Gilles Deleuze was one of the most influential and revolutionary philosophers of the twentieth century. Francis Bacon: The Logic of Sensation is his long-awaited work on Bacon, widely regarded as one of the most radical painters of the twentieth century.The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violation deformations of the flesh, the complex use of color, the method of chance, and the use of the triptych form. Along the way, Deleuze introduces a number of his own famous concepts, such as the 'body without organs' and the 'diagram, ' and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions.Deleuze links Bacon's work to CTzanne's notion of a 'logic' of sensation, which reaches its summit in color and the 'coloring sensation.' Investigating this logic, Deleuze explores Bacon's crucial relation to past painters such as Velasquez, CTzanne, and Soutine, as well as Bacon's rejection of expressionism and abstract painting.Long awaited in translation, Francis Bacon is destined to become a classic philosophical reflection on the nature of painting.

The essential work on Proust--now in paperback! In a remarkable instance of literary and philosophical interpretation, the incomparable Gilles Deleuze reads Marcel Proust's work as a narrative of an apprenticeship--more precisely, the apprenticeship of a man of letters. Considering the search to be one directed by an experience of signs, in which the protagonist learns to interpret and decode the kinds and types of symbols that surround him, Deleuze conducts us on a corollary search--one that leads to a new understanding of the signs that constitute A la recherche du temps perdu. In Richard Howard's graceful translation, augmented with an essay that Deleuze added to a later French edition, Proust and Signs is the complete English version of this work. Admired as an imaginative and innovative study of Proust and as one of Deleuze's more accessible works, Proust and Signs stands as the writer's most sustained attempt to understand and explain the work of art.

In his stunning essay, Coldness and Cruelty, Gilles Deleuze provides a rigorous and informed philosophical examination of the work of the late 19th-century German novelist Leopold von Sacher-Masoch. Deleuze's essay, certainly the most profound study yet produced on the relations between sadism and masochism, seeks to develop and explain Masoch's "peculiar way of 'desexualizing' love while at the same time sexualizing the entire history of humanity." He shows that masochism is something far more subtle and complex than the enjoyment of pain, that masochism has nothing to do with sadism; their worlds do not communicate, just as the genius of those who created them - Masoch and Sade - lie stylistically, philosophically, and politically poles a part.Venus in Furs, the most famous of all of Masoch's novels was written in 1870 and belongs to an unfinished cycle of works that Masoch entitled The Heritage of Cain. The cycle was to treat a series of themes including love, war, and death. The present work is about love. Although the entire constellation of symbols that has come to characterize the masochistic syndrome can be found here - fetishes, whips, disguises, fur-clad women, contracts, humiliations, punishment, and always the volatile presence of a terrible coldness - these do not eclipse the singular power of Masoch's eroticism.

Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, whose master-works, Difference and Repetition and - with Felix Guattari - A Thousand Plateaus and Anti-Oedipus have become one of the most widely-influential bodies of work in contemporary thought. Cinema II is Deleuze's second work on cinema, completing the reassessment of the art form begun in Cinema I. Influenced by the philosophy of Henri Bergson, Deleuze here offers a compelling analysis of the cinematic treatment of time and memory, thought and speech. The work draws on examples from major film makers, including Federico Fellini, Alfred Hitchcock and Orson Welles, among many others.

French journalist Claire Parnet's famous dialogues with Gilles Deleuze offer an intimate portrait of the philosopher's life and thought. Conversational in tone, their engaging discussions delve deeply into Deleuze's philosophical background and development, the major concepts that shaped his work, and the essence of some of his famous relationships, especially his long collaboration with the philosopher F?lix Guattari. Deleuze reconsiders Spinoza, empiricism, and the stoics alongside literature, psychoanalysis, and politics. He returns to the notions of minor literature, deterritorialization, the critical and clinical, and begins a nascent study of cinema. New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French philosopher Fran?ois Ch?telet. An enduring record of Deleuze's unique personality and profound contributions to culture and philosophy, "Dialogues II" is a highly personable account of the evolution of one of the greatest critics and theorists of the twentieth century.

Praised for its rare combination of scholarly rigor and imaginative interpretation, "Nietzsche and Philosophy" has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions.

In "Nietzsche and Philosophy," Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought.

Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology, with a single infinite substance, and all beings as the modes of being his substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science. Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher; and this reading of Spinoza by Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence." Gilles Deleuze, known for his inquiries into desire, language, politics, and power, finds a kinship between Spinoza and Nietzsche. He writes, "Spinoza did not believe in hope or even in courage; he believed only in joy and in vision ...he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount. " Gilles Deleuze (1925-1995) was a French philosopher whose writings influenced many philosophical disciplines such as literary theory, post-structuralism, and postmodernism. He also taught philosophy at the University of Paris at Vicennes. Robert Hurley was a translator for many French philosophers including Michael Foucault (History of Sexuality), Gilles Deleuze, and George Bataille (Theory of Religion).

