Drone Nation unveils an unexpected scenario where international drone warfare leads to a state of permanent war through increasing numbers of assassinations of the western world's declared enemies. It provides historical context for the rise and acceptance of drone warfare and examines likely future impacts. The book discusses the broad political-economic forces at play in the United States. Topics include US strategic traditions, domestic political institutions, military-industrial complex, intra-military pressures, think tanks, media, and international law. The authors argue that social progress is not necessarily continuous. While there was widespread social and economic progress from the 1950s through 1970s in the United States, the country is now in a period of economic and political regression. The rise of drone warfare, and the domestic use of drones, is partly to blame. This gradual and important change signals a major departure from the traditional embrace of international law, military ethics, and domestic privacy.

Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of militarism in American popular culture in the war on terror, from 9/11 to the present day. The authors detail the role of Hollywood and the entertainment industries in rallying both the troops and the public for war and show how toys, video games, music, and television support contemporary militarism. At the same time that popular culture is enlisting support for militarism, it is also serving as a major source of resistance to the war on terror through the traditional mediums of music and movies, and increasingly through the humor and insight of anti-war artists who are jamming the culture of militarism. The satire of The Daily Show, The Simpsons, and South Park are further examples of so-called culture jamming. This book is for readers who question the persistence of a warrior culture and offers new insights into the perpetuation of militaristic values throughout American culture.

Drone Nation unveils an unexpected scenario where international drone warfare leads to a state of permanent war through increasing numbers of assassinations of the western world's declared enemies. It provides historical context for the rise and acceptance of drone warfare and examines likely future impacts. The book discusses the broad political-economic forces at play in the United States. Topics include US strategic traditions, domestic political institutions, military-industrial complex, intra-military pressures, think tanks, media, and international law. The authors argue that social progress is not necessarily continuous. While there was widespread social and economic progress from the 1950s through 1970s in the United States, the country is now in a period of economic and political regression. The rise of drone warfare, and the domestic use of drones, is partly to blame. This gradual and important change signals a major departure from the traditional embrace of international law, military ethics, and domestic privacy.

Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of militarism in American popular culture in the war on terror, from 9/11 to the present day. The authors detail the role of Hollywood and the entertainment industries in rallying both the troops and the public for war and show how toys, video games, music, and television support contemporary militarism. At the same time that popular culture is enlisting support for militarism, it is also serving as a major source of resistance to the war on terror through the traditional mediums of music and movies, and increasingly through the humor and insight of anti-war artists who are jamming the culture of militarism. The satire of The Daily Show, The Simpsons, and South Park are further examples of so-called culture jamming. This book is for readers who question the persistence of a warrior culture and offers new insights into the perpetuation of militaristic values throughout American culture.