This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.

First published in 2006. The dynamics of ethnicity, diaspora, identity and community are the defining features of contemporary life, giving rise to important and exciting new interdisciplinary fields of study and literature on subjects that were previously seen as the exclusive domain of the social sciences. Connecting Histories is an important contribution to this trend. While using sociological and anthropological theories, its is an innovative historical and comparative assessment of ethnic identities and memories. Romain focuses on Afro-Caribbean and Jewish individuals and groups, investigating the ways in which 'communities' remember their experiences.

The study of ethnicity, diaspora, and identity is one of the most expanding and exciting areas of contemporary historical research and publication in the UK today. There is an increasing body of literature being published on this subject, which was previously seen as the domain of the social sciences. Connecting Histories is an important addition to that trend as, whilst utilising sociological and anthropological theories, it is a historical and comparative assessment of ethnic identities and memories. It investigates how African-Caribbean and Jewish individuals and 'communities' remember their experiences, by examining 'life histories' and 'autobiographical acts', including autobiography, oral history, and travel writing. Its main focus is to assess how mythologies affect collective memory and influence personal identities. Key themes of exploration include the memories of migration and myths of the Mother Country and Promised Land, the re-remembering of racist riots in early twentieth century Britain, and reflections on community and diasporic identities. Its value and originality lies in juxtaposing two communities who have many parallels in historical experience, identity, and memory but who have rarely been compared to each other.

This is the first biography of the extraordinary, but ordinary life of, Patrick Nelson. His experiences touched on some of the most important and intriguing historical themes of the twentieth century. He was a black migrant to interwar Britain; an aristocrat's valet in rural Wales; a Black queer man in 1930s London; an artist's model; a law student, a recruit to the Auxiliary Military Pioneer Corps and Prisoner of War during the Second World War. Through his return to Jamaica after the war and his re-migrations to London in the late 1940s and the early 1960s, he was also witness to post-war Jamaican struggles and the independence movement as well as the development of London's post-war multi-ethnic migrations. Drawing on a range of archival materials including letters sent to individuals such as Bloomsbury group artist Duncan Grant (his former boyfriend and life-long friend), as well as paintings and newspaper articles, Gemma Romain explores the intersections of these diverse aspects of Nelson's life and demonstrates how such marginalized histories shed light on our understanding of broader historical themes such as Black LGBTQ history, Black British history in relation to the London artworld, the history of the Second World War, and histories of racism, colonialism and empire.