'An astonishing science fiction phenomenon' WASHINGTON POST 'I know nothing comparable to it except The Lord of the Rings' Arthur C Clarke 'It is possible that Dune is even more relevant now than when it was first published' NEW YORKER The Duke of Atreides has been manoeuvred by his arch-enemy, Baron Harkonnen, into administering the desert planet of Dune. Although it is almost completely without water, Dune is a planet of fabulous wealth, for it is the only source of a drug prized throughout the Galactic Empire. The Duke and his son, Paul, are expecting treachery, and it duly comes - but from a shockingly unexpected place. Then Paul succeeds his father, and he becomes a catalyst for the native people of Dune, whose knowledge of the ecology of the planet gives them vast power. They have been waiting for a leader like Paul Atreides, a leader who can harness that force ... DUNE: one of the most brilliant science fiction novels ever written, as engrossing and heart-rending today as it was when it was first published half a century ago. Joint winner of the HUGO AWARD for best novel, 1966 Winner of the NEBULA AWARD for best novel, 1965 Read the book which inspired the 2021 Denis Villeneuve epic film adaptation, Dune, starring Oscar Isaac, Timothee Chalamet, Zendaya and Josh Brolin.

Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune: winner of the prestigious Hugo and Nebula awards, and widely considered one of the greatest science fiction novels ever written.

Melange, or 'spice', is the most valuable - and rarest - element in the universe; a drug that does everything from increasing a person's life-span to making intersteller travel possible. And it can only be found on a single planet: the inhospitable desert world Arrakis.

Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.

When the Emperor transfers stewardship of Arrakis from the noble House Harkonnen to House Atreides, the Harkonnens fight back, murdering Duke Leto Atreides. Paul, his son, and Lady Jessica, his concubine, flee into the desert. On the point of death, they are rescued by a band for Fremen, the native people of Arrakis, who control Arrakis' second great resource: the giant worms that burrow beneath the burning desert sands.

In order to avenge his father and retake Arrakis from the Harkonnens, Paul must earn the trust of the Fremen and lead a tiny army against the innumerable forces aligned against them.

And his journey will change the universe.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The epic that began with the HUGO and NEBULA Award-winning classic DUNE -- now a major motion picture from the director of Blade Runner 2049 and Arrival -- continues ...

The sand-blasted world of Arrakis has become green, watered and fertile. Old Paul Atreides, who led the desert Fremen to political and religious domination of the galaxy, is gone.

But for the children of Dune, the very blossoming of their land contains the seeds of its own destruction. The altered climate is destroying the giant sandworms, and this in turn is disastrous for the planet's economy.

Leto and Ghanima, Paul Atreides's twin children and his heirs, can see possible solutions - but fanatics begin to challenge the rule of the all-powerful Atreides empire, and more than economic disaster threatens ...

The epic that began with the HUGO and NEBULA Award-winning classic DUNE -- now a major motion picture from the director of Blade Runner 2049 and Arrival -- continues ...

More than three thousand years have passed since the first events recorded in DUNE. Only one link survives with those tumultuous times: the grotesque figure of Leto Atreides, son of the prophet Paul Muad'Dib, and now the virtually immortal God Emperor of Dune.

He alone understands the future, and he knows with a terrible certainty that the evolution of his race is at an end unless he can breed new qualities into his species.

But to achieve his final victory, Leto Atreides must also bring about his own downfall ...

The highly anticipated graphic novel adaptation of Frank Herbert’s Dune comes to an epic conclusion in DUNE: The Graphic Novel, Book 3: The Prophet.

Be transported to the Dune universe with this visual masterpiece that blends classic science fiction with contemporary comics storytelling.

Brian Herbert, son of Frank Herbert, and New York Times bestselling author Kevin J. Anderson conclude their faithful adaptation of the novel Dune with Paul’s manifestation of his great and terrible purpose.

The final battle for Arrakis is swiftly approaching. Paul Atriedes has accepted his role as the leader of the Fremen but knows his power over them teeters on the brink―they will either take back their planet or lead a jihad that will consume the entire cosmos.

Lady Jessica has become a Reverend Mother and must balance her support of her son with the expectations of the Bene Gesserit Order. Meanwhile, Baron Harkonnen has continued to groom his cunning nephew, Feyd-Rautha, to rule the desert planet. All their destinies collide in an epic finale that will change Arrakis―and the universe―forever.

Before The Matrix, before Star Wars, before Ender's Game and Neuromancer, there was Dune, one of the greatest science fiction novels ever written.

Melange, or 'spice', is the most valuable - and rarest - element in the universe. And it can only be found on a single planet: the inhospitable desert world Arrakis.

Whoever controls Arrakis controls the spice. And whoever controls the spice controls the universe.

When stewardship of Arrakis is transferred to his house, Paul Atreides must travel to the planet's dangerous surface to ensure the future of his family and his people. But as malevolent forces explode into conflict around him, Paul is thrust into a great destiny beyond his understanding.

And in this game of power, only those who can conquer their fear will survive.

The Second Great Dune Trilogy contains God Emperor of Dune, Heretics of Dune and Chapter House Dune, and concludes the Dune Chronicles, one of the most influential SF series ever written.

Frank Herbert's evocative, epic tales are set on the desert planet Arrakis, the focus for a complex political and military struggle with galaxy-wide repercussions.

More than three thousand years have passed since the first events recorded in Dune. Only one link survives with those tumultuous times: the grotesque figure of Leto Atreides, son of the prophet Paul Muad'Dib, and now the virtually immortal God Emperor of Dune. He alone understands the future, and he knows with a terrible certainty that the evolution of his race is at an end unless he can breed new qualities into his species. But to achieve his final victory, Leto Atreides must also bring about his own downfall...