‘Maigret moved slowly, edging his bulky frame through the throng in Rue Saint-Antoine, which burst into life every morning, the sunshine streaming down from a clear sky on to the little barrows piled high with fruit and vegetables’

In these three tales of deception, set in and around Paris, Simenon's celebrated detective uncovers chilling truths about the depths of the human instinct for self-preservation.

When Maigret's prized gun goes missing, he must travel to London on the trail of a troubled young man on the run. Maigret's Revolver is a wonderful picture of both London and Paris and one of Simenon's most ingenious and satisfying stories. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'One of Simenon's darkest novels' Le Monde On a foggy winter's evening in Dieppe, after the arrival of the daily ferry from England, a railway signalman habitually scrutinizes the port from his tiny, isolated cabin. When a scuffle on the quayside catches his eye, he is drawn to the scene of a brutal murder and his once quiet life changes forever. A mere observer at first, he soon finds himself fishing a briefcase from the water and in doing so he enters a feverish and secret chase. As the murderer and witness stalk and spy on each other, they gain an increasingly profound yet tacit understanding of each other until the witness becomes an accomplice. Written in 1933, soon after the successful launch of the Inspector Maigret novels, this haunting, atmospheric novel soon became a classic and the inspiration for several film and TV adaptations.

'Compelling, remorseless, brilliant' John Gray When he got to his door, he was surprised not to hear any noise in the kitchen and not to smell any food. He went in, crossed the dining room, where the table had not been laid, and at last saw Madame Maigret, in her slip, busy taking off her stockings. This was so unlike her that he could find nothing to say, and when she saw him standing there wide-eyed, she burst out laughing. Inspector Maigret's wife turns sleuth after a strange encounter in a Paris square leads her on the trail of a woman in a white hat, and towards a grisly tale of deception and greed. Penguin is publishing the entire series of Maigret novels in new translations. 'His artistry is supreme' John Banville 'A supreme writer . . . unforgettable vividness' Independent

'The father of contemporary European detective fiction' Ann Cleeves 'Maigret had never been comfortable in certain circles, among the wealthy bourgeoisie where he felt clumsy and awkward ... Built like a labourer, Oscar Chabut had hauled himself up into this little world through sheer hard work and, to convince himself that he was accepted, he felt the need to sleep with most of the women.' When a wealthy wine merchant is shot in a Paris street, Maigret must investigate a long list of the ruthless businessman's enemies before he can get to the sad truth of the affair. 'One of the greatest writers of the twentieth century' Guardian

The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape. He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues. In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian. This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century' Guardian

'The father of contemporary European detective fiction' Ann Cleeves 'He hadn't seen her arrive. She had stopped on the pavement a few steps away from him and was peering into the courtyard of the Police Judiciaire, where the small staff cars were parked. She ventured as far as the entrance, looked the officer up and down, then turned round and walked away towards the Pont-Neuf' When an old lady tells Maigret someone has been moving things in her apartment, she is dismissed as a fantasist - until a schocking event proves otherwise. 'One of the greatest writers of the twentieth century' Guardian

'One of his most erotic and emotionally charged stories' The Times Two people who didn't know each other and who had come together by a miracle in the great city, and who now clung desperately to each other, as if already they felt a chilly solitude settling in. A divorced actor and a lonely woman, both adrift in New York, meet by chance in an all-night diner. It is the start of something, though neither is sure what. As they move through neon-lit streets, bars, rented rooms and cheap motels, these two lost souls struggle to understand what it is that has brought them, in spite of themselves, inexorably together. 'Simenon casts his characteristic spell from the opening lines. There is an evanescent, hallucinatory, almost dreamlike quality throughout' Daily Telegraph 'Three Bedrooms in Manhattan is about how we resist love, how we get dragged into it, spat out, dragged back in against our will' Los Angeles Times

'The father of contemporary European detective fiction' Ann Cleeves 'What else did they have to do with their days? They ambled around casually. From time to time, they paused, not because they were out of breath but to admire a tree, a house, the play of light and shadow, or a face.' While taking a much-needed rest cure in Vichy with his wife, Maigret feels compelled to help with a local investigation, unravelling the secrets of the spa town's elegant inhabitants. This novel has been published in a previous translation as Maigret Takes the Waters. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century' Guardian

A gripping new translation of the iconic short story collection featuring Simenon's celebrated literary detective 'The truth was, Maigret knew nothing! Maigret felt. Maigret was sure he was right, would have bet his life on it. But in vain he'd turned the problem over a hundred times in his head, in vain he'd had every taxi driver in Paris questioned' Written and published in journals during the Second World War, these seventeen short stories distil the atmosphere, themes and psychological intensity that make Simenon's famous detective series so compelling. Translated by Howard Curtis and Ros Schwartz 'Not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor' Boyd Tonkin, Times

'Compelling, remorseless, brilliant' John Gray All that was still unclear, for sure. Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together. Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice. This novel has been published in a previous translation as Maigret in Retirement. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'Vintage Simenon, a dark masterpiece . . . eerily prophetic' John Banville, Guardian 'It's not because you're foreigners. It's because you aren't foreign enough . . . or else that you are too foreign' Just as the Krull house sits on the edge of a rural French town, the family occupies a marginal place in the life of the community around them. Snubbed by the locals despite having lived there for decades, they rely on trade with passing sailors to earn a living. When their relative arrives unannounced from Germany, with his unsettling, nonchalant ways, the family becomes the target of increasing suspicion and the scapegoat for a terrible crime. Written on the eve of the Second World War, The Krull House is a taut, strangely prophetic novel about how distrust and hostility towards outsiders descends into hate-filled violence. 'Simenon lays out with ruthless exactitude the way selfish, conscience-free greed exploits modest, hospitable decency . . . The world of Chez Krull is a common, shared one' Julian Barnes, London Review of Books

'Compelling, remorseless, brilliant' John Gray Maigret is called to the home of professional gambler, Felix Nahour, who has been found shot dead by his chambermaid. Maigret is shocked to recognise a photo of the man's wife who becomes the main suspect. All signs point to her guilt but Maigret suspects there might be more to this complicated affair. This novel has been published in a previous translation as Maigret on the Defensive. 'His artistry is supreme' John Banville 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'Compelling, remorseless, brilliant' John Gray When a tramp is recovered from the Seine, after being badly beaten, Maigret must delve into the man's personal circumstances to figure out just who wanted to kill him. This novel has been published in previous translations as Maigret and the Dosser and Maigret and the Bum. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray What was the woman doing here? In a stable, wearing pearl earrings, her stylish bracelet and white buckskin shoes! She must have been alive when she got there because the crime had been committed after ten in the evening. But how? And why? And no one had heard a thing! She had not screamed. The two carters had not woken up. Inspector Maigret is standing in the pouring rain by a canal. A well-dressed woman, Mary Lampson, has been found strangled in a stable nearby. Why did her glamorous, hedonistic life come to such a brutal end here? Surely her taciturn husband Sir Walter knows - or maybe the answers lie with the crew of the barge La Providence. This novel has been published in previous translations as Lock 14 and Maigret Meets a Milord. 'One of the greatest writers of the twentieth century' Guardian

'The father of contemporary European detective fiction' Ann Cleeves 'You see, I mainly work at night. I've ended up getting to know everybody. They're used to me in Pigalle, I exchange a few words with this person or that person. I go into the bars and cabarets where they give me a quarter bottle of Vichy without waiting for me to order anything.' An anonymous tip-off regarding the death of a restaurant owner sends Maigret into the world of Parisian nightlife, a notorious criminal gang and a man known as 'the Flea'. This novel has been pubished in a previous translation as Maigret and the Flea. 'One of the greatest writers of the twentieth century' Guardian

'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily Telegraph A baffling case. A mysterious inheritance. It starts when a man's arm is fished out of Paris's Canal Saint-Martin. Then the rest of the body is retrieved - apart from the head. Inspector Maigret is determined to unearth the truth behind this disturbing murder. When he meets the strangely taciturn owner of a shabby local bistro, Madame Calas, who says her husband is away, the pieces start to fall into place. But, as the dogged, laconic detective discovers, nothing in this tangled case is as it seems.

A new translation of this gripping domestic tragedy, set in Simenon's very own neighbourhood. One by one the lighted windows went dark. The silhouette of the dead man could still be seen through the frosted glass like a Chinese shadow puppet. A taxi pulled up. It wasn't the public prosecutor yet. A young woman crossed the courtyard with hurried steps, leaving a whiff of perfume in her wake. Summoned to the dimly-lit Place des Vosges one night, where he sees shadowy figures at apartment windows, Maigret uncovers a tragic story of desperate lives, unhappy families, addiction and a terrible, fatal greed. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret Mystified and The Shadow in the Courtyard. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian

'The father of contemporary European detective fiction' Ann Cleeves She wasn't an ordinary supplicant. She didn't lower her eyes. There was nothing humble about her bearing. She spoke frankly, looking straight ahead, as if to claim what was rightfully hers. 'If you don't agree to look at our case, my parents and I will be lost, and it will be the most hateful legal error...' Maigret is asked to the windswept, rainy border town of Givet by a young woman desperate to clear her family of murder. But their well-kept shop, the sleepy community and its raging river all hide their own mysteries. This novel has been published in a previous translation as The Flemish Shop. 'Compelling, remorseless, brilliant' John Gray 'A supreme writer . . . unforgettable vividness' Independent

'Compelling, remorseless, brilliant' John Gray What was it about him that had struck Maigret so forcefully? . . . Little John had cold eyes! . . . Four or five times in his life, he had met people with cold eyes, those eyes that can stare at you without establishing any human contact. Persuaded to sail to New York by a fearful young law student, Maigret finds himself drawn into the city's underworld, and a wealthy businessman's closely guarded past. 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian