Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano... In eight poetically charged vignettes, Geoff Dyer skilfully evokes the embattled lives of the players who shaped modern jazz. He draws on photos and anecdotes, but music is the driving force of But Beautiful and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.

Annie Dillard has spent a lifetime examining the world around her with eyes wide open, drinking in all things intensely and relentlessly. Whether observing a sublime lunar eclipse or a moth consumed in a candle flame, the trembling of lily pads on a pond or hundreds of red-winged blackbirds taking flight, Dillard's awe at the fragility of the natural world rejuvenates and inspires pleasure and heartache. Precise in language and deeply meditative in spirit, this is a landmark collection from one of America's masters.

The city Fred Herzog documented over more than half a century has vanished-an early kind of urban flaneur, Herzog wandered the streets of Vancouver, creating an archive that encapsulates the essence of a bygone era. Considered today as one of the most important street photographers of the 20th century, he changed the international conversation about early color photography. However, it was only in the late 1950s that he decided to primarily shoot with Kodachrome color slides. Fred Herzog: Black and White is the first acknowledgement of a lesser-known facet of the photographers' work. Complementing the seminal Modern Color, it encompasses almost graphical urban scenes of shadow and light, alongside travel photographs and depictions of rural life. Evoking notions of melancholy, this book reveals that Herzog's appeal lies in his ability to seize a condensation of a psychological state.

John Berger's writings on photography are some of the most original of the 20th century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed.

Booker wining novelist, playwright, essayist, poet and critic - even admirers rarely know John Berger in all his literary incarnations. This collection of essays will, for the first time, take a definitive look at his extraordinary career. Far from being footnotes to the main body of work Berger's essays are absolutely central to it. Many of the ideas of the groundbreaking Ways of Seeing were presented first in essays published in New Society. Polemical, reflective, radically original, Berger's wide-ranging essays emphasise the continuities that have underpinned more than 40 years of tireless intellectual inquiry and political engagement. Viewed chronologically they add up, in fact, to a kind of vicarious autobiography and a history of our time as refracted through the prism of art. Edited by Geoff Dyer, and published on the occasion of his 75th birthday, this is an essential collection by one of the world's greatest writers.

'Impossible to put down' Observer 'One of the great books of the century' Times Literary Supplement Rebecca West's epic masterpiece not only provides deep insight into the former country of Yugoslavia; it is a portrait of Europe on the brink of war. A heady cocktail of personal travelogue and historical insight, this product of an implacably inquisitive intelligence remains essential for anyone attempting to understand the history of the Balkan states, and the wider ongoing implications for a fractured Europe.

"Lady Chatterley's Lover" is both one of the most beautiful and notorious love stories in modern fiction. The summation of D.H. Lawrence's artistic achievement, it sharply illustrates his belief that tenderness and passion were the only weapons that could save man from self-destruction.

In this spellbinding book, the man described by the Daily Telegraph as 'possibly the best living writer in Britain' takes on his biggest challenge yet: unlocking the film that has obsessed him all his adult life. Like the film Stalker itself, it confronts the most mysterious and enduring questions of life and how to live.

"We know the old adage about judging books by their covers, but how could you not when the covers are as lovely as these?"
-"Vogue" (U.K.)

The jacket design by Coralie Bickford-Smith reflects the elegance and glamour of the Art Deco period paired with the modern aesthetic of mechanical repetition. Each jacket comes with a detachable bookmark.

Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony and Gloria must grow up and face reality; they may be beautiful but they are also damned.

*Winner of the National Book Critics Circle Award in Criticism**A "New York Times""Book Review" Editors' Choice**A "New York Times" Top 10 Nonfiction Book of the Year, as selected by Dwight Garner* Geoff Dyer has earned the devotion of passionate fans on both sides of the Atlantic through his wildly inventive, romantic novels as well as several brilliant, uncategorizable works of nonfiction. All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects--music, literature, photography, and travel journalism--that, in Dyer's expert hands, becomes a kind of irresistible self-reportage.
"Otherwise Known as the Human Condition "collects twenty-five years of essays, reviews, and misadventures. Here he is pursuing the shadow of Camus in Algeria and remembering life on the dole in Brixton in the 1980s; reflecting on Richard Avedon and Ruth Orkin, on the status of jazz and the wonderous Nusrat Fateh Ali Khan, on the sculptor ZadKine and the saxophonist David Murray (in the same essay), on his heroes Rebecca West and Ryszard Kapuscinski, on haute couture and sex in hotels. Whatever he writes about, his responses never fail to surprise. For Dyer there is no division between the reflective work of the critic and the novelist's commitment to lived experience: they are mutually illuminating ways to sharpen our perceptions. His is the rare body of work that manages to both frame our world and enlarge it.

Anthony and Gloria are the essence of Jazz Age glamour. A brilliant and magnetic couple, they fling themselves at life with an energy that is thrilling. New York is a playground where they dance and drink for days on end. Their marriage is a passionate theatrical performance; they are young, rich, alive and lovely and they intend to inherit the earth. But as money becomes tight, their marriage becomes impossible. And with their inheritance still distant, Anthony ang Gloria must grow up and face reality; they may be beautiful but they are also damned.

