Producing Christian Culture takes as its thread the 'interpretative genres' within which medieval people engaged with the Bible. Contributors to the volume present specific material as a case study illustrative of a specific genre, whether devotional, homiletical, scholarly, or controversial. The chronological range moves from St Augustine to the use of gospel texts in polemical writing of the first two decades of the 1500s, with focal sections on early medieval Anglo-Saxon and Carolingian theology, the scholastic turn of the High Middle Ages, and the influence of vernacular writing in the later Middle Ages. The tremendous range and vitality of medieval responses to biblical texts are highlighted within the studies.

A series which is a model of its kind. Edmund King, History This volume demonstrates the vitality and range of studies in the area. It begins with an appropriately timely chapter on the Magna Carta, the Allen Brown Memorial Lecture, given by John Hudson. Further topics include seals; English towns and urban society after the Norman Conquest; the records of Barking Abbey; the Bayeux Tapestry; monastic writing; and medical practitioners in Normandy. Contributors: Anna Sapir Abulafia, Casey Beaumont, Elma Brenner, Giles Gasper, Kate Hammond, John Hudson, Alan Murray, Jean-Francois Nieus, Jonathan Paletta, Susan Raich, Luigi Rosso, Miri Rubin, Hugh Thomas.

First full-length collection on one of the most significant and influential historians of the medieval period. The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings. Charles C. Rozier gained hisPhD from the University of Durham; Daniel Roach gained his PhD from the University of Exeter; Giles E.M. Gasper is Senior Lecturer in History, University of Durham; Elizabeth van Houts is Honorary Professor of Medieval European History, University of Cambridge. Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Veronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Megier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjorn Olsen Sonnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

First full-length collection on one of the most significant and influential historians of the medieval period. The Gesta Normannorum ducum and Historia ecclesiastica of Orderic Vitalis are widely regarded as landmarks in the development of European historical writing and, as such, are essential sources of medieval history forstudents and scholars alike. The essays here consider Orderic's life and works, presenting new research on existing topics within Orderic studies and opening up new directions for future analysis and debate. They offer fresh interpretations from across the disciplines of medieval manuscript studies, English-language studies, archaeology, theology, and cultural memory studies; they also revisit established readings. CHARLES C. ROZIER gained hisPhD from the University of Durham; DANIEL ROACH gained his PhD from the University of Exeter; GILES E.M. GASPER is Senior Lecturer in History, University of Durham; ELIZABETH VAN HOUTS is Honorary Professor of Medieval European History, University of Cambridge. Contributors: William M. Aird, Emily Albu, James G. Clark, Vincent Debiais, Mark Faulkner, Giles E. M. Gasper, Veronique Gazeau, Estelle Ingrand-Varenne, Elisabeth Megier, Thomas O'Donnell, Benjamin Pohl, Daniel Roach, Thomas Roche, Charles C. Rozier, Sigbjorn Olsen Sonnesyn, Kathleen Thompson, Elisabeth van Houts, Anne-Sophie Vigot,Jenny Weston

Producing Christian Culture takes as its thread the 'interpretative genres' within which medieval people engaged with the Bible. Contributors to the volume present specific material as a case study illustrative of a specific genre, whether devotional, homiletical, scholarly, or controversial. The chronological range moves from St Augustine to the use of gospel texts in polemical writing of the first two decades of the 1500s, with focal sections on early medieval Anglo-Saxon and Carolingian theology, the scholastic turn of the High Middle Ages, and the influence of vernacular writing in the later Middle Ages. The tremendous range and vitality of medieval responses to biblical texts are highlighted within the studies.

Few figures of the Middle Ages command the attention of so many modern disciplines as Robert Grosseteste (c. 1170-1253). Theology, Philosophy, History, and Science are all areas which his life and thought continue to have significance and to inspire re-interpretation. Accompanied by a series of original commentaries, this new edition of Grosseteste's work, with English translation, draws together the perspectives of modern scientists and medieval specialists. Volume I of a six volume series, Knowing and Speaking presents two of the earliest of Grosseteste's works, the treatises On the Liberal Arts and On the Generation of Sounds. These are accompanied by a significant Middle English treatise on the Seven Liberal Arts whose anonymous fifteenth-century author translated and excerpted passages from Grosseteste's treatises in a re-imagining of their structure and function. Each work is treated separately within the volume, which is constructed in three parts. On the Liberal Arts sets Grosseteste's thoughts on the arts subjects and emphasises moral concerns about the purpose of learning. On the Generation of Sounds builds on the theories and statements of On the Liberal Arts in connection to the production of sound, elaborating the earlier position, relating the generation of sounds to human vocal and speech production.

Bringing together essays from experts in a variety of disciplines, this collection explores two of the most important facets of life within the medieval Europe: money and the church. By focusing on the interactions between these subjects, the volume addresses four key themes. Firstly it offers new perspectives on the role of churchmen in providing conceptual frameworks, from outright condemnation, to sophisticated economic theory, for the use and purpose of money within medieval society. Secondly it discusses the dichotomy of money for the church and its officers: on one hand voices emphasise the moral difficulties in engaging with money, on the other the reality of the ubiquitous use of money in the church at all levels and in places within Christendom. Thirdly it places in dialogue interdisciplinary perspectives and approaches, and evidence from philosophy, history, literature and material culture, to the issues of money and church. Lastly, the volume provides new perspectives on the role of the church in the process of monetization in the High Middle Ages. Concentrating on northern Europe, from the early eleventh century to the beginning of the thirteenth century, the collection is able to explore the profound changes in the use of money and the rise of a money-economy that this period and region witnessed. By adopting a multi-disciplinary approach, the collection challenges current understanding of how money was perceived, understood and used by medieval clergy in a range of different contexts. It furthermore provides wide-ranging contributions to the broader economic and ethical issues of the period, demonstrating how the church became a major force in the process of monetization.