The United States has been engaged in what the great historian Charles A. Beard called "perpetual war for perpetual peace." The Federation of American Scientists has catalogued nearly 200 military incursions since 1945 in which the United States has been the aggressor. In a series of penetrating and alarming essays, whose centerpiece is a commentary on the events of September 11, 2001 (deemed unpublishable in this country until now) Gore Vidal challenges the comforting consensus following both September 11th and Timothy McVeigh's bombing of the federal building in Oklahoma City: these were simply the acts of "evil-doers." "None of these explanations made much sense, but our rulers for more than half a century have made sure that we are never to be told the truth about anything that our government has done to other people, not to mention our own. That our ruling junta might have seriously provoked McVeigh and Osama was never dealt with. We consumers don't need to be told the why of anything. Certainly those of us who are in the why-business have a difficult time in getting through the corporate-sponsored American media, so I thought it useful to describe here the various provocations on our side that drove both bin Laden and McVeigh to such terrible acts." "The awesome physical damage Osama and company did us is as nothing compared to the knock-out blow to our vanishing liberties: the Anti-Terrorism Act of 1991 combined with the recent request to Congress for additional special powers to wiretap without judicial order; to deport lawful permanent residents, visitors and undocumented immigrants without due process." Could it be that the greatest victim of the September 11th terror attackswill be American liberty?"Once alienated, " Vidal writes, "an 'unalienable right' is apt to be forever lost." Gore Vidal is the author of twenty-two novels, five plays, many screenplays, more than two hundred essays, and a memoir. The Times Literary Supplement (U.K.) noted that Vidal's "United States (Essays 1952-92) is one of the great American books of the twentieth century." It won the 1993 National Book Award."Gore Vidal is the master essayist of our age." Washington Post "Our greatest living man of letters." -- Boston Globe"Vidal's imagination of American politics is so powerful as to compel awe." Harold Bloom, New York Review of Books

This is the fascinating autobiography of a society heiress who became the bohemian doyenne of the art world. Written in her own words it is the frank and outspoken story of her life and loves: her stormy relationships with such men as Max Ernst and Jackson Pollock, and her discovery of new artists. Known as 'the mistress of modern art', Peggy Guggenheim was a passionate collector and major patron. She amassed one of the most important collections of early twentieth-century European and American art embracing Cubism, Surrealism and Expressionism. A must-read for anyone with an interest in these major-league artists, this seminal period of art history, and the ultimate self-invented woman. Includes a foreword by Gore Vidal.

An American smuggler in Egypt finds himself at the mercy of killers, femme fatales, and an escalating revolution-a lost pulp crime novel from one of the legends of the genre Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of legendary writer Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll. One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil-written over half a century ago, but as current as the news streaming from the streets of Cairo today. Gore Vidal was one of America's greatest and most controversial writers. The author of twenty-three novels, five plays, three memoirs, numerous screenplays and short stories, and well over two hundred essays, he received the National Book Award in 1993. In 1953, Vidal had already begun writing the works that would launch him to the top ranks of American authors and intellectuals. But in the wake of criticism for the scandalous content of his third novel, The City and the Pillar, Vidal turned to writing crime fiction under pseudonyms: three books as "Edgar Box" and one as "Cameron Kay." The Edgar Box novels were subsequently republished under his real name. The Cameron Kay never was.

Gore Vidal was one of America's greatest and most controversial writers. The author of twenty-three novels, five plays, three memoirs, numerous screenplays and short stories, and well over two hundred essays, he received the National Book Award in 1993.In 1953, Vidal had already begun writing the works that would launch him to the top ranks of American authors and intellectuals. But in the wake of criticism for the scandalous content of his third novel, The City and the Pillar, Vidal turned to writing crime fiction under pseudonyms: three books as "Edgar Box" and one as "Cameron Kay." The Edgar Box novels were subsequently republished under his real name. The Cameron Kay never was.Lost for more than 60 years and overflowing with political and sexual intrigue, Thieves Fall Out provides a delicious glimpse into the mind of Gore Vidal in his formative years. By turns mischievous and deadly serious, Vidal tells the story of a man caught up in events bigger than he is, a down-on-his-luck American hired to smuggle an ancient relic out of Cairo at a time when revolution is brewing and heads are about to roll.One part Casablanca and one part torn-from-the-headlines tabloid reportage, this novel also offers a startling glimpse of Egypt in turmoil - written over half a century ago, but as current as the news streaming from the streets of Cairo today.

"The essential American form of expression."—from the Introduction by Jay Parini

From Mary Rowlandson's story of her capture by Indians in the mid-seventeenth century to Mary Paik Lee's story of being a pioneer Korean woman in America at the beginning of the twentieth century, the autobiographical form has provided our most vivid, intimate glimpses of daily American life and self-understanding.

