The United States has been engaged in what the great historian Charles A. Beard called "perpetual war for perpetual peace." The Federation of American Scientists has catalogued nearly 200 military incursions since 1945 in which the United States has been the aggressor. In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed unpublishable in this country until now) Gore Vidal challenges the comforting consensus following both September 11th and Timothy McVeigh's bombing of the federal building in Oklahoma City: these were simply the acts of "evil-doers." "None of these explanations made much sense, but our rulers for more than half a century have made sure that we are never to be told the truth about anything that our government has done to other people, not to mention our own. That our ruling junta might have seriously provoked McVeigh and Osama was never dealt with. We consumers don't need to be told the why of anything. Certainly those of us who are in the why-business have a difficult time in getting through the corporate-sponsored American media, so I thought it useful to describe here the various provocations on our side that drove both bin Laden and McVeigh to such terrible acts." "The awesome physical damage Osama and company did us is as nothing compared to the knock-out blow to our vanishing liberties: the Anti-Terrorism Act of 1991 combined with the recent request to Congress for additional special powers to wiretap without judicial order; to deport lawful permanent residents, visitors and undocumented immigrants without due process." Could it be that the greatest victim of the September 11th terror attackswill be American liberty?"Once alienated, " Vidal writes, "an 'unalienable right' is apt to be forever lost." Gore Vidal is the author of twenty-two novels, five plays, many screenplays, more than two hundred essays, and a memoir. The Times Literary Supplement (U.K.) noted that Vidal's "United States (Essays 1952-92) is one of the great American books of the twentieth century." It won the 1993 National Book Award."Gore Vidal is the master essayist of our age." Washington Post "Our greatest living man of letters." -- Boston Globe"Vidal's imagination of American politics is so powerful as to compel awe." Harold Bloom, New York Review of Books

This is the fascinating autobiography of a society heiress who became the bohemian doyenne of the art world. Written in her own words it is the frank and outspoken story of her life and loves: her stormy relationships with such men as Max Ernst and Jackson Pollock, and her discovery of new artists. Known as 'the mistress of modern art', Peggy Guggenheim was a passionate collector and major patron. She amassed one of the most important collections of early twentieth-century European and American art embracing Cubism, Surrealism and Expressionism. A must-read for anyone with an interest in these major-league artists, this seminal period of art history, and the ultimate self-invented woman. Includes a foreword by Gore Vidal.

In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States. Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr’s life, the common and casually held notion of the man as a scoundrel and an adventurer. Instead he appears as one of the ‘host of choice spirits’ forced to live among coarse, materialistic, hypocritical people ? among them Jefferson and Hamilton. Here, the latter appears as a power-hungry ‘parvenu’ from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, BURR is a novel about treason, both the particular and in general. For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family ?even, intriguingly, to novelists and historians?
 

Gore Vidal was one of America's greatest and most controversial writers. The author of twenty-three novels, five plays, three memoirs, numerous screenplays and short stories, and well over two hundred essays, he received the National Book Award in 1993.In 1953, Vidal had already begun writing the works that would launch him to the top ranks of American authors and intellectuals. But in the wake of criticism for the scandalous content of his third novel, The City and the Pillar, Vidal turned to writing crime fiction under pseudonyms: three books as "Edgar Box" and one as "Cameron Kay." The Edgar Box novels were subsequently republished under his real name. The Cameron Kay never was.Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll.One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil - written over half a century ago, but as current as the news streaming from the streets of Cairo today.

Gore Vidal's reputation as America's finest essayist is an enduring one. This collection, chosen by the author from 40 years of work, contains about two-thirds of what he published in various magazines and journals. He has divided the essays into three categories, or states. State of the art covers literature, including novelists and critics, bestsellers, pieces on Henry James, Oscar Wilde, Suetonius, Nabakov and Montaigne (a previosly uncollected essay from 1992). State of the union deals with politics and public life: sex, drugs, money, Abraham Lincoln, Eleanor Roosevelt, The Holy Family (his essay on the Kennedys), Nixon, and finally Monotheism and its Discontents , a scathing critique of Christianity, Judaism and Islam. In state of being, we are given personal responses to people and events: recollections of his childhood, E. Nesbit, Tarzan, Tennessee Williams and Anais Nin.

"The essential American form of expression."—from the Introduction by Jay Parini

From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding.

In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty.

The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.

In the hazardous fictional terrain of his historical novels, Gore Vidal is never especially kind to American history in general, or to its icons in particular. Yet in this brilliantly realised study of Abraham Lincoln, he paints a surprising and near-heroic picture of the man who led America through four of the most divisive and dangerous years of the nation’s history. Observed alternately by his loved ones, his rivals and his future assassins, Lincoln at first appears as an inept and naïve backwoods lawyer. People in this novel are not averse to turning up, getting drunk, and regaling the reader with details of Lincoln’s whoring activities and his seemingly inexhaustible supply of folksy stories. Yet gradually Lincoln the towering leader of deep vision emerges in a Washington engulfed by fear, greed and the horrors of the Civil War. Lincoln’s loving but mentally decomposing wife, his view from the White House on slavery and America’s bloodiest war, and his own, fierce personal ambition: all are portrayed with a vibrancy and an urgency that almost belies what they have now become ? history itself.
 

