Boxset of six films featuring the characters created by Jim Henson. 'Muppets Most Wanted' (2014) is a musical comedy sequel starring Tina Fey, Ricky Gervais and Ty Burrell. While on a European tour Kermit the Frog (voiced by Steve Whitmire) is mistaken for a Russian jewel thief called Constantine (voiced by Matt Vogel), to whom he bears a striking resemblance, and is thrown in jail by prison officer Nadya (Fey). Seeing an opportunity for a new life Constantine poses as Kermit and joins the rest of the Muppets on their tour. 'The Muppets' (2011) stars Jason Segel as the human brother of Muppet Walter (voiced by Peter Linz) who Walter approaches for help in raising ten million dollars to save the vaudeville house where the Muppets used to perform. Amy Adams also stars. In 'The Muppets Movie' (1979) Kermit (voiced by Jim Henson) leaves behind his swamp and heads for the big lights of Hollywood to fulfil his dream of becoming a star. Along the way he becomes involved with the dazzling Miss Piggy (voiced by Franz Oz), the charming Fozzie Bear (also voiced by Franz Oz) and Gonzo the Great (voiced by Dave Goelz), encountering such celebrities as Orson Welles, Steve Martin and Bob Hope. In 'The Great Muppet Caper' (1981) the Muppets travel to London to investigate the disappearance of Lady Holiday's jewels, Miss Piggy (voiced by Frank Oz) is framed for the theft. 'The Muppet Christmas Carol' (1992) is the Muppet's version of Charles Dickens' immortal festive tale about a bitter old man who is shown the error of his ways. 'Muppet Treasure Island' (1996) sees the Muppets go on an adventure on the high seas in their version of the famous pirate adventure. Tim Curry stars as Long John Silver alongside Gonzo (voiced by Dave Goelz), Kermit (voiced by Steve Whitmire) and Miss Piggy (voiced by Frank Oz).

In this collection of entertaining, eye-opening interviews, today's hottest screenwriters discuss their craft. Screenwriting techniques, breaking into the business, the role of the writer in the filmmaking process, the current economic situation for screenwriters, what makes a screenplay work, and what sells a screenplay are among the subjects they discuss. Includes interviews with: Jeffrey Boam (Indiana Jones and the Last Crusade), Ronald Bass (Rainman), Jack Epps & Jim Cash (Top Gun), Gregory Widen (Highlander), Dan Pyne Doc Hollywood), Anna Hamilton Phelan (Gorillas in the Mist), Diane Frolov (Northern Exposure), Bill Bryan (Night Court), Fay Kanin (Teacher's Pet), Laurence Dworet (Outbreak), Dan O'Bannon (Alien), Joe Eszterhas (Basic Instinct) and CAA cofounders and agents Bill Haber and Roland Perkins.

Pop star Robbie Williams captured live in performance at the London Palladium. Williams performs a selection of songs from his latest album 'Swings Both Ways' (2013) alongside a number of swing favourites from the past. He is joined onstage by an orchestra and celebrity guests including Rufus Wainwright, Lily Allen and the Muppets Miss Piggy and Kermit the Frog.

The call of Deep Church is not just for theologians and church leaders; it is also about each individual Christian experiencing and knowing that Jesus rescues from the depths and changes them deeply In this book Frog and Amy Orr-Ewing explore the concept of Deep Church in a 21st-century context. They argue that a missionary congregation needs to be deeply evangelical and evangelistic, deeply reliant on the power of the Holy Spirit, deeply engaged with its surrounding culture and community, deeply realistic about its limitations and temptations, and deeply convinced of its faith, in the face of all other worldviews and alternatives. Deep Church is about restoring the heart of the Christian faith within a rapidly changing and demanding culture, without lurching from one new methodology to another, rescuing today's church from unnecessary disillusionment, and wholeheartedly embracing Christ and his Kingdom.

"We write this account of the Taliban with probably a unique experience and perspective on them. We have a story that intertwines our lives with theirs long before the twin towers were destroyed and the appalling attacks on America had wreaked their havoc. For much of the Western press, the Taliban were just another fundamentalist regime, renowned for their treatment of women, and their ultra-orthodoxy. They are a group now ingrained upon the visual imagination of the western world."Frog and Amy Orr-Ewing

Formulaic phraseology presents the epitome of words worn and weathered by trial and the tests of time. Scholarship on weathered words is exceptionally diverse and interdisciplinary. This volume focuses on verbal art, which makes Oral-Formulaic Theory (OFT) a major point of reference. Yet weathered words are but a part of OFT, and OFT is only a part of scholarship on weathered words. Each of the eighteen essays gathered here brings particular aspects of formulaic language into focus. No volume on such a diverse topic can be all-encompassing, but the essays highlight aspects of the phenomenon that may be eclipsed elsewhere: they diverge not only in style, but sometimes even in how they choose to define "formula." As such, they offer overlapping frames that complement one another both in their convergences and their contrasts. While they view formulaicity from multifarious angles, they unite in a Picasso of perspectives on which the reader can reflect and draw insight.

Since prehistoric times, the Baltic Sea has functioned as a northern mare nostrum - a crucial nexus that has shaped the languages, folklore, religions, literature, technology, and identities of the Germanic, Finnic, Sami, Baltic, and Slavic peoples. This anthology explores the networks among those peoples. The contributions to Contacts and Networks in the Baltic Sea Region: Austmarr as a Northern mare nostrum, ca. 500-1500 ad address different aspects of cultural contacts around and across the Baltic from the perspectives of history, archaeology, linguistics, literary studies, religious studies, and folklore. The introduction offers a general overview of crosscultural contacts in the Baltic Sea region as a framework for contextualizing the volume's twelve chapters, organized in four sections. The first section concerns geographical conceptions as revealed in Old Norse and in classical texts through place names, terms of direction, and geographical descriptions. The second section discusses the movement of cultural goods and persons in connection with elite mobility, the slave trade, and rune-carving practice. The third section turns to the history of language contacts and influences, using examples of Finnic names in runic inscriptions and Low German loanwords in Finnish. The final section analyzes intercultural connections related to mythology and religion spanning Baltic, Finnic, Germanic, and Sami cultures. Together these diverse articles present a dynamic picture of this distinctive part of the world.

This unusual screenwriting book takes up where William Froug's earlier books left off. It offers the reader a tapestry of short essays and in-depth interviews with top screenwriters. Froug's essays cover such topics as avoiding the obvious, the birth of ideas, the process of rewriting, dealing with writer's block, creativity and spontaneity, handling rejection, breaking the screenwriting "rules, " and episodic forms. The interview subjects are: Frank Darabont (The Shawshank Redemption), Callie Khourie (Thelma & Louise), Eric Roth (Forrest Gump), Ruth Prawer Jhabvala (A Room with a View), David Peoples (The Unforgiven), Janet People (12 Monkeys), Bo Goldman (One Flew Over the Cuckoo's Nest), Laurence Dworet (Outbreak), Stuart Kaminsky (Once Upon a Time in America), Larry Gelbart (Tootsie). Zen and the Art of Screenwriting is a fresh, insightful, informative and entertaining read for both novice and veteran screenwriters. William Froug is an Emmy-winning writer-producer whose television credits include "Playhouse 90" and "The Twilight Zone" He was named Producer of the Year in 1956 by the Producers Guild of America and received the Writers Guild of America's Valentine Davies Award in 1987. He is a professor emeritus at UCLA, where he founded the present Film and Television Writing Program.