layamon's? For what sortof audience could it have been written? How can one define its relation to older or more recent texts and traditions? What ideological stance (if any) is to be deduced from the work? The seventeen articles in this book tackle the different issues from a variety of fields: codicology and palaeography; Linguistics, stylists and syntax; the socio-political dimension of the work and its possible audience; the tradition upon which Layamon was drawing, and his contribution to later writers; literary theory and more general issues such as gender and spatial symbolism in the Brut. A number of essays present a synthesis of points of view, specifically intended to provide students with a yardstick against which to measure the more controversial articlesin the volume. Contributors: MARIE-FRANCOISE ALAMICHEL, ROSAMUND ALLEN, STEPHEN K. BREHE, BETH BRYAN, ARTHUR WAYNE GLOWKA, MARSHAL S. GRANT, DOUGLAS MOFFAT, YOKO IYEIRI, LESLEY JOHNSON, FRANCOICE LE SAUX, JAMES I. McNELIS III, JAMES NOBLE, HERBERT PILCH, JANE ROBERTS, ERIC G. STANLEY, CAROLE WEINBERG, KELLEY M. WICKHAM-CROWLEY, NEIL WRIGHT Dr FRANCOISE LE SAUXlectures in Medieval English language and literature at the University of Lausanne.

Aspects of the political, social, cultural, economic and ecclesiastical history of medieval England re-examined. This collection presents new and original research into the long thirteenth century, from c.1180-c.1330, with a particular focus on the reign of Edward II and its aftermath. Other topics examined include crown finances, markets and fairs, royal stewards, the aftermath of the Barons' War, Wace's Roman de Brut, and authority in Yorkshire nunneries; and the volume also follows the tradition of the series by looking beyond England, with contributions onthe role of Joan, wife of Llywelyn the Great in Anglo-Welsh relations, Dublin, and English landholding in Ireland, while the continental connection is represented by a comparison of aspects of English and French kingship. Contributors: David Carpenter, Nick Barratt, Emilia Jamroziak, Michael Ray, Susan Stewart, Louise J. Wilkinson, Sean Duffy, Beth Hartland, Francoise Le Saux, Henry Summerson, Janet Burton, H.S.A. Fox, David Crook, Margo Todd,Seymour Phillips

Guide to the works of the twelfth-century chronicler Wace, setting him in his historical and cultural context. The twelfth-century writer Wace is best known for his two influential works on the history of England (the Roman de Brut) and on the history of the Normans (the Roman de Rou), but despite this he has, until recently,been neglected. This book aims to provide a comprehensive overview of all his surviving works, including his hagiographical pieces, La Vie de sainte Marguerite, la Vie de saint Nicolas and La Conception Nostre Dame.Beginning with an examination of the historical and textual background necessary to an informed understanding of the poet, it moves on to discuss the manuscript tradition of each of Wace's poems, together with the sources that underlie each text, highlighting the additions, omissions and modifications made by the poet in adapting his material for new, non-Latinate audience. Particular attention is given to Wace's swan-song, the Roman de Rou, wherehis skill in combining history and romance is most clearly revealed. Dr F. H. M. Le Saux teaches in the Department of French at the University of Reading.

By far the fullest investigation of Layamon's sources ever undertaken--should become a standard reference--for all interested in English Arthurian origins.' TIMES LITERARY SUPPLEMENTA comprehensive and objective study of Layamon'ssources is long overdue. As a first step Francoise le Saux investigates the English poet's handling of his main source, Wace's Roman de Brut, to determine what principles guided the composition of the English Brut. These established, she is able to distinguish between different sorts of variation from the Roman, thereby providing norms against which to gauge the probability of further, secondary sources. Additional sources are then identified, in the various fields suggested by the poem: historical; literary; and religious writings (or tales) in Welsh, English, Latin and French and perhaps even Scandinavian.