Here is the story of arguably America’s finest hour; of the time when the twentieth century dawned, Queen Victoria died, and America, basking deliciously in excess wealth, rather thought it might snap up an empire of its own. Yet while politicians muse over the potential of China or the Philippines – even Russia – empires are being built at home; railway empires; industrial empires; newspaper empires. Into this arena float the delectable Caroline Sanford, putative heiress and definite catch. Caroline is an oddity; she has been raised in France where they teach rich girls to talk and think. American society women, required only to think of themselves as the most interesting beings on earth, are rather alarmed. American men are amused – until Caroline shirks from marriage, sues her brother, buys a newspaper, and becomes that even greater oddity – a powerful woman. Mingling with the movers and shakers of the day – with President McKinley, Theodore Roosevelt, William Randolf Hearst, Henry James, the Astors, Vanderbilts and Whitneys – Caroline Sanford echoes the glorious passage of the United States as it sweeps into a new century, reaching boldly for the world.
 

It is a risky (and risque) business becoming 'Woman Triumphant' - exercising total power over men like Rusty Godowski. Rusty just wants to be a Hollywood star like everyone else at Buck Loner's academy, but now that Buck's niece, Myra Breckinridge, has arrived, the curriculum is taking a wildly strange turn. Willing to risk all to be superb and unique, Myra means to prove to her old friend Dr Montag that it is possible to work out in life all one's fantasies - and survive. 'From Myra's fist appearnce on the page she was a megastar', explains her creator, Gore Vidal. Myra caused a second furore when she returned in Myron to battle it out with her eponymous alter ego, a drab little man fallen into marriage and a job in Chinese catering. Theirs is a contest of hormonal roulette, with glorious Myra off on time-travelling missions of mercy back to 1948 to try to change cinema history and to introduce her own radical theories of popuation control. Meanwhile Myron tries desperately to stay in the present as inconspicuously as Mrya will allow.

History is gossip,' says a protagonist in Washington, D.C., 'but the trick is determining which gossip is history.' It is a trick that Gore Vidal has mastered in his ongoing chronicle of that circus of opportunism and hypocrisy called American politics and which he plays with renewed vigour in this expose of the nation's capital.Young Clay Overbury, Senator Burden Day's assistant, has both a modest background and immense ambitions. Extremely handsome, oozing charm and seemingly dedicated to the Senator's cause, he is also duplicitous, conniving, and disloyal. But Enid Canford doesn't think so: she marries him, so providing the Sanford newspaper dynasty with a direct line to the Senator. Her father Blaise, at first loathing his son-in-law, later learns to love him - for all the wrong reasons. So begins this tale of lust and ambition set in the Republic's high noon. From the late 1930s to Jo McCarthy's reign of terror, Gore Vidal charts the seamy, sleazy side of Washington. Mixing sober history with nakedly Gothic melodrama, he provides an intoxicating cocktail of blackmail, betrayal, sexual ambivalence, lunacy and conspiracy - or, in a word, politics.

With the centennial year of the United States as the target of this historical novel, Gore Vidal again mounts a glorious expedition into that grimy and intricate activity called politics. And this is politics as it ought to be: gossip, corruption, money, dinner parties, more corruption, and all the tacky panoply of power. Into the rarefied atmosphere of a world where money has begun to talk very loudly ? usually through the mouths of people called Astor ? step Charles Schuyler and his daughter Emma. Charlie is the unacknowledged bastard son of Aaron Burr; Emma is rather beautiful; and both think it is prudent to return from penury in Europe and secure a fortuitous marriage for Emma. But America is no longer a young republic; it’s a fledgling international superpower with its attendant seedy administration, dubious election campaigns, snobbery, ‘popped corn’, ‘speaking tubes’ and ‘perpendicular railways’ (lifts). It’s a world that will welcome into its social and political bosom these two attractive exotics with the right names. And it’s a world whose every political peccadillo, social slip-up and irresistible intrigue is recorded in this, the journal of Charlie Schuyler.
 

Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers.

Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

Jim Willard, former high-school athlete and clean-cut boy-next-door-, is haunted by the memory of a romanctic adolescent encounter with his friend Bob Ford. As Jim pursues his first love, in awe of the very same masculinity he possesses himself, his progresss through the secret gay world of 1940's America unveils surreptitious Hollywood affairs, the hidden life of the military in the Second World War and the underworld bar culture of New York City. With the publication of his daring thrid novel The City and the Pillar in 1948, Gore Vidal shocked the American public, which has just begun to hail him as their newest and brightest young writer. It remains not only an authentic and profoundly importatnt social document but also a serious exploration of the nature of idealistic love.

Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.

This is a memoir of the first 40 years of Gore Vidal's life, ranging back and forth across a rich history. He spent his childhood in Washington DC, in the household of his grandfather, the blind senator from Oklahoma, T.P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome and Paris in the '40s and '50s; sex in an age of promiscuity; and a campaign for Congress in 1960. His cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein and the Duke and Duchess of Windsor, among others.

