Romanticism, Medicine and the Natural Supernatural explores the relationship between the Romantic preoccupation with visionary kinds of experience and early nineteenth-century medical theories of hallucination and the nerves, placing it in the context of accounts of perception in philosophical empiricism. Starting with an examination of Ann Radcliffe's Gothic narrative, and the canonical Romanticism of Wordsworth and Coleridge, the book goes on to examine the persistence of this medical topos of hallucination and the visionary in mid nineteenth-century writers influenced by Romanticism, such as Harriet Martineau and Harriet Beecher Stowe. The book concludes with a discussion of how the pathological language employed in early debates about Pre-Raphaelite painting reflects this Romantic conception of the interrelationship between nervous strain, hallucination and vision.

This fascinating interdisciplinary study examines the relationship between literary interest in visionary kinds of experience and medical ideas about hallucination and the nerves in the first half of the nineteenth century, focusing on canonical Romantic authors, the work of women writers influenced by Romanticism, and visual culture.

Romantic Empiricism is a timely collection of essays by established and emerging scholars, which represents a paradigm shift for the study of British Romanticism. The volume challenges the received view that German Idealist philosophy constitutes the main intellectual reference point for British Romantic writers, arguing instead that the tradition of Scottish Common Sense philosophy, largely overlooked by literary scholars, is a significant influence on Romantic thought. The essays in the collection examine a variety of canonical and non-canonical Romantic authors in the light of this fresh interpretative context, ranging from Charlotte Smith and Elizabeth Hamilton to Robert Burns and S.T. Coleridge. The volume is prefaced by a substantial theoretical introduction, which sets out the historical and interpretative case for the relevance of Common Sense philosophy for the study of British Romanticism.