The leading scholarly publication on Brecht; volume 43 contains a wealth of articles on diverse topics and a reconstruction of the two-chorus version of The Exception and the Rule. Published for the International Brecht Society by Camden House, the Brecht Yearbook is the central scholarly forum for discussion of Brecht's life and work and of topics of interest to him, especially the politics of literature and theater in a global context. It encourages a wide variety of perspectives and approaches and, like Brecht, is committed to the use value of literature, theater, and theory. Volume 43 opens with a reconstruction of Brecht's two-chorus version of The Exception and the Rule (Reiner Steinweg) and continues with a selection of Helmut Heissenbuttel's reviews of Brecht's work. Four articles (by Christine Kunzel, Carsten Mindt, Judith Niehaus,and Sebastian Schuller) address Brechtian aspects of Gisela Elsner's novels. The next two essays (by Hunter Bivens and Friedemann Weidauer) revisit Brecht's reflections on affect and empathy. Also included are papers from the 2016IBS "Recycling Brecht" Symposium: on Brecht's recycling of Lenin in his "neue Dramatik" (Joseph Dial), on Paul Celan as a reconfiguration of Brecht (Paul Peters), on Brecht's adaptation of Shakespeare's Coriolanus (MartinRevermann), and on Hilary Mantel's Brechtian reconfiguration of Thomas Cromwell (Markus Wessendorf). The volume features Richard Schroeder's farewell lecture on Brecht's Life of Galileo and an essay by Ulrich Plass on BerndStegemann's allegedly Brechtian reclamation of critical realism. It concludes with Zhang Wei's interview with the Chinese dramaturg, playwright, and Brecht translator Li Jianming. Editor Markus Wessendorf is a Professorin the Department of Theatre and Dance at the University of Hawai'i at Manoa in Honolulu.

Since German unification, there have been many reports about xenophobia in Germany and the government has attempted to stem the new wave of racism. In contrast, the voices of the victims of racism -- refugees, asylum seekers, immigrants -- are seldom heard.
This first anthology of essays by significant writers from minority groups in Germany -- Turks, Afro-Germans, German Jews, Eastern Europeans and others -- sheds new light on the diverse experiences of minority groups living in Germany today. It also introduces to English-speaking audiences innovative literary talents whose contribution to German culture has not yet received the attention it deserves.
Students of contemporary German culture who wish to increase their understanding of the changing nature of German society will find this book invaluable. It will also be of interest to anyone following the rise of xenophobia in Germany, its possible causes, and the changing politics of immigration.

Since German unification, there have been many reports about xenophobia in Germany and the government has attempted to stem the new wave of racism. In contrast, the voices of the victims of racism -- refugees, asylum seekers, immigrants -- are seldom heard.
This first anthology of essays by significant writers from minority groups in Germany -- Turks, Afro-Germans, German Jews, Eastern Europeans and others -- sheds new light on the diverse experiences of minority groups living in Germany today. It also introduces to English-speaking audiences innovative literary talents whose contribution to German culture has not yet received the attention it deserves.
Students of contemporary German culture who wish to increase their understanding of the changing nature of German society will find this book invaluable. It will also be of interest to anyone following the rise of xenophobia in Germany, its possible causes, and the changing politics of immigration.