Leading economist Geoffrey H. Moore and expert statistician Melita H. Moore have combined their expertise to produce an exhaustive study of business cycle indicators in the United States, the United Kingdom, Canada, West Germany, France, Italy, and Japan. They explain how to use the leading economic indicators to identify the recessions and recoveries in these nations and to forecast trade flows and inflation. The authors have provided the monthly and quarterly data since 1948 that are needed to test forecasting methods, with comparable figures for all seven countries. The book contains more than one hundred time series covering new orders, stock prices, production, employment, interest rates, inventories, and many other subjects. Each series is carefully described and sources for current and historical data are given.

‘I'm a fearful, frightful flirt! Did you ever hear of a nice girl that was not?

Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve.  Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed. In Daisy Miller James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces.

This edition has a fascinating introduction by Geoffrey Moore in which he explores the themes of innocence and experience in the novel, and notes by Patricia Crick.

'I had but hugged the shore' until Roderick Hudson, wrote Henry James. This is his first full-length novel and executed with such blazing, confident, thirty-one-year-old talent that even if he had produced nothing else, his fame would have been assured. Roderick Hudson, egotistical, beautiful and an exceptionally gifted sculptor, but poor, is taken from New England to Rome by Rowland Mallet, a rich man of fine appreciative sensibilities, who intends to give Roderick the scope to develop his genius. Together they seem like twins or lovers, opposing halves of what should have been an ideal whole. Roderick Hudson contains the obsessions that inspired all James's fiction but put across with a simple force and fire that he never quite caught again. 'Whatever the merits of "The Master" who wrote The Ambassadors, The Wings of the Dove,, and The Golden Bowl,' observes Geoffrey Moore, 'they are not those of the "young Harry" - for whom the writing of Roderick Hudson was such a pleasure, and a triumph.'