In this extraordinary work Gilles Deleuze, the most renowned living philosopher in France, reflects on one of the figures of the past who has most influenced his own sweeping reconfiguration of the tasks of philosophy. Deleuze's brilliant text shows how current definitions of philosophy do not apply to Spinoza: a solitary thinker (yet scandalous and hated), he conceived of philosophy as an enterprise of liberation and radical demystification much as did Leibniz or, later Nietzsche. Spinoza confronts the grand philosophical problems that are still current today: the comparative role of ontology (the theory of substance), of epistemology (the theory of ideas), and of political anthropology (the theory of modes, passions, and actions). The goal of this book is to determine the rapport among the univocity of Being in the theory of substance; the production of truth and the genesis of sense in the theory of ideas; and practical joy (or the elimination of the sad passions) and the selective organization of the passions in the theory of modes.

Essays by Gilles Deleuze on the search for a new empiricism. The essays in this book present a complex theme at the heart of the philosophy of Gilles Deleuze, what in his last writing he called simply "a life." They capture a problem that runs throughout his work-his long search for a new and superior empiricism. Announced in his first book, on David Hume, then taking off with his early studies of Nietzsche and Bergson, the problem of an "empiricist conversion" became central to Deleuze's work, in particular to his aesthetics and his conception of the art of cinema. In the new regime of communication and information-machines with which he thought we are confronted today, he came to believe that such a conversion, such an empiricism, such a new art and will-to-art, was what we need most. The last, seemingly minor question of "a life" is thus inseparable from Deleuze's striking image of philosophy not as a wisdom we already possess, but as a pure immanence of what is yet to come. Perhaps the full exploitation of that image, from one of the most original trajectories in contemporary philosophy, is also yet to come.

At last available in paperback, this book anticipates and explains the post-structuralist turn to empiricism. Presenting a challenging reading of David Hume's philosophy, the work is invaluable for understanding the progress of Deleuze's thought.

An "introduction to the nonfascist life" (Michel Foucault, from the Preface)
When it first appeared in France, "Anti-Oedipus" was hailed as a masterpiece by some and "a work of heretical madness" by others. In it, Gilles Deleuze and Felix Guattari set forth the following theory: Western society's innate herd instinct has allowed the government, the media, and even the principles of economics to take advantage of each person's unwillingness to be cut off from the group. What's more, those who suffer from mental disorders may not be insane, but could be individuals in the purest sense, because they are by nature isolated from society. More than twenty-five years after its original publication, "Anti-Oedipus" still stands as a controversial contribution to a much-needed dialogue on the nature of free thinking.

Considered one of the most important works of one of France's foremost philosophers, and long-awaited in English, "The Logic of Sense" begins with an extended exegesis of Lewis Carroll's "Alice in Wonderland." Considering stoicism, language, games, sexuality, schizophrenia, and literature, Deleuze determines the status of meaning and meaninglessness, and seeks the 'place' where sense and nonsense collide.

Written in an innovative form and witty style, "The Logic of Sense" is an essay in literary and psychoanalytic theory as well as philosophy, and helps to illuminate such works as "Anti-Oedipus."

Alguna vez Michel Foucault pronostico que la filosofia del siglo XXI seria "deleuziana." En verdad, ya antes de la muerte de Gilles Deleuze sus obras se habian transformado en referencia ineludible del pensamiento contemporaneo. Tanto en sus trabajos sobre otros filosofos (Nietzche, Spinosa, Bergson) como en sus obras mayores algunas de ellas realizadas conjuntamente con Felix Guattari, Deleuze desplego un pensamiento creativo, libre y libertario.Justamente, esas son las senas de identidad que fueron apreciadas por sus numerosos lectores, quienes trascendieron el circulo de especialistas en que tantos pensadores quedan atrapados. Diferencia y repeticion es un libro mayor de Gilles Deleuze, un trabajo exhaustivo sobre la historia de los conceptos filosoficos, y a la vez la exposicion brillante de un modo de pensar problematizador y desapaciguante. Contra el espiritu conservador, Deleuze restaura en este libro la potencia creativa de la filosofia.

