The entire series (30 episodes in all) of the classic 1960's television adventure series in which Stuart Damon, Alexandra Bastedo and William Gaunt play three crime fighters with extra sensory powers and extraordinary powers of sight, smell and hearing. The episodes are: 'The Beginning', ' The Invisible Man', 'Reply Box No. 666', 'The Experiment', 'Operation Deep-Freeze', 'The Survivors', ' To Trap a Rat', 'The Iron Man', 'The Ghost Plane', 'The Dark Island', 'The Fanatics', 'Twelve Hours', 'The Search', 'The Gilded Cage', 'Shadow of the Panther', 'A Case of Lemmings', 'The Interrogation', 'The Mission', 'The Silent Enemy', 'The Body Snatchers', 'Get Me Out of Here!', 'The Night People', 'Project Zero', 'Desert Journey', 'Full Circle', 'Nutcracker', 'The Final Countdown', 'The Gun-Runners' and 'Autokill'.

Henry Cornelius directs this classic British comedy starring Kenneth More as planning engineer David Webb, who, after approaching his employer about the company's potential conversion to automation, is sent to New York on the HMS Queen Elizabeth to negotiate a loan with a wealthy industrialist.

Late 1960s British B-movie sci-fi horror. When a mysterious meteor shower occurs above farmland in rural Cornwall, a team of scientists led by Dr. Curtis Temple (Robert Hutton) is sent in to investigate. The scientists soon find themselves possessed by an alien force which wants to use them as slaves - apart from the indomitable Dr Temple, who appears to be protected from the deadly alien force by a metal plate fitted to his head after being injured in a car crash.

Classic British horror directed by Freddie Francis. After experiencing a number of terrifying nightmares, young student Janet (Jennie Linden) is sent home from her boarding school. Now under the care of her guardian Henry Baxter (David Knight), Janet's nightmares become more regular as she starts having disturbing visions of a mysterious woman dressed in white. When Henry then brings home his wife, who looks exactly like the woman from Janet's dreams, it is enough to finally push a hysterical Janet over the edge.

Classic British horror directed by Freddie Francis. After experiencing a number of terrifying nightmares, young student Janet (Jennie Linden) is sent home from her boarding school. Now under the care of her guardian Henry Baxter (David Knight), Janet's nightmares become more regular as she starts having disturbing visions of a mysterious woman dressed in white. When Henry then brings home his wife, who looks exactly like the woman from Janet's dreams, it is enough to finally push a hysterical Janet over the edge.

Director Karel Reisz's adaptation of Alan Sillitoe's novel about a hard-living factory worker and the married woman he seduces. Arthur Seaton (Albert Finney) is a young man filled with a rage perhaps even he doesn't fully understand. Working in the tough environment of a Nottingham factory, he compensates for the drudgery and discipline of his weekday life with weekends spent drinking and womanising. His affair with a fellow factory worker's wife, Brenda (Rachel Roberts), seems especially ill-advised - particularly when Brenda informs him that she is pregnant with his child. With abortion illegal at the time, Arthur and Brenda face a difficult dilemma. Will Arthur face up to the kind of domestic responsibilities he openly scorns in his own parents, or run harder than ever?

Classic horror starring Peter Cushing. Penniless, Baron Frankenstein (Cushing), accompanied by his eager assistant Hans (Sandor Eles), arrives at his family castle near the town of Karlstaad, vowing to continue his experiments in the creation of life. Fortuitously finding the creature he was previously working on, he brings it back to a semblance of life but requires the services of a mesmerist, Zoltan (Peter Woodthorpe), to successfully animate it. The greedy and vengeful Zoltan secretly sends the monster into town to steal gold and 'punish' the burgomaster and the chief of police, which acts lead to a violent confrontation between the baron and the townspeople.

Designed as a source for enthusiasts of British horror films, this work provides an extensive listing of shooting locations for films released between 1932 and 2006. The main body of the text comprises an alphabetical index of over 100 British horror films, from ""The Abominable Doctor Phibes"" (1971) to ""Witchfinder General"" (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film's in-studio or on-site shooting locations.Separate chapters provide in-depth accounts of the locations themselves. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio's historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership. It includes many photographs.

Early 1970s British horror anthology comprising five short films. Based on the 1950s EC horror comic series, the films feature British stars including Joan Collins, Peter Cushing and Patrick Magee. The ghoulish tales comprise: '...And All Through the House', 'Reflection of Death', 'Poetic Justice', 'Wish You Were Here' and 'Blind Alleys'.

In a film career that spanned more than seven decades, Freddie Francis distinguished himself as both an award-winning cinematographer and as a director of classic British horror films of the 1960s and 70s. From his formative years as a clapperboy and camera assistant in the 1930s to his work as camera operator, director of photography, and director through the 1990s, Francis had a unique behind-the-scenes perspective on filmmaking, particular British cinema. Throughout his career, Francis was honored with several BAFTA nominations and received Academy Awards for Sons and Lovers and Glory. Freddie Francis: The Straight Story from Moby Dick to Glory, a Memoir is a personal story by one of the great British filmmakers of the 20th century. In this engaging volume, Francis provides a firsthand account of working on such classics as The Small Back Room, Beat the Devil, Room at the Top, Saturday Night and Sunday Morning, The Elephant Man, The French Lieutenant's Woman, Cape Fear, and The Straight Story. He also reveals what is was like to work with some of the most significant filmmakers on both sides of the Atlantic, including Carol Reed, Rene Clair, Michael Powell, Emeric Pressberger, John Huston, Karel Reisz, Robert Mulligan, Jack Clayton, Martin Scorsese, and David Lynch. With his own brand of humor and charm, Francis recounts his career as a director for the British horror studios Hammer Films and its chief rival, Amicus Productions. Freddie Francis's memoir provides an insider's view of the British Film industry from the mid-1930s to the 1990s. As such, it will appeal to both scholars of cinema and anyone interested in the golden age of filmmaking in the latter half of the twentieth century.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.