An American smuggler in Egypt finds himself at the mercy of killers, femme fatales, and an escalating revolution-a lost pulp crime novel from one of the legends of the genre Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of legendary writer Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll. One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil-written over half a century ago, but as current as the news streaming from the streets of Cairo today. Gore Vidal was one of America's greatest and most controversial writers. The author of twenty-three novels, five plays, three memoirs, numerous screenplays and short stories, and well over two hundred essays, he received the National Book Award in 1993. In 1953, Vidal had already begun writing the works that would launch him to the top ranks of American authors and intellectuals. But in the wake of criticism for the scandalous content of his third novel, The City and the Pillar, Vidal turned to writing crime fiction under pseudonyms: three books as "Edgar Box" and one as "Cameron Kay." The Edgar Box novels were subsequently republished under his real name. The Cameron Kay never was.

The remarkable bestseller about the fourth-century Roman emperor who famously tried to halt the spread of Christianity, Julian is widely regarded as one of Gore Vidal’s finest historical novels.

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign. A marvelously imaginative and insightful novel of classical antiquity, Julian captures the religious and political ferment of a desperate age and restores with blazing wit and vigor the legacy of an impassioned ruler.

A literary "cause celebre" when first published more than fifty years ago, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experience.
Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in "awful kid stuff," the experience forms Jim's ideal of spiritual completion. Defying his parents' expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar" "remains a forthright and uncompromising portrayal of sexual relationships between men.

Vidal's historical novel set in the 5th century BC and narrated by Cyrus Spitama, son of a Persian prince and Greek sorceress, grandson of the prophet Zoroaster, and ambassador to the courts of India, China and Greece. Pericles, Thucydides, Sophocles and Confucius are among the book's characters.

CENTENNIAL EDITION
""The Tarzan legend returns us to the Eden where, free of clothes and the inhibitions of an oppressive society, a man is able, as William Faulkner put it..., to prevail as well as endure."--Gore Vidal, from the Introduction"
Set amid the vibrant colors and sounds of the African jungle, this classic work, rich in suspense and action, has beckoned generations of readers on a glorious journey to romance and pure adventure. This is the story of the ape-man Tarzan, raised in the wild by the great ape Kala, and how he learns the secrets of the jungle to survive--how to talk with the animals, swing through the trees, and fight the great predators. As Tarzan grows up, he makes many friends, including Tantor the elephant and Numa the lion. When this paradise is invaded by white men, Tarzan's life changes, for in this group is Jane, the most beautiful woman he has ever seen. Speaking directly to our childhood fantasies, this exhilarating work takes us to that faraway place in our minds where dreams prevail, and where we too can be masters of our own domain.
With an Introduction by Gore Vidal
And an Afterword by Michael Meyer

Robert Gordon and Morgan Neville co-direct this documentary about the televised American debates between Gore Vidal and William F. Buckley Jr. Beginning during the 1968 Democratic National Convention in Chicago, the liberal and conservative writers and commentators clashed over issues including the city's police, the convention's protestors and the freedom-of-speech-right of Americans. As the pair commented on the issues of the day, over the course of their debates, their discourse became increasingly explosive and hostile and the substance of their arguments lost.

A sweeping novel of politics, war, philosophy, and adventure–in a restored edition, featuring never-before-published material from Gore Vidal’s original manuscript–Creation offers a captivating grand tour of the ancient world.
Cyrus Spitama, grandson of the prophet Zoroaster and lifelong friend of Xerxes, spent most of his life as Persian ambassador for the great king Darius. He traveled to India, where he discussed nirvana with Buddha, and to the warring states of Cathay, where he learned of Tao from Master Li and fished on the riverbank with Confucius. Now blind and aged in Athens–the Athens of Pericles, Sophocles, Thucydides, Herodotus, and Socrates–Cyrus recounts his days as he strives to resolve the fundamental questions that have guided his life’s journeys: how the universe was created, and why evil was created with good. In revisiting the fifth century b.c.–one of the most spectacular periods in history–Gore Vidal illuminates the ideas that have shaped civilizations for millennia.

"Mr. Vidal demonstrates a political imagination and insider's sagacity equaled by no other practicing fiction writer I can think of. And like the earlier novels in his historical cycle, Empire is a wonderfully vivid documentary drama." —The New York Times Book Review

In this extraordinarily powerful epic Gore Vidal recreates America's Gilded Age—a period of promise and possibility, of empire-building and fierce political rivalries. In a vivid and beathtaking work of fiction, where the fortunes of a sister and brother intertwine with the fates of the generation, their country, and some of the greatest names of their day, including President McKinley, Theodore Roosevelt, William Jennings Bryan, William and Henry James, the Astors, the Vanderbilts, and the Whitneys, Gore Vidal sweeps us from the nineteenth century into the twentieth, from the salvaged republic of Lincoln to a nation boldly reaching for the world.


From the Paperback edition.