Ever since the collapse of the Third Reich, anxieties have persisted about Nazism's revival in the form of a Fourth Reich. Gavriel D. Rosenfeld reveals, for the first time, these postwar nightmares of a future that never happened and explains what they tell us about Western political, intellectual, and cultural life. He shows how postwar German history might have been very different without the fear of the Fourth Reich as a mobilizing idea to combat the right-wing forces that genuinely threatened the country's democratic order. He then explores the universalization of the Fourth Reich by left-wing radicals in the 1960s, its transformation into a source of pop culture entertainment in the 1970s, and its embrace by authoritarian populists and neo-Nazis seeking to attack the European Union since the year 2000. This is a timely analysis of a concept that is increasingly relevant in an era of surging right-wing politics.

Has fascism arrived in America? In this pioneering book, Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.

Has fascism arrived in America? In this pioneering book, Gavriel D. Rosenfeld and Janet Ward have gathered experts to survey the history of fascism in the United States. Although the US established a staunch anti-fascist reputation by defeating the Axis powers in World War II, the unsettling truth is that fascist ideas have long been present within American society. Since the election of Donald Trump as President in 2016, scholars have debated whether Trumpism should be seen as an outgrowth of American conservatism or of a darker – and potentially fascist – tradition. Fascism in America contributes to this debate by examining the activities of interwar right-wing groups like the Silver Shirts, the KKK, and the America First movement, as well as the post-war rise of Black antifascism and white vigilantism, the representation of American Nazis in popular culture, and policy options for combating right-wing extremism.

What if the Exodus had never happened? What if the Jews of Spain had not been expelled in 1492? What if Eastern European Jews had never been confined to the Russian Pale of Settlement? What if Adolf Hitler had been assassinated in 1939? What if a Jewish state had been established in Uganda instead of Palestine? Gavriel D. Rosenfeld's pioneering anthology examines how these and other counterfactual questions would have affected the course of Jewish history. Featuring essays by sixteen distinguished scholars in the field of Jewish Studies, What Ifs of Jewish History is the first volume to systematically apply counterfactual reasoning to the Jewish past. Written in a variety of narrative styles, ranging from the analytical to the literary, the essays cover three thousand years of dramatic events and invite readers to indulge their imaginations and explore how the course of Jewish history might have been different.

What if the Nazis had triumphed in World War II? What if Adolf Hitler had escaped Berlin for the jungles of Latin America in 1945? What if Hitler had become a successful artist instead of a politician? Originally published in 2005, Gavriel D. Rosenfeld's pioneering study explores why such counterfactual questions on the subject of Nazism have proliferated within Western popular culture. Examining a wide range of novels, short stories, films, television programs, plays, comic books, and scholarly essays appearing in Great Britain, the United States, and Germany post-1945, Rosenfeld shows how the portrayal of historical events that never happened reflects the evolving memory of the Third Reich's real historical legacy. He concludes that the shifting representation of Nazism in works of alternate history, as well as the popular reactions to them, highlights their subversive role in promoting the normalisation of the Nazi past in Western memory.

The Third Reich's legacy is in flux. For much of the post-war period, the Nazi era has been viewed moralistically as an exceptional period of history intrinsically different from all others. Since the turn of the millennium, however, this view has been challenged by a powerful wave of normalization. Gavriel D. Rosenfeld charts this important international trend by examining the shifting representation of the Nazi past in contemporary western intellectual and cultural life. Focusing on works of historical scholarship, popular novels, counterfactual histories, feature films, and Internet websites, he identifies notable changes in the depiction of the Second World War, the Holocaust, and the figure of Adolf Hitler himself. By exploring the origins of these works and assessing the controversies they have sparked in the United States and Europe, Hi Hitler! offers a fascinating and timely analysis of the shifting status of the Nazi past in western memory.

The first major study to examine the rise to prominence of Jewish architects since 1945 and the connection of their work to the legacy of the Holocaust Since the end of World War II, Jewish architects have risen to unprecedented international prominence. Whether as modernists, postmodernists, or deconstructivists, architects such as Peter Eisenman, Frank Gehry, Louis I. Kahn, Daniel Libeskind, Richard Meier, Moshe Safdie, Robert A.M. Stern, and Stanley Tigerman have made pivotal contributions to postwar architecture. They have also decisively shaped Jewish architectural history, as many of their designs are influenced by Jewish themes, ideas, and imagery. Building After Auschwitz is the first major study to examine the origins of this "new Jewish architecture." Historian Gavriel D. Rosenfeld describes this cultural development as the result of important shifts in Jewish memory and identity since the Holocaust, and cites the rise of postmodernism, multiculturalism, and Holocaust consciousness as a catalyst. In showing how Jewish architects responded to the Nazi genocide in their work, Rosenfeld's study sheds new light on the evolution of Holocaust memory.

The Third Reich's legacy is in flux. For much of the post-war period, the Nazi era has been viewed moralistically as an exceptional period of history intrinsically different from all others. Since the turn of the millennium, however, this view has been challenged by a powerful wave of normalization. Gavriel D. Rosenfeld charts this important international trend by examining the shifting representation of the Nazi past in contemporary western intellectual and cultural life. Focusing on works of historical scholarship, popular novels, counterfactual histories, feature films, and Internet websites, he identifies notable changes in the depiction of the Second World War, the Holocaust, and the figure of Adolf Hitler himself. By exploring the origins of these works and assessing the controversies they have sparked in the United States and Europe, Hi Hitler! offers a fascinating and timely analysis of the shifting status of the Nazi past in western memory.

What if the Nazis had triumphed in World War II? What if Adolf Hitler had escaped Berlin for the jungles of Latin America in 1945? What if Hitler had become a successful artist instead of a politician? Originally published in 2005, Gavriel D. Rosenfeld's pioneering study explores why such counterfactual questions on the subject of Nazism have proliferated within Western popular culture. Examining a wide range of novels, short stories, films, television programs, plays, comic books, and scholarly essays appearing in Great Britain, the United States, and Germany post-1945, Rosenfeld shows how the portrayal of historical events that never happened reflects the evolving memory of the Third Reich's real historical legacy. He concludes that the shifting representation of Nazism in works of alternate history, as well as the popular reactions to them, highlights their subversive role in promoting the normalisation of the Nazi past in Western memory.