A BBC RADIO 4 BOOK OF THE WEEK In this endlessly stimulating investigation into 'things coming to an end, artists' last works, time running out', Geoff Dyer sets his own encounter with late middle age against the last days and last achievements of writers, painters, athletes and musicians who've mattered to him throughout his life. He examines Friedrich Nietzsche's breakdown in Turin, Bob Dylan's reinventions of old songs, Beethoven's final quartets, Jean Rhys's return from the dead (while still alive) and much more.

Sitting down to write a book about his hero D.H. Lawrence, Geoff Dyer finds himself compelled to write about anything else. He is in fact compelled to do more or less anything else instead of write. In Sicily he is too preoccupied by his hatred of seafood to follow the great writer's footsteps; in Mexico he cannot get beyond a drug-induced erotic fantasy on a nudist beach . . . And yet, incredibly, this attempt to write a 'sober academic study' reveals the hold Lawrence and his work still exert on us today. Out of Sheer Rage is a complete one-off, a richly comic study of the combination of bad temper, procrastination and the uncanny power of obliquity.

Great photographs change the way we see the world. The Ongoing Moment changes the way we look at both. With characteristic perversity and trademark originality, The Ongoing Moment is Dyer's unique and idiosyncratic history of photography. Seeking to identify their signature styles Dyer looks at the ways canonical figures such as Alfred Stieglitz, Paul Strand, Walker Evans, Kertesz, Dorothea Lange, Diane Arbus and William Eggleston have photographed the same scenes and objects (benches, hats, hands, roads). In doing so Dyer constructs a narrative in which those photographers, many of whom never met in their lives, constantly come into contact with each other. It is the most ambitious example to date of a form of writing that Dyer has made his own: the non-fiction work of art.

'Impossible to put down' Observer 'One of the great books of the century' Times Literary Supplement Rebecca West's epic masterpiece not only provides deep insight into the former country of Yugoslavia; it is a portrait of Europe on the brink of war. A heady cocktail of personal travelogue and historical insight, this product of an implacably inquisitive intelligence remains essential for anyone attempting to understand the history of the Balkan states, and the wider ongoing implications for a fractured Europe.

Jeff Atman, a journalist, is in Venice to cover the opening of the Biennale. He's expecting to see a load of art, go to a lot of parties and drink too many bellinis. He's not expecting to meet the spellbinding Laura, who will completely transform his few days in the city. So begins a story of erotic love and spiritual learning that will reach its conclusion amidst the ghats of Varanasi.

Booker wining novelist, playwright, essayist, poet and critic - even admirers rarely know John Berger in all his literary incarnations. This collection of essays will, for the first time, take a definitive look at his extraordinary career. Far from being footnotes to the main body of work Berger's essays are absolutely central to it. Many of the ideas of the groundbreaking Ways of Seeing were presented first in essays published in New Society. Polemical, reflective, radically original, Berger's wide-ranging essays emphasise the continuities that have underpinned more than 40 years of tireless intellectual inquiry and political engagement. Viewed chronologically they add up, in fact, to a kind of vicarious autobiography and a history of our time as refracted through the prism of art. Edited by Geoff Dyer, and published on the occasion of his 75th birthday, this is an essential collection by one of the world's greatest writers.

"Lady Chatterley's Lover" is both one of the most beautiful and notorious love stories in modern fiction. The summation of D.H. Lawrence's artistic achievement, it sharply illustrates his belief that tenderness and passion were the only weapons that could save man from self-destruction.

'Wide-ranging and eclectic' TLS 'Seductively curious' Observer 'A visual and intellectual journey' Herald See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.

Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano... In eight poetically charged vignettes, Geoff Dyer skilfully evokes the embattled lives of the players who shaped modern jazz. He draws on photos and anecdotes, but music is the driving force of But Beautiful and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.

John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness. The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment. How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever. John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

"We know the old adage about judging books by their covers, but how could you not when the covers are as lovely as these?"
-"Vogue" (U.K.)

The jacket design by Coralie Bickford-Smith reflects the elegance and glamour of the Art Deco period paired with the modern aesthetic of mechanical repetition. Each jacket comes with a detachable bookmark.

Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must grow up and face reality; they may be beautiful but they are also damned.

"The Suffering of Light" is the first comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, "The Suffering of Light" provides the most thorough examination to date of this modern master's prolific, 30-year career.
The photographs of Alex Webb (born 1952) have appeared in a wide range of publications, including "The New York Times Magazine," "Life," "Stern" and "National Geographic," and have been exhibited at the International Center of Photography, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009). A member of Magnum Photos since 1976, Webb lives in New York City.