"The Suffering of Light" is the first comprehensive monograph charting the career of acclaimed American photographer Alex Webb. Gathering some of his most iconic images, many of which were taken in the far corners of the earth, this exquisite book brings a fresh perspective to his extensive catalog. Recognized as a pioneer of American color photography since the 1970s, Webb has consistently created photographs characterized by intense color and light. His work, with its richly layered and complex composition, touches on multiple genres, including street photography, photojournalism, and fine art, but as Webb claims, "to me it all is photography. You have to go out and explore the world with a camera." Webb's ability to distill gesture, color and contrasting cultural tensions into single, beguiling frames results in evocative images that convey a sense of enigma, irony and humor. Featuring key works alongside previously unpublished photographs, "The Suffering of Light" provides the most thorough examination to date of this modern master's prolific, 30-year career.
The photographs of Alex Webb (born 1952) have appeared in a wide range of publications, including "The New York Times Magazine," "Life," "Stern" and "National Geographic," and have been exhibited at the International Center of Photography, New York; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York. He is a recipient of the Leica Medal of Excellence (2000) and the Premio Internacional de Fotografia Alcobendas (2009). A member of Magnum Photos since 1976, Webb lives in New York City.

See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising. Following Dyer's previous books on photography, The Ongoing Moment and The Street Philosophy of Garry Winogrand, See/Saw brilliantly combines visual scrutiny and stylistic flair. It shows us how a photograph can simultaneously record and invent the world, and reveals a master seer at work. In the spirit of the intellectual curiosity of Berger, Sontag and Didion, Geoff Dyer helps us to see the world around us, and within us, afresh.

"May be the best book ever written about jazz."--David Thomson, "Los Angeles Times" In eight poetically charged vignettes, Geoff Dyer skillfully evokes the music and the men who shaped modern jazz. Drawing on photos, anecdotes, and, most important, the way he hears the music, Dyer imaginatively reconstructs scenes from the embattled lives of some of the greats: Lester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonious Monk creating his own private language on the piano. However, music is the driving force of "But Beautiful, " and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.

Walker is at a party where he meets Rachel. Two days later she turns up at his apartment. However, it's not Walker she wants but her husband Malory, who has gone missing. She asks Walker to find him. So begins this strange, beautiful, road-movie of a novel that takes the hero across the vast landscape of middle America on the trail of a man he has never met. And as Walker's search grows in its weird intensity, it seems that somebody else is following, searching for him too.

From Amsterdam to Cambodia, from Rome to Indonesia, from New Orleans to Libya, and from Detroit to Ko Pha-Ngan, Geoff Dyer finds himself both floundering about in a sea of grievances and finding moments of transcendental calm. This aberrant quest for peak experiences leads, ultimately, to the Black Rock Desert in Nevada, where, to quote Tarkovsky's Stalker, 'your most cherished desire will come true'.

John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness. The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment. How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever. John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps. Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

'Wide-ranging and eclectic' TLS 'Seductively curious' Observer 'A visual and intellectual journey' Herald See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world's most important photographers - from Eugene Atget to Alex Webb - Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.

In America, France's leading philosopher of postmodernism took to the freeways to produce a collection of traveler's tales from the land of hyperreality. From the sierras of New Mexico to the streets of New York and LA by night-a sort of luminous, geometric, incandescent immensity-Baudrillard mixes apercus and observations with a wicked sense of fun to provide a unique insight into the country that dominates the world. In this new edition, leading cultural critic and novelist Geoff Dyer offers a thoughtful and perceptive take on the continuing resonance of Baudrillard's book in Obama's America."

A Telegraph, Evening Standard and Daily Mail Book of the Year From the acclaimed writer and critic Geoff Dyer, an extremely funny scene-by-scene analysis of Where Eagles Dare - published as the film reaches its 50th anniversary A thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a coolly anachronistic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous. 'Broadsword Calling Danny Boy' is Geoff Dyer's tribute to the film he has loved since childhood: an analysis taking us from its snowy, Teutonic opening credits to its vertigo-inducing climax. For those who have not even seen Where Eagles Dare, this book is a comic tour-de-force of criticism. But for the film's legions of fans, whose hearts will always belong to Ron Goodwin's theme tune, it will be the fulfilment of a dream. 'Geoff Dyer's funniest book yet. Who else would work in Martha Gellhorn on the first page of a book on the film Where Eagles Dare?' Michael Ondaatje 'One of our greatest living critics, not of the arts but of life itself, and one of our most original writers' Kathryn Schulz, New York Magazine

Alive with insight, wit and Dyer's characteristic irreverence, this collection of essays offers a guide around the cultural maze, mapping a route through the worlds of literature, art, photography and music. Besides exploring what it is that makes great art great, Working the Room ventures into more personal territory with extensive autobiographical pieces - 'On Being an Only Child', 'Sacked' and 'Reader's Block', among other gems. Dyer's breadth of vision and generosity of spirit combine to form a manual for ways of being in - and seeing - the world today.