In this groundbreaking anthology, respected writer and critic Jay Parini brings together an abundant selection from over three centuries of "the democratic voice . . . discovering itself." Here are the voices of the Founding Fathers and African American slaves; of transcendentalists and suffragists; of ancestors such as Frederick Douglass, Harriet Jacobs, Mark Twain, Henry James, Helen Keller, Zora Neale Hurston, Gertrude Stein, Ernest Hemingway, James Baldwin, and many others; and of a wide range of contemporaries, including Maxine Hong Kingston, Gore Vidal, Julia Alvarez, and Mark Doty.

The rich, continuous influence of autobiographical writing in our culture is clear, and as memoirs continue to fascinate readers, this invaluable anthology provides an essential guide to our foremost American literary tradition.

Gore Vidal's reputation as America's finest essayist is an enduring one. This collection, chosen by the author from 40 years of work, contains about two-thirds of what he published in various magazines and journals. He has divided the essays into three categories, or states. State of the art covers literature, including novelists and critics, bestsellers, pieces on Henry James, Oscar Wilde, Suetonius, Nabakov and Montaigne (a previosly uncollected essay from 1992). State of the union deals with politics and public life: sex, drugs, money, Abraham Lincoln, Eleanor Roosevelt, The Holy Family (his essay on the Kennedys), Nixon, and finally Monotheism and its Discontents , a scathing critique of Christianity, Judaism and Islam. In state of being, we are given personal responses to people and events: recollections of his childhood, E. Nesbit, Tarzan, Tennessee Williams and Anais Nin.

A literary "cause celebre" when first published more than fifty years ago, Gore Vidal's now-classic The City and the Pillar stands as a landmark novel of the gay experience.
Jim, a handsome, all-American athlete, has always been shy around girls. But when he and his best friend, Bob, partake in "awful kid stuff," the experience forms Jim's ideal of spiritual completion. Defying his parents' expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar" "remains a forthright and uncompromising portrayal of sexual relationships between men.

Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers.

Burr is a portrait of perhaps the most complex and misunderstood of the Founding Fathers. In 1804, while serving as vice president, Aaron Burr fought a duel with his political nemesis, Alexander Hamilton, and killed him. In 1807, he was arrested, tried, and acquitted of treason. In 1833, Burr is newly married, an aging statesman considered a monster by many. Burr retains much of his political influence if not the respect of all. And he is determined to tell his own story. As his amanuensis, he chooses Charles Schermerhorn Schuyler, a young New York City journalist, and together they explore both Burr's past and the continuing political intrigues of the still young United States.

CENTENNIAL EDITION
""The Tarzan legend returns us to the Eden where, free of clothes and the inhibitions of an oppressive society, a man is able, as William Faulkner put it..., to prevail as well as endure."--Gore Vidal, from the Introduction"
Set amid the vibrant colors and sounds of the African jungle, this classic work, rich in suspense and action, has beckoned generations of readers on a glorious journey to romance and pure adventure. This is the story of the ape-man Tarzan, raised in the wild by the great ape Kala, and how he learns the secrets of the jungle to survive--how to talk with the animals, swing through the trees, and fight the great predators. As Tarzan grows up, he makes many friends, including Tantor the elephant and Numa the lion. When this paradise is invaded by white men, Tarzan's life changes, for in this group is Jane, the most beautiful woman he has ever seen. Speaking directly to our childhood fantasies, this exhilarating work takes us to that faraway place in our minds where dreams prevail, and where we too can be masters of our own domain.
With an Introduction by Gore Vidal
And an Afterword by Michael Meyer

The remarkable bestseller about the fourth-century Roman emperor who famously tried to halt the spread of Christianity, Julian is widely regarded as one of Gore Vidal’s finest historical novels.

Julian the Apostate, nephew of Constantine the Great, was one of the brightest yet briefest lights in the history of the Roman Empire. A military genius on the level of Julius Caesar and Alexander the Great, a graceful and persuasive essayist, and a philosopher devoted to worshipping the gods of Hellenism, he became embroiled in a fierce intellectual war with Christianity that provoked his murder at the age of thirty-two, only four years into his brilliantly humane and compassionate reign. A marvelously imaginative and insightful novel of classical antiquity, Julian captures the religious and political ferment of a desperate age and restores with blazing wit and vigor the legacy of an impassioned ruler.

