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Gaius Valerius Catullus (c. 84-54 BCE), one of the finest lyrical poets of classical times, was also among the bawdiest. He was capable of producing poems of such forthright and ribald sensuality that until recently they were all too often relegated to collections of erotica to protect the innocent minds of impressionable students. This collection of Catullus' poems incorporates the original Latin text and a facing English translation by James Michie, which is contemporary and lively, matching the spirit of the original, and also reveals the poets as he really was: a worldly, lusty man writing for his turbulent age.

Catullus was undoubtedly one of the most intimate, witty, vivid, and tender poets of antiquity. Perhaps his greatest gift was his ability to truthfully reveal the fleeting instants of his bare psyche: moments of erotic passion, of scorn and jealousy, of heartfelt devotion, of consuming love. The cycle of poems to his love, “Lesbia,� have entranced poets and translators across the centuries, enriching many different traditions in English-language poetry. This anthology of Catullus’s love poems showcases translations from many New Directions authors, including James Laughlin, Bernadette Mayer, Muriel Spark, and Louis and Celia Zukofsky, as well as beloved timeless translations, like those of Ben Jonson and Christopher Marlowe, and inimitable modern versions from the likes of Dorothy Parker and Horace Gregory. Also included are several newly commissioned translations from contemporary poets and writers.

Catullus, who lived during some of the most interesting and tumultuous years of the late Roman Republic, spent his short but intense life (?84-54 B.C.E.) in high Roman society, rubbing shoulders with various cultural and political luminaries, including Caesar, Cicero, and Pompey. Catullus's poetry is by turns ribald, lyric, romantic, satirical; sometimes obscene and always intelligent, it offers us vivid pictures of the poet's friends, enemies, and lovers. The verses to his friends are bitchy, funny, and affectionate; those to his enemies are often wonderfully nasty. Many poems brilliantly evoke his passionate affair with Lesbia, often identified as Clodia Metelli, a femme fatale ten years his senior and the smart, adulterous wife of an arrogant aristocrat. Cicero later claimed she poisoned her husband. This new bilingual translation of Catullus's surviving poems by Peter Green is fresh, bawdy, and utterly engaging. Unlike its predecessors, it adheres to the principle that the rhythm of a poem, whether familiar or not, is among the most crucial elements for its full appreciation. Green provides an essay on the poet's life and literary background, a historical sketch of the politically fraught late Roman Republic in which Catullus lived, copious notes on the poems, a wide-ranging bibliography for further reading, and a full glossary.

Of all the classical poets Gaius Valerius Catullus (c. 84-54 BC) is the most accessible to the modern reader. Presented alongside the original Latin text, this new translation reflects Catullus' mastery of poetic forms as diverse as the lyric, the inventive epigram, and the romantic legend, and shows his passionate, and sometimes dedicated to his lover Lesbia. This edition also includes a introduction to the poet's life and work, and full explanatory notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sensual, salacious and above all scandalous, the erotic verse of the Roman poet Catullus has delighted-and shocked-readers for centuries. Charting the lives and loves of a group of smart young men about Rome during the late Republic. Catullus' urbane poetry is renowned for its emotional range and psychological insight, not to mention its often startling obscenity. They highlight both the intense lyricism and the scabrous wit of the original poems. Both tender and coruscating, elegant and unrestrained, here is poetry to fall in (and out) of love by, celebrating the power of friendship and the even stronger bond of enmity: poetry of passion.