The call of Deep Church is not just for theologians and church leaders; it is also about each individual Christian experiencing and knowing that Jesus rescues from the depths and changes them deeply In this book Frog and Amy Orr-Ewing explore the concept of Deep Church in a 21st-century context. They argue that a missionary congregation needs to be deeply evangelical and evangelistic, deeply reliant on the power of the Holy Spirit, deeply engaged with its surrounding culture and community, deeply realistic about its limitations and temptations, and deeply convinced of its faith, in the face of all other worldviews and alternatives. Deep Church is about restoring the heart of the Christian faith within a rapidly changing and demanding culture, without lurching from one new methodology to another, rescuing today's church from unnecessary disillusionment, and wholeheartedly embracing Christ and his Kingdom.

Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of OFT, and OFT is only a part of scholarship on weathered words. Each of the eighteen essays gathered here brings particular aspects of formulaic language into focus. No volume on such a diverse topic can be all-encompassing, but the essays highlight aspects of the phenomenon that may be eclipsed elsewhere: they diverge not only in style, but sometimes even in how they choose to define "formula." As such, they offer overlapping frames that complement one another both in their convergences and their contrasts. While they view formulaicity from multifarious angles, they unite in a Picasso of perspectives on which the reader can reflect and draw insight.

In this collection of entertaining, eye-opening interviews, today's hottest screenwriters discuss their craft. Screenwriting techniques, breaking into the business, the role of the writer in the filmmaking process, the current economic situation for screenwriters, what makes a screenplay work, and what sells a screenplay are among the subjects they discuss. Includes interviews with: Jeffrey Boam (Indiana Jones and the Last Crusade), Ronald Bass (Rainman), Jack Epps & Jim Cash (Top Gun), Gregory Widen (Highlander), Dan Pyne Doc Hollywood), Anna Hamilton Phelan (Gorillas in the Mist), Diane Frolov (Northern Exposure), Bill Bryan (Night Court), Fay Kanin (Teacher's Pet), Laurence Dworet (Outbreak), Dan O'Bannon (Alien), Joe Eszterhas (Basic Instinct) and CAA cofounders and agents Bill Haber and Roland Perkins.

This unusual screenwriting book takes up where William Froug's earlier books left off. It offers the reader a tapestry of short essays and in-depth interviews with top screenwriters. Froug's essays cover such topics as avoiding the obvious, the birth of ideas, the process of rewriting, dealing with writer's block, creativity and spontaneity, handling rejection, breaking the screenwriting "rules, " and episodic forms. The interview subjects are: Frank Darabont (The Shawshank Redemption), Callie Khourie (Thelma & Louise), Eric Roth (Forrest Gump), Ruth Prawer Jhabvala (A Room with a View), David Peoples (The Unforgiven), Janet People (12 Monkeys), Bo Goldman (One Flew Over the Cuckoo's Nest), Laurence Dworet (Outbreak), Stuart Kaminsky (Once Upon a Time in America), Larry Gelbart (Tootsie). Zen and the Art of Screenwriting is a fresh, insightful, informative and entertaining read for both novice and veteran screenwriters. William Froug is an Emmy-winning writer-producer whose television credits include "Playhouse 90" and "The Twilight Zone" He was named Producer of the Year in 1956 by the Producers Guild of America and received the Writers Guild of America's Valentine Davies Award in 1987. He is a professor emeritus at UCLA, where he founded the present Film and Television Writing Program.