?Alone among American Presidents, it is possible to imagine Lincoln, grown up in a different milieu, becoming a distinguished writer of a not merely political kind.?
--Edmund Wilson
Ranging from finely honed legal argument to wry and some sometimes savage humor to private correspondence and political rhetoric of unsurpassed grandeur, the writings collected in this volume are at once a literary testament of the greatest writer ever to occupy the White House and a documentary history of America in Abraham Lincoln's time. They record Lincoln's campaigns for public office; the evolution of his stand against slavery; his electrifying debates with Stephen Douglas; his conduct of the Civil War; and the great public utterances of his presidency, including the Emancipation Proclamation and the Gettysburg Address.
Library of America Paperback Classics feature authoritative texts drawn from the acclaimed Library of America series and introduced by today's most distinguished scholars and writers. Each book features a detailed chronology of the author's life and career, and essay on the choice of the text, and notes.
The contents of this Paperback Classic are drawn from "Abraham Lincoln: Speeches and Writings 1832- 1858" and "Abraham Lincoln: Speeches and Writings 1859-1865," volumes number 45 and 46 in the Library of America series. They are joined in the series by a companion volume, number 192s, "The Lincoln Anthology: Great Writers on his Life and Legacy from 1860 to Now."

In 1804, Colonel Aaron Burr, Vice-President of the United States, shot and killed Alexander Hamilton in a duel. Three years later, on the order of President Thomas Jefferson, he was tried for treason: for plotting to dismember the United States. Gore Vidal, romping iconoclastically through American history, debunks, in this historical novel of Burr’s life, the common and casually held notion of the man as a scoundrel and an adventurer. Instead he appears as one of the ‘host of choice spirits’ forced to live among coarse, materialistic, hypocritical people ? among them Jefferson and Hamilton. Here, the latter appears as a power-hungry ‘parvenu’ from the West Indies and the former as a semi-literate slave-owning tyrant. American politics, suggests Vidal, had a penchant for the vulgar. Even then. Veering backwards to the revolution and the early days of the republic, stopping at dinner-parties on the way, and reaching forward to the future, BURR is a novel about treason, both the particular and in general. For what, asks Vidal, really belongs to whom? What properly belongs to the Constitution, to the nation, to the family ?even, intriguingly, to novelists and historians?
 

Vidal's historical novel set in the 5th century BC and narrated by Cyrus Spitama, son of a Persian prince and Greek sorceress, grandson of the prophet Zoroaster, and ambassador to the courts of India, China and Greece. Pericles, Thucydides, Sophocles and Confucius are among the book's characters.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network's ratings in the fall sweeps.

As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy's text really Hacker-proof? And how will he deal with the truth about Jesus' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.

Gore Vidal--novelist, playwright, critic, screenwriter, memoirist, indefatigable political commentator, and controversialist--is America's premier man of letters. No other living writer brings more sparkling wit, vast learning, indelible personality, and provocative mirth to the job of writing an essay.
This long-needed volume comprises some twenty-four of his best-loved pieces of criticism, political commentary, memoir, portraiture, and, occasionally, unfettered score settling. It will stand as one of the most enjoyable and durable works from the hand and mind of this vastly accomplished and entertaining immortal of American literature.

Gore Vidal, one of the master stylists of American literature and one of the most acute observers of American life and history, turns his immense literary and historiographic talent to a portrait of the formidable trio of George Washington, John Adams, and Thomas Jefferson.
In "Inventing a Nation, "Vidal transports the reader into the minds, the living rooms (and bedrooms), the convention halls, and the salons of Washington, Jefferson, Adams, and others. We come to know these men, through Vidal's splendid and percipient prose, in ways we have not up to now--their opinions of each other, their worries about money, their concerns about creating a viable democracy. Vidal brings them to life at the key moments of decision in the birthing of our nation. He also illuminates the force and weight of the documents they wrote, the speeches they delivered, and the institutions of government by which we still live. More than two centuries later, America is still largely governed by the ideas championed by this triumvirate.
"Pure Vidal. . . . "Inventing a Nation" is his edgy tribute to the way we were before the fall."--"Los Angeles Times Book Review "
" Vidal offers] details that enliven and . . . reflections on the past that point sharply to today." --Richard Eder, "New York Times "
"An engaging and] . . . unblinking view of our national heroes by one who cherishes them, warts and all."--Edmund S. Morgan, "New York Review of Books"
" Vidal's] quick wit flickers over the canonical tale of our republic's founding, turning it into a dark and deliciously nuanced comedy of men, manners, and ideas."--Amanda Heller, "Boston Sunday Globe"
"This entertaining and enlightening reappraisal of the Founders is a must for buffs of American civilization and its discontents."--"Booklist"
"Gore Vidal . . . still understands American history backwards and forwards as few writers ever have."--David Kipen, "National Public Radio"

History is gossip,' says a protagonist in Washington, D.C., 'but the trick is determining which gossip is history.' It is a trick that Gore Vidal has mastered in his ongoing chronicle of that circus of opportunism and hypocrisy called American politics and which he plays with renewed vigour in this expose of the nation's capital.Young Clay Overbury, Senator Burden Day's assistant, has both a modest background and immense ambitions. Extremely handsome, oozing charm and seemingly dedicated to the Senator's cause, he is also duplicitous, conniving, and disloyal. But Enid Canford doesn't think so: she marries him, so providing the Sanford newspaper dynasty with a direct line to the Senator. Her father Blaise, at first loathing his son-in-law, later learns to love him - for all the wrong reasons. So begins this tale of lust and ambition set in the Republic's high noon. From the late 1930s to Jo McCarthy's reign of terror, Gore Vidal charts the seamy, sleazy side of Washington. Mixing sober history with nakedly Gothic melodrama, he provides an intoxicating cocktail of blackmail, betrayal, sexual ambivalence, lunacy and conspiracy - or, in a word, politics.

In the hazardous fictional terrain of his historical novels, Gore Vidal is never especially kind to American history in general, or to its icons in particular. Yet in this brilliantly realised study of Abraham Lincoln, he paints a surprising and near-heroic picture of the man who led America through four of the most divisive and dangerous years of the nation’s history. Observed alternately by his loved ones, his rivals and his future assassins, Lincoln at first appears as an inept and naïve backwoods lawyer. People in this novel are not averse to turning up, getting drunk, and regaling the reader with details of Lincoln’s whoring activities and his seemingly inexhaustible supply of folksy stories. Yet gradually Lincoln the towering leader of deep vision emerges in a Washington engulfed by fear, greed and the horrors of the Civil War. Lincoln’s loving but mentally decomposing wife, his view from the White House on slavery and America’s bloodiest war, and his own, fierce personal ambition: all are portrayed with a vibrancy and an urgency that almost belies what they have now become ? history itself.
 

Jim Willard, former high-school athlete and clean-cut boy-next-door-, is haunted by the memory of a romanctic adolescent encounter with his friend Bob Ford. As Jim pursues his first love, in awe of the very same masculinity he possesses himself, his progresss through the secret gay world of 1940's America unveils surreptitious Hollywood affairs, the hidden life of the military in the Second World War and the underworld bar culture of New York City. With the publication of his daring thrid novel The City and the Pillar in 1948, Gore Vidal shocked the American public, which has just begun to hail him as their newest and brightest young writer. It remains not only an authentic and profoundly importatnt social document but also a serious exploration of the nature of idealistic love.

Gore Vidal's fictional recreation of the Roman Empire teetering on the crux of Christianity and ruled by an emperor who was an inveterate dabbler in arcane hocus-pocus, a prig, a bigot, and a dazzling and brilliant leader.

Gore Vidal's Narratives of Empire series spans the history of the United States from the Revolution to the post-World War II years. With their broad canvas and large cast of fictional and historical characters, the novels in this series present a panorama of the American political and imperial experience as interpreted by one of its most worldly, knowing, and ironic observers.

To most Americans, Abraham Lincoln is a monolithic figure, the Great Emancipator and Savior of the Union, beloved by all. In Gore Vidal's Lincoln we meet Lincoln the man and Lincoln the political animal, the president who entered a besieged capital where most of the population supported the South and where even those favoring the Union had serious doubts that the man from Illinois could save it. Far from steadfast in his abhorrence of slavery, Lincoln agonizes over the best course of action and comes to his great decision only when all else seems to fail. As the Civil War ravages his nation, Lincoln must face deep personal turmoil, the loss of his dearest son, and the harangues of a wife seen as a traitor for her Southern connections. Brilliantly conceived, masterfully executed, Gore Vidal's Lincoln allows the man to breathe again.

Imagined by one of the world's foremost JFK scholars, this fictionalised conversation presents the essential biography of America's most glamorous and mythologised president. For many, the presidency of John F. Kennedy was a magic interlude in American history. His admirers saw him as a leader of intelligence and imagination, who wielded power with grace, courage and verve - although detractors have questioned the depth of his convictions and drawn attention to his serial philandering. Kennedy's rise also marked the beginning of modern "celebrity" politics - a politician with film star charisma who proved ideally suited to the new age of television. Meet the man himself and he'll tell you how it felt to have his finger on the red button when the world teetered on the brink of nuclear war. The book is divided into two parts: a biographical essay that provides a concise overview of JFK's life, achievements, scandals and controversies; and a Q&A dialogue based on rigorous research and incorporating JFK's actual spoken or written words whenever possible, along with rigorously researched biographical interpretations of his various views and positions. Here you will find all the key moments in JFK's life and career: his early days at Harvard and the US Navy; his family background and the importance of his Catholic faith; running for office against Richard Nixon; his clashes with communist power in Berlin and Cuba; the Civil Rights movement; Vietnam; and the president's often scandalous personal life that was carefully concealed from an adoring public. Kennedy's assassination on 22 November 1963 marked the beginning of a tumultuous and bitterly divided decade, and birthed countless conspiracy theories that thrive to this day. These legacies of polarisation and suspicion of established authority have assumed particular salience in the 21st century.