Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, these essays contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey

Examinations of the date of Beowulf have tremendous significance for Anglo-Saxon culture in general. This book will be a milestone, and deserves to be widely read. The early Beowulf that overwhelmingly emerges here asks hard questions, and the same strictly defined measures of metre, spelling, onomastics, semantics, genealogy, and historicity all cry out to be tested further and applied more broadly to the whole corpus of Old English verse. Andy Orchard, Rawlinson and Bosworth Professor of Anglo-Saxon, University of Oxford. The datingof Beowulf has been a central question in Anglo-Saxon studies for the past two centuries, since it affects not only the interpretation of Beowulf, but also the trajectory of early English literary history. By exploring evidence for the poem's date of composition, the essays in this volume contribute to a wide range of pertinent fields, including historical linguistics, Old English metrics, onomastics, and textual criticism. Many aspects of Anglo-Saxon literary culture are likewise examined, as contributors gauge the chronological significance of the monsters, heroes, history, and theology brought together in Beowulf. Discussions of methodology and the history of the discipline also figure prominently in this collection. Overall, the dating of Beowulf here provides a productive framework for evaluating evidence and drawing informed conclusions about its chronological significance. These conclusions enhance our appreciation of Beowulf and improve our understanding of the poem's place in literary history. Leonard Neidorf is a Junior Fellow at the Harvard Society of Fellows. Contributors: Frederick M. Biggs, Thomas A. Bredehoft, George Clark, Dennis Cronan, Michael D.C. Drout, Allen J. Frantzen, R.D. Fulk, Megan E. Hartman, Joseph Harris, Thomas D. Hill, Leonard Neidorf, Rafael J. Pascual, Tom Shippey

Fresh assessments of Edgar's reign, reappraising key elements using documentary, coin, and pictorial evidence. King Edgar ruled England for a short but significant period in the middle of the tenth century. Two of his four children succeeded him as king and two were to become canonized. He was known to later generations as "the Pacific" or"the Peaceable" because his reign was free from external attack and without internal dissention, and he presided over a period of major social and economic change: early in his rule the growth of monastic power and wealth involved redistribution of much of the country's assets, while the end of his reign saw the creation of England's first national coinage, with firm fiscal control from the centre. He fulfilled King Alfred's dream of the West Saxon royalhouse ruling the whole of England, and, like his uncle King AEthelstan, he maintained overlordship of the whole of Britain. Despite his considerable achievements, however, Edgar has been neglected by scholars, partly becausehis reign has been thought to have passed with little incident. A time for a full reassessment of his achievement is therefore long overdue, which the essays in this volume provide. CONTRIBUTORS: SIMON KEYNES, SHASHI JAYAKUMAR, C.P. LEWIS, FREDERICK M. BIGGS, BARBARA YORKE, JULIA CRICK, LESLEY ABRAMS, HUGH PAGAN, JULIA BARROW, CATHERINE KARKOV, ALEXANDER R. RUMBLE, MERCEDES SALVADOR-BELLO

A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.

A major and original contribution to the debate as to Chaucer's use and knowledge of Boccaccio, finding a new source for the "Shipman's Tale". A possible direct link between the two greatest literary collections of the fourteenth century, Boccaccio's Decameron and Chaucer's Canterbury Tales, has long tantalized readers because these works share many stories, which are, moreover, placed in similar frames. And yet, although he identified many of his sources, Chaucer never mentioned Boccaccio; indeed when he retold the Decameron's final novella, his pilgrim, the Clerk, states that it was written by Petrarch. For these reasons, most scholars now believe that while Chaucer might have heard parts of the earlier collection when he was in Italy, he did not have it at hand as he wrote. This volumeaims to change our understanding of this question. It analyses the relationship between the "Shipman's Tale", originally written for the Wife of Bath, and Decameron 8.10, not seen before as a possible source. The book alsoargues that more important than the narratives that Chaucer borrowed is the literary technique that he learned from Boccaccio - to make tales from ideas. This technique, moreover, links the "Shipman's Tale" to the "Miller's Tale"and the new "Wife of Bath's Tale". Although at its core a hermeneutic argument, this book also delves into such important areas as alchemy, domestic space, economic history, folklore, Irish/English politics, manuscripts, and misogyny. FREDERICK M. BIGGS is Professor of English at the University of Connecticut.

Fresh assessments of Edgar's reign, reappraising key elements using documentary, coin, and pictorial evidence. King Edgar ruled England for a short but significant period in the middle of the tenth century. Two of his four children succeeded him as king and two were to become canonized. He was known to later generations as "the Pacific" or"the Peaceable" because his reign was free from external attack and without internal dissention, and he presided over a period of major social and economic change: early in his rule the growth of monastic power and wealth involved redistribution of much of the country's assets, while the end of his reign saw the creation of England's first national coinage, with firm fiscal control from the centre. He fulfilled King Alfred's dream of the West Saxon royalhouse ruling the whole of England, and, like his uncle King AEthelstan, he maintained overlordship of the whole of Britain. Despite his considerable achievements, however, Edgar has been neglected by scholars, partly because his reign has been thought to have passed with little incident. A time for a full reassessment of his achievement is therefore long overdue, which the essays in this volume provide. CONTRIBUTORS: SIMON KEYNES, SHASHIJAYAKUMAR, C.P, LEWIS, FREDERICK M. BIGGS, BARBARA YORKE, JULIA CRICK, LESLEY ABRAMS, HUGH PAGAN, JULIA BARROW, CATHERINE KARKOV, ALEXANDER R. RUMBLE, MERCEDES SALVADOR-BELLO.

Studies and editions of Anglo-Saxon apocryphal materials, filling a gap in literature available on the boundaries between apocryphal and orthodox in the period. Apocrypha and apocryphal traditions in Anglo-Saxon England have been often referred to but little studied. This collection fills a gap in the study of pre-Conquest England by considering what were the boundaries between apocryphaland orthodox in the period and what uses the Anglo-Saxons made of apocryphal materials. The contributors include some of the most well-known and respected scholars in the field. The introduction - written by Frederick M. Biggs, one of the principal editors of Sources of Anglo-Saxon Literary Culture - expertly situates the essays within the field of apocrypha studies. The essays themselves cover a broad range of topics: both vernacular and Latin texts, those available in Anglo-Saxon England and those actually written there, and the uses of apocrypha in art as well as literature. Additionally, the book includes a number of completely new editions of apocryphal texts which were previously unpublished or difficult to access. By presenting these new texts along with the accompanying range of essays, the collection aims to retrieve these apocryphal traditions from the margins of scholarship and restore tothem some of the importance they held for the Anglo-Saxons. Contributors: DANIEL ANLEZARK, FREDERICK M. BIGGS, ELIZABETH COATSWORTH, THOMAS N. HALL, JOYCE HILL, CATHERINE KARKOV, PATRIZIA LENDINARA, AIDEEN O'LEARY, CHARLES D. WRIGHT.