A novel that describes the adventures of two young writers, set in the midst of political repression, anti-Semitism and violence during the Latin American dictatorships of Brazil and Argentina in the 60s.

British Psychoanalysis: New Perspectives in the Independent Tradition is a new and extended edition of The British School of Psychoanalysis: The Independent Tradition, which explored the successes and failures of the early environment; transference and counter-transference in the psychoanalytic encounter; regression in the situation of treatment; and female sexuality. Published in the mid-1980s, it had an important influence on the development of psychoanalysis both in Great Britain and abroad, was translated into several languages and became a central textbook in academic and professional courses. This new, updated book includes not only many of the original papers, but also new chapters written for this volume by Hannah Browne, Josh Cohen, Steven Groarke, Gregorio Kohon, Rosine Perelberg and Megan Virtue. Addressing and reflecting on the four main themes of the first collection, the new papers discuss such subjects as: * a new focus on earliest infancy * new directions in Independent clinical thinking * the question of therapeutic regression . the centrality of sexual difference in Freud. They also highlight the connections between and the mutual influence of British and French psychoanalysis, now a critical subