Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify, form opinions, and make aesthetic and emotional judgements. Colour operates in every culture as a symbol, a metaphor, and as part of an aesthetic system. Yet archaeologists have traditionally subordinated the study of colour to the form and material value of the objects they find and thereby overlook its impact on conceptual systems throughout human history.
This book explores the means by which colour-based cultural understandings are formed, and how they are used to sustain or alter social relations. From colour systems in the Mesolithic, to Mesoamerican symbolism and the use of colour in Roman Pompeii, this book paints a new picture of the past. Through their close observation of monuments and material culture, authors uncover the subtle role colour has played in the construction of past social identities and the expression of ancient beliefs. Providing an original contribution to our understanding of past worlds of meaning, this book will be essential reading for archaeologists, anthropologists and historians, as well as anyone with an interest in material culture, art and aesthetics.

What was life like in Scotland between 4000 and 2000 BC? Where were people living? How did they treat their dead? Why did they spend so much time building extravagant ritual monuments? What was special about the relationship people had with trees and holes in the ground? What can we say about how people lived in the Neolithic and early Bronze Age of mainland Scotland where much of the evidence we have lies beneath the ploughsoil, or survives as slumped banks and ditches, or ruinous megaliths? Each contribution to this volume presents fresh research and radical new interpretations of the pits, postholes, ditches, rubbish clumps, human remains and broken potsherds left behind by our Neolithic forebears.

Colour shapes our world in profound, if sometimes subtle, ways. It helps us to classify, form opinions, and make aesthetic and emotional judgements. Colour operates in every culture as a symbol, a metaphor, and as part of an aesthetic system. Yet archaeologists have traditionally subordinated the study of colour to the form and material value of the objects they find and thereby overlook its impact on conceptual systems throughout human history.
This book explores the means by which colour-based cultural understandings are formed, and how they are used to sustain or alter social relations. From colour systems in the Mesolithic, to Mesoamerican symbolism and the use of colour in Roman Pompeii, this book paints a new picture of the past. Through their close observation of monuments and material culture, authors uncover the subtle role colour has played in the construction of past social identities and the expression of ancient beliefs. Providing an original contribution to our understanding of past worlds of meaning, this book will be essential reading for archaeologists, anthropologists and historians, as well as anyone with an interest in material culture, art and aesthetics.

Based on a conference held in Glasgow in 1997 on Medieval or Later Rural Settlement', the 27 papers in this volume approach the subject from an inter-disciplinary perspective, including historical research, social history, theory, environmental sciences and the study of past communities. Packed full of information, archaeological and historical data, and with an impressive line-up of contributors, these studies address a clear need for integration and exchange of ideas across Britain.