Gilles Deleuze and Felix Guattari redefine the relation between the state and its war machine. Far from being a part of the state, warriers (the army) are nomads who always come from the outside and keep threatening the authority of the state. In this daring essay inspired by Nietzsche, Gilles Deleuze and Felix Guattari redefine the relation between the state and its war machine. Far from being a part of the state, warriers (the army) are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power and "schizophrenic lines of flight," this volume is meant to be read in transit, smuggled into urban nightclubs, offices, and subways. Deleuze and Guattari propose a creative and resistant ethics of becoming-imperceptible, strategizing a continuous invention of weapons on the run. An anarchic bricolage of ideas uprooted from anthropology, aesthetics, history, and military strategy, Nomadology carries out Deleuze's desire to "leave philosophy, but to leave it as a philosopher."

Part autobiography, part interview, and part essay, this text traces the intellectual journey of a man often acclaimed as one of the most important philosophers in France. A guide to Deleuze by Deleuze, it explains the life and work of this figure in contemporary philosophy, tying together the strands of his long and prolific career. This guide sets forth the purposes that have united Deleuze's philosophical undertakings over the years. The inquiries that have characterized his work - including his theory of antipsychiatry, his notion of philosophy as critical practice, his theories about the role of the intellectual in the contemporary world and about the function of the image in cinema - are all explored here in a down-to-earth style that will be appreciated by novices and initiates of French theory alike. A traveller's guide to a mind that has altered the course of contemporary critical theory, it also discusses aspects of Deleuze's life that shed light on his philosophical writings. Deleuze tells of how he met and initiated his collaboration with Felix Guattari, a fruitful venture that lasted many years and produced some of his most important work. Deleuze clarifies some of his

Praised for its rare combination of scholarly rigor and imaginative interpretation, "Nietzsche and Philosophy" has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions.

In "Nietzsche and Philosophy," Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought.

A posthumous collection of writings by Deleuze, including letters, youthful essays, and an interview, many previously unpublished. Letters and Other Texts is the third and final volume of the posthumous texts of Gilles Deleuze, collected for publication in French on the twentieth anniversary of his death. It contains several letters addressed to his contemporaries (Michel Foucault, Pierre Klossowski, Francois Chatelet, and Clement Rosset, among others). Of particular importance are the letters addressed to Felix Guattari, which offer an irreplaceable account of their work as a duo from Anti-Oedipus to What is Philosophy? Later letters provide a new perspective on Deleuze's work as he responds to students' questions. his volume also offers a set of unpublished or hard-to-find texts, including some essays from Deleuze's youth, a few unusual drawings, and a long interview from 1973 on Anti-Oedipus with Guattari.

Giles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism and one of the most influential philosophers of the twentieth century. In "Foucault", Deleuze presents one of the most incisive and productive analyses of the work of Michel Foucault. This is a crucial examination of the philosophical foundations and principal themes of Foucault's work, providing a rigorous engagement with Foucault's views on knowledge, punishment, power, and the nature of subjectivity.

Essays and articles that trace Guattari's intellectual and political development before Anti-Oedipus. Originally published in French in 1972, Psychoanalysis and Transversality gathers all the articles that Felix Guattari wrote between 1955 and 1971. It provides a fascinating account of his intellectual and political itinerary before Anti-Oedipus: Capitalism and Schizophrenia (1972), the ground-breaking book he wrote with Gilles Deleuze, propelled him to the forefront of contemporary French philosophy. Guattari's background was unlike that of any of his peers. In 1953, with psychoanalyst Jean Oury, he founded the La Borde psychiatric clinic, which was based on the principle that one cannot treat psychotics without modifying the entire institutional context. For Guattari, the purpose of "institutional psychotherapy" was not just to cure psychotic patients, but also to learn with them a different relation to the world. A dissident in the French Communist Party and active in far-left politics (he participated in the May 1968 student rebellion), Guattari realized early on that it was possible to introduce analysis into political groups. Considered as open machines (subject-groups) rather than self-contained structures (subjugated groups), these subject-groups shunned hierarchy and vertical structures, developing transversally, rhizomatizing through other groups. Psychoanalysis and Transversality collects twenty-four essays by Guattari, including his foundational 1964 article on transversality, and a superb introduction by Gilles Deleuze, "Three Group-Related Problems."

'A Thousand Plateaus' is the second part of Deleuze and Guattari's landmark philosophical project, 'Capitalism and Schizophrenia' - a project that still sets the terms of contemporary philosophical debate. Written over a seven year period, 'A Thousand Plateaus' provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for aenomadic thought' and has had a galvanizing influence on today's anti-capitalist movement.

"Nietzsche and Philosophy" has long been recognized as one of the most important accounts of Nietzsche's philosophy, acclaimed for its rare combination of scholarly rigour and imaginative interpretation. Yet this is more than a major work on Nietzsche: the book opened a whole new avenue in post-war thought. Here Deleuze shows how Nietzsche began a new way of thinking which breaks with the dialectic as a method and escapes the confines of philosophy itself.