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This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminology. Contributors discuss a range of topics, from how songs and artists draw on criminality as inspiration to how musical expression fulfills unexpected functions such as building deviant subcultures, encouraging social movements, or carrying messages of protest. Comprised of contributions from an international cohort of scholars, the book is categorized into five parts: The Criminalization of Music; Music and Violence; Organised Crime and Music; Music, Genocide, and Crimes Against Humanity and Music as Resistance. Spanning a range of cultures and time periods, Crime and Music will be of interest to researchers in critical and cultural criminology, the history of music, anthropology, ethnology, and sociology.
This book contains a collection of essays in honor of Alan A. Block including his now classic study on the origins of IRAN-CONTRA. It brings together important contributions from Block's students and contemporaries to show the impact of his work on the field of global organized crime. Professor Alan A. Block of Penn State University has proven to be one of the most inspiring criminologists in the field.
This unique volume explores the relationship between music and crime in its various forms and expressions, bringing together two areas rarely discussed in the same contexts and combining them through the tools offered by cultural criminology. Contributors discuss a range of topics, from how songs and artists draw on criminality as inspiration to how musical expression fulfills unexpected functions such as building deviant subcultures, encouraging social movements, or carrying messages of protest. Comprised of contributions from an international cohort of scholars, the book is categorized into five parts: The Criminalization of Music; Music and Violence; Organised Crime and Music; Music, Genocide, and Crimes Against Humanity and Music as Resistance. Spanning a range of cultures and time periods, Crime and Music will be of interest to researchers in critical and cultural criminology, the history of music, anthropology, ethnology, and sociology.
This title presents a major investigation into the biggest drug smuggling empire in Europe and the ruthless crime clans who control international heroin trafficking.
This book contains a collection of essays in honor of Alan A. Block including his now classic study on the origins of IRAN-CONTRA. It brings together important contributions from Block's students and contemporaries to show the impact of his work on the field of global organized crime. Professor Alan A. Block of Penn State University has proven to be one of the most inspiring criminologists in the field.
1. 1. Why this essay? It is customary for the author on return migration to complain about the lack of theoretical and empirical knowledge on his sub- ject. Three recent general handbooks on the sociology of migra- tion Jackson (1969), Jansen (1970) and Albrecht (1972), pro- duce together no more than 10 sources on return migration. The by Mangalam (1968), although extensive migration bibliography giving no less than 2051 titles, still comes up with no more than 10 sources. I t is true that not so many books and articles are de- voted exclusively to return migration: Appleyard (1962a, 1962b), Cerase (1967,1970), Committee ...(1967), Davison, B. (1968), Dietzel (1971), Elizur (1973), Feindt & Browning (1972), Form & Rivera (1958), Frohlich & Schade (1966), Hernandez-Alvarez (1967,1968), Kraak (1957a, 1957b, 1958), Kayser (1972), Myers & Masnick (1968), Migration News (1969), Mc Donald (1963), O. E. CD. (1967a, 1967b), Patterson. H. O. (1968), Richmond (1967a, 1967b, 1968), Richardson (1968), Saloutos (1956), Stark (1967b), Vanderkamp (1972), Vagts (1960) and Wilder-Okladek (1969). But this does not imply that no further research has been done and that therefore every new student of return migration had to begin from scratch. In numerous studies on emigration, migrant labour, immigration, integration and assimilation, room has been made for a chapter or a paragraph on "those who re- turned" or "the migrant's return". I've found the demographical periodicalPopulation Index relatively useful in tracing the subject. 1. 2.
1. 1. Why this essay? It is customary for the author on return migration to complain about the lack of theoretical and empirical knowledge on his sub- ject. Three recen t general handbooks on the sociology of migra- tion Jackson (1969), Jansen (1970) and Albrecht (1972), pro- duce together no more than 10 sources on return migration. The extensive migration bibliography by Mangalam (1968), although giving no less than 2051 titles, still comes up with no more than 10 sources. I t is true that not so many books and articles are de- voted exclusively to return migration: Appleyard (1962a, 1962b), Cerase (1967,1970), Committee ...(1967), Davison, B. (1968), Dietzel (1971), Elizur (J 973), Feindt & Browning (1972), Form & Rivera (1958), Frohlich & Schade (1966), Hemandez-Alvarez (1967,1968), Kraak (1957a, 1957b, 1958), Kayser (1972), Myers & Masnick (1968), Migration News (1969), Mc Donald (1963), O. E. C. D. (1967a, 1967b), Patterson, H. O. (1968), Richmond (1967a, 1967b, 1968), Richardson (1968), Saloutos (1956), Stark (1967b), Vanderkamp (1972), Vagts (1960) and Wilder-Okladek (1969). But this does not imply that no further research has been done and that therefore every new student of return migration had to begin from scratch. In numerous studies on emigration, migrant labour, immigration, integration and assimilation, room has been made for a chapter or a paragraph on "those who re- turned" or "the migrant's return". I've found the demographical periodical Population Index relatively useful in tracing the subject. 1. 2.
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