Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Born Perlé van Schalkwyk, into a strict Jehovah Witness family, after studying drama at Stellenbosch University, Perlé quickly realises that acting is not going to buy her that house on the hill. And so erotic dancing and stripping becomes her modus operandi and GiGi is born. 

Tales of drugs, murder and porn lace her fascinating life, along with stories of courage and cunning in the sexist underworld. GiGi is a true survivor. Ultimately, this bare all memoir will both titillate and inspire. 

Encouraging words that provide insightful observations to grow by. A positive respite and oasis of profound thought and guidance.

Fourteen scholars who work on campus or in the theater address this issue of what it means to play offstage. With their individual definition of what "offstage" could mean, the results were, predictably, varied. They employed a variety of critical approaches to the question of what happens when the play moves into the audience or beyond the physical playhouse itself? What are the social, cultural, and political ramifications? Questions of "how" and "why" actors play offstage admit the larger "role" their production has for the world outside the theater, and hence this collection's sub-title: "The Theater As a Presence or Factor in the Real World." Among the various topics, the essays include: breaking the "fourth wall" and thereby making the audience part of the performance; the theater of political protest (one contributor staged Waiting for Godot in Zuccotti Park as part of the Occupy Wall Street protests); "landscape" or "town" theater using citizens as actors or trekking theater where the production moves among various locations in the community; the way principles of the theater can inform corporate management; the genre of semi-scripted comedy and quasi-impromptu spectacle (such as reality TV or flash mobs); digitalized performances of Shakespeare; the role of Greek Theater in the midst of the country's current economic and political crisis; how the area outside the theater became part of the performance inside Shakespeare's Globe; Timothy Leary's Psychedelic Celebrations designed to reproduce the offstage experience of LSD; WilliamVollmann's use of Noh theater to fashion a personal model and process of life-transformation; liminal theater which erases the line between onstage and off. The collection thus complements through actual performance criticism those studies that see the theater as a commentary on issues-social, political, economic; and it reverses the Editor's own earlier collection The Audience As Player, which examined interactive theater where the spectator comes onstage.

She is a beautiful, sensual, and sexy woman who needs passion, welcomes experimentation, and wants to fulfill her sexual fantasies. But even she thinks all those wants and needs sound like a dangerous combination for a fifty-five-year-old married woman. She is about to learn just how destructive her choices can be. /p>

As she begins looking for lovers online who can satisfy every wanton, animalistic desire that her husband cannot, she meets both younger men and older men-and all but two are married. Despite being new to the world of affairs, she enthusiastically plunges into covert, wild liaisons with a corporate attorney, a police officer, a doctor, a grad student, a French Canadian, and a young executive. She soon discovers, though, that the world of online sexual escapades is a game, and she is not privy to all the rules. /p>

She is a fantasy, an erotic cocktail, and every man's wet dream. But she is also a professional, respectable lady, and the epitome of married innocence. Only time will tell if she will ever be able to separate her intense sexual desires from what she really needs to find in the end-herself.

Know your identity, know your inheritance, and avoid the pitfalls.

Journey to the promised land. Learn how you can walk in your destiny, the original standard that was planned since the beginning. Learn to hunger and dream with God until your heavenly destiny aligns with heaven's original intent.

Go and possess your inheritance

THE CHINESE "LORD OF THE RINGS" - NOW IN ENGLISH FOR THE FIRST TIME. THE SERIES EVERY CHINESE READER HAS BEEN ENJOYING FOR DECADES - 300 MILLION COPIES SOLD. "Jin Yong's work, in the Chinese-speaking world, has a cultural currency roughly equal to that of "Harry Potter" and "Star Wars" combined" Nick Frisch, New Yorker "Like every fairy tale you're ever loved, imbued with jokes and epic grandeur. Prepare to be swept along." Jamie Buxton, Daily Mail Guo Jing and Lotus have escaped Qiu Qianren's mountain stronghold on the condors' backs, but Lotus carries a wound that will surely kill her. Their only hope lies in the healing powers of Duan, the King of the South. Little do they know that to seek an audience with this mysterious figure will place him in mortal danger himself. Meanwhile, many li away on Peach Blossom Island, a plan has been hatched that could tear the two lovers apart for good. And, with Moon Festival approaching, Guo Jing is honour bound to take part in a long-awaited martial contest at the Tower of Mist and Rain in Jiaxing. Yet the greatest threat to their happiness stems from Guo Jing's past. He is still betrothed to Genghis Khan's daughter. Rejoining the Mongol army could help him to avenge his father - but it may force him to take the field against the soldiers of his true homeland, splitting his heart and soul in two. Translated from the Chinese by Gigi Chang and Shelly Bryant

The Empress is a dazzling reimagining of the courtship between one of history's most iconic and beloved couples: Sisi and Franz of Austria. The year is 1853, and sixteen-year-old Elisabeth "Sisi" of Bavaria has been very clear: she will wait for the sweeping, head-over-heels kind of love the poets speak of, or she will have no love at all. It is not her fault Mother refuses to listen. After all, just because her older sister Helene has chosen the line of duty, and is preparing to marry Emperor Franz of Austria, does not mean Sisi also needs to subject herself to such a passionless, regimented existence. Sisi knows there is more to life than corsets, luncheons, and woefully unfashionable dukes ... if only someone would give her the chance to experience it firsthand. Meanwhile, in Austria, the Emperor is recovering from an assassination attempt that left him wounded and scared. In a bid to keep the peace, Franz has recommitted himself to his imperial duties-and promised to romance the pliant Bavarian princess, Helene, at his upcoming birthday celebration. How better to unite the country than with the announcement of a new Empress? But when Sisi and Franz meet unexpectedly in the palace gardens, away from the prying eyes and relentless critique of their families, their connection cannot be denied. And as their illicit conversations turn into something more, they must soon choose between the expectations of the court, and the burning desires of their hearts... Epic, captivating, and deliciously steamy, The Empress is a remarkably contemporary tale of falling in love and finding one's voice.

People regularly multitask, though we have been warned about the mental costs of "task-switching" in psychology and the popular press. Meanwhile, economists have remained silent on the possible economic ramifications - both good and bad - of producers and/or consumers doing more than one thing at once. This first-of-its-kind volume explores the frequency, patterns, and economic implications of multitasking, with a particular focus on the multitasking of non-market activities such as child care, housework, eating, and studying. Using data sets from around the world and best-practice empirical and experimental techniques, the contributors to this volume explore the association of multitasking with output and welfare in a range of settings of interest to economists. Contributions in theory, empirical work, data management, and concepts are combined to yield the discipline's first holistic view of multitasking and to identify where the research frontiers lie in this area.