We live in an era marked by an accelerating rate of species death, but since the early days of the discipline, anthropology has contemplated the death of languages, cultural groups, and ways of life. The essays in this collection examine processes of-and our understanding of-extinction across various domains. The contributors argue that extinction events can be catalysts for new cultural, social, environmental, and technological developments-that extinction processes can, paradoxically, be productive as well as destructive. The essays consider a number of widely publicized cases: island species in the Galapagos and Madagascar; the death of Native American languages; ethnic minorities under pressure to assimilate in China; cloning as a form of species regeneration; and the tiny hominid Homo floresiensis fossils ("hobbits") recently identified in Indonesia. The Anthropology of Extinction offers compelling explorations of issues of widespread concern. -- Indiana University Press

From personal finance and consumer spending to ballooning national expenditures on warfare and social welfare, debt is fundamental to the dynamics of global capitalism. The contributors to this volume explore the concept of indebtedness in its various senses and from a wide range of perspectives. They observe that many views of ethics, citizenship, and governance are based on a conception of debts owed by one individual to others; that artistic and literary creativity involves the artist s dialogue with the works of the past; and that the specter of catastrophic climate change has underscored the debt those living in the present owe to future generations."

From personal finance and consumer spending to ballooning national expenditures on warfare and social welfare, debt is fundamental to the dynamics of global capitalism. The contributors to this volume explore the concept of indebtedness in its various senses and from a wide range of perspectives. They observe that many views of ethics, citizenship, and governance are based on a conception of debts owed by one individual to others; that artistic and literary creativity involves the artist s dialogue with the works of the past; and that the specter of catastrophic climate change has underscored the debt those living in the present owe to future generations."

Protecting the unique plants and animals that live on Madagascar while fueling economic growth has been a priority for the Malagasy state, international donors, and conservation NGOs since the late 1980s. Forest and Labor in Madagascar shows how poor rural workers who must make a living from the forest balance their needs with the desire of the state to earn foreign revenue from ecotourism and forest-based enterprises. Genese Marie Sodikoff examines how the appreciation and protection of Madagascar s biodiversity depend on manual labor. She exposes the moral dilemmas workers face as both conservation representatives and peasant farmers by pointing to the hidden costs of ecological conservation."