The city Fred Herzog documented over more than half a century has vanished-an early kind of urban flaneur, Herzog wandered the streets of Vancouver, creating an archive that encapsulates the essence of a bygone era. Considered today as one of the most important street photographers of the 20th century, he changed the international conversation about early color photography. However, it was only in the late 1950s that he decided to primarily shoot with Kodachrome color slides. Fred Herzog: Black and White is the first acknowledgement of a lesser-known facet of the photographers' work. Complementing the seminal Modern Color, it encompasses almost graphical urban scenes of shadow and light, alongside travel photographs and depictions of rural life. Evoking notions of melancholy, this book reveals that Herzog's appeal lies in his ability to seize a condensation of a psychological state.

From Amsterdam to Cambodia, from Rome to Indonesia, from New Orleans to Libya, and from Detroit to Ko Pha-Ngan, Geoff Dyer finds himself both floundering about in a sea of grievances and finding moments of transcendental calm. This aberrant quest for peak experiences leads, ultimately, to the Black Rock Desert in Nevada, where, to quote Tarkovsky's Stalker, 'your most cherished desire will come true'.

Annie Dillard has spent a lifetime examining the world around her with eyes wide open, drinking in all things intensely and relentlessly. Whether observing a sublime lunar eclipse or a moth consumed in a candle flame, the trembling of lily pads on a pond or hundreds of red-winged blackbirds taking flight, Dillard's awe at the fragility of the natural world rejuvenates and inspires pleasure and heartache. Precise in language and deeply meditative in spirit, this is a landmark collection from one of America's masters.

'In the race to be first in describing the lost generation of the 1980s, Geoff Dyer in The Colour of Memory leads past the winning post. 'We're not lost,' one of his hero's friend's says, 'we're virtually extinct'. It is a small world in Brixton that Dyer commemorates, of council flat and instant wasteland, of living on the dole and the scrounge, of mugging, which is merely begging by force, and of listening to Callas and Coltrane. It is the nostalgia of the DHSS Bohemians, the children of unsocial security, in an urban landscape of debris and wreckage. Not since Colin MacInnes's City of Spades and Absolute Beginners thirty years ago has a novel stuck a flick-knife so accurately into the young and marginal city. A low-keyed style and laconic wit touch up The Colour of Memory.' The Times

Looming large in the cultural imagination as a wild territory to be conquered and the ultimate perimeter of human power, the seemingly untouched landscape of the Arctic has been an inspiration to artists from the Romantic age to the present. "Arctic," published to accompany a major exhibition at the Louisiana Museum of Modern Art in Denmark, brings together a range of artists responding to the terrifying sublime of the Arctic, from Caspar David Friedrich to Sigmar Polke, Sophie Calle, Mark Dion and Joachim Koester. With contributions from geologists, historians, archeaologists and glaciologists, as well as a new essay by Geoff Dyer about the photographs from the nineteenth-century expeditions that provided some of the first glimpses of the region and its inhabitants, this catalogue considers the place of the Arctic in the history and culture of the West at a moment when the region is taking on a new significance as a threatened, vanishing space.

Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony ang Gloria must grow up and face reality; they may be beautiful but they are also damned.

SHORTLISTED FOR STANFORD DOLMAN TRAVEL BOOK OF THE YEAR From a trip to The Lightning Field in New Mexico, to chasing Gauguin's ghost in French Polynesia, White Sands is a creative exploration of why we travel. Episodic, wide-ranging and funny, Geoff Dyer blends travel writing, essay, criticism and fiction with a smart and cantankerous wit that is unmatched. From one of the most original writers in Britain, this is a book for armchair travellers and procrastinating philosophers everywhere.

A Telegraph, Evening Standard and Daily Mail Book of the Year From the acclaimed writer and critic Geoff Dyer, an extremely funny scene-by-scene analysis of Where Eagles Dare - published as the film reaches its 50th anniversary A thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a coolly anachronistic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. 'Broadsword Calling Danny Boy' is Geoff Dyer's tribute to the film he has loved since childhood: an analysis taking us from its snowy, Teutonic opening credits to its vertigo-inducing climax. For those who have not even seen Where Eagles Dare, this book is a comic tour-de-force of criticism. But for the film's legions of fans, whose hearts will always belong to Ron Goodwin's theme tune, it will be the fulfilment of a dream. 'Geoff Dyer's funniest book yet. Who else would work in Martha Gellhorn on the first page of a book on the film Where Eagles Dare?' Michael Ondaatje 'One of our greatest living critics, not of the arts but of life itself, and one of our most original writers' Kathryn Schulz, New York Magazine

In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.