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This volume of primary sources examine British architectural history from 1760 to 1830. It contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings and will be of great interest to students of Art History and Architecture.
This volume of primary sources examine British architectural history from 1830-1914. The collection contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.
This richly illustrated guide to the historical buildings of the Bodleian Library not only makes an attractive keepsake but is also packed with fascinating architectural details about one of the oldest libraries in Britain that has been in continuous use since the Middle Ages. Following a short introduction which tells the story of the founding of the Library by Sir Thomas Bodley in 1602, this book offers a succinct guide to the architectural styles, exquisite stone masonry and subsequent renovations of the renowned buildings of the Bodleian, situated in the heart of the University of Oxford. It also describes the involvement of famous architects such as Sir Christopher Wren and Nicholas Hawksmoor in designs and embellishments for these buildings. As well as giving the individual histories of Duke Humfrey’s Library, the Divinity School, Convocation House, the Schools Quadrangle, the Radcliffe Camera and the Clarendon Building, author Geoffrey Tyack also provides a guide to the intriguing statuary and carvings which adorn the buildings, and gives translations of the many Latin inscriptions which mark key moments in the library’s history. The 400-year narrative is brought up to date with a description of the development of the Weston Library, a state-of-the-art renovation of the New Bodleian Library, designed to house the Bodleian’s special collections in the twenty-first century.
Oxford's university buildings are world-famous. Over eight centuries, starting in the twelfth century, the University - the third oldest in Europe - gradually occupied a substantial portion of the city, creating in the process a unique townscape containing the Bodleian Library, the Sheldonian Theatre and the Radcliffe Camera. This book tells the story of the growth of the forum universitatis - as the architect Nicholas Hawksmoor called it - and relates it to the broader history of the University and the city. Based on up-to-date scholarship, and drawing upon the author's own research into Oxford's architectural history and the work of Christopher Wren, Nicholas Hawksmoor, James Gibbs and Giles Gilbert Scott, each of the eight chapters focuses on the gestation, creation and subsequent history of a single building, or pair of buildings, relating them to developments in the University's intellectual and institutional life, and to broader themes in architectural and urban history. Accessible and well-illustrated with plans, archival prints and specially commissioned photography, this book will appeal to anyone who wishes to understand and enjoy Oxford's matchless architectural heritage.
Britain was the first country in the world to become an essentially urban county. And England is still one of the most urbanized countries in the world. The town and the city is the world that most of us inhabit and know best. But what do we actually know about our urban world - and how it was created? The Making of the English Urban Landscape tells the story of our towns and cities and how they came into being over the last two millennia, from Roman and Anglo-Saxon times, through the Norman Conquest and the later Middle Ages to the 'great rebuilding' in the sixteenth and seventeenth centuries, the 'polite townscapes' of the eighteenth, and the commercial and industrial towns and cities of the nineteenth and early twentieth century. The final chapter then takes the story from the end of the Second World War to the present, from the New Towns of the immediate post-war era to the trendy converted warehouses of Shoreditch. This is a book that will make the world you live in come alive. If you are a town or a city-dweller, you are unlikely ever to look at the everyday world around you in quite the same way again.
John Nash is universally recognised as one of the most important architects of late eighteenth- and early nineteenth-century Britain. As the man responsible for the creation of Regent Street and Regent's Park, he left an indelible mark on the West End of London, and his two most famous buildings - the Brighton Pavilion and Buckingham Palace - are crucial to any understanding of the monarchy in the age of the Prince Regent (later George IV). Yet, even before he became involved in these ambitious projects, he made a major contribution to domestic architecture through the design of a series of stylistically varied villas, country houses and cottages in which he applied the doctrines of the Picturesque with an inventiveness and panache that has rarely been surpassed. No complete study of Nash's work has been published since Sir John Summerson's, The Life and Work of John Nash, Architect in 1980. Since then, new scholarship has revised some of Summerson's conclusions and cast new light on several important aspects of Nash's work. The aim of this book - which originated in a symposium held by the Georgian Group in September 2009 - is to bring together this recent scholarship in a single volume, and so bring this most engaging of architects to a new generation of readers.
Few cities have a greater concentration of significant architecture
than Oxford, England. Within a city of only 130,000 inhabitants
there are important buildings, many of them of great beauty, from
every period from the eleventh century to the present. In Oxford:
An Architectural Guide, Geoffrey Tyack chronicles the architectural
development of Oxford--both University and City--from its origins
to the late twentieth century, explaining the idiosyncrasies of
Oxford's architectural history, and placing the buildings within
their historical context.
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