Miles is a Vietnam vet who’s worried he’s going to lose his job and his tenuous grasp on a stable life because of a fight he had with a co-worker over some steroids. His PTSD and struggles to control his steroid-fuelled violent tendencies complicate life with his girlfriend, Shelby, a stripper who only occasionally seems to have the proverbial heart of gold. She certainly seems to possess more kindness and generosity than her brother, Wylie, who’s currently on the run after being implicated in the deaths of two local oxycodone dealers and has their relatives on his tail. When Wylie kidnaps his sister and holes up in Miles's country lair, it is, frankly, threatening to become a bit too much for steroid-addled Miles to handle. Frank Bill’s world is as wild and rollicking as ever, punctuated with uproarious event after uproarious event. But in Back to the Dirt, he goes deeper than wall-to-wall brawl—with Miles, he takes us back to the experiences overseas that stripped the innocence and optimism from the heartland dream; with Shelby, he shows us that you didn’t have to travel to Vietnam to see real darkness. But still, even in this benighted state, there’s the dirt to come back to. And maybe, just maybe, Bill shows, that can be enough.

The raw and as-insane-as-anticipated first novel from Frank Bill, author of "Crimes in Southern Indiana
"The Donnybrook is a three-day bare-knuckle tournament held on a thousand-acre plot out in the sticks of southern Indiana. Twenty fighters. One wire-fence ring. Fight until only one man is left standing while a rowdy festival of onlookers--drunk and high on whatever's on offer--bet on the fighters.
Jarhead is a desperate man who'd do just about anything to feed his children. He's also the toughest fighter in southeastern Kentucky, and he's convinced that his ticket to a better life is one last fight with a cash prize so big it'll solve all his problems.
Meanwhile, there's Chainsaw Angus--an undefeated master fighter who isn't too keen on getting his face punched anymore, so he and his sister, Liz, have started cooking meth. And they get in deep. So deep that Liz wants it all for herself, and she might just be ready to kill her brother for it. One more showdown to take place at the Donnybrook.
As we travel through the backwoods to get to the Donnybrook, we meet a cast of nasty, ruined characters driven to all sorts of evil, all in the name of getting their fix--drugs, violence, sex, money, honor. "Donnybrook" is exactly the fearless, explosive, amphetamine-fueled journey you'd expect from Frank Bill's first novel . . . and then some.

Frank Billings' classic and forever relevant 1916 masterpiece, with a 2013 Foreword by S. H. Shakman of the Institute Of Science (www.InstituteOfScience.com) "Four Score and Seventeen Years Ago," providing an historical review and update on the subject of the relation between oral infections and systemic diseases.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Frank Bill's America has always been stark and violent. In his new novel, he takes things one step further: the dollar has failed; the grid is wiped out. Van Dorn is eighteen and running solo, dodging the bloodthirsty hordes and militias that have emerged since the country went haywire. His dead father's voice rings in his head as Van Dorn sets his sights not just on survival but also on an old-fashioned system of justice. Meanwhile, a leader has risen among the gangs - and around him swirls the cast of brawlers from Donnybrook, with their own brutal sense of right and wrong, of loyalty and justice through strength. This is not the distant postapocalyptic future - this is tomorrow, in a world Bill has already introduced us to. Now he raises the stakes and turns his shotgun prose on our addiction to technology, the values and skills we've lost in the process, and what happens when the last systems of morality and society collapse. The Savage presents the bone-chilling vision of an America where power is the only currency and nothing guarantees survival. And it presents Bill at his most ambitious, most eloquent, most powerful.

A ferocious debut that puts Frank Bill's southern Indiana on the literary map next to Cormac McCarthy's eastern Tennessee and Daniel Woodrell's Missouri Ozarks
C"rimes in Southern Indiana "is the most blistering, vivid, flat-out fearless debut to plow into American literature in recent years. Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.
Bill's people are pressed to the brink--and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for--which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As "Crimes in Sourthern Indiana "unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.
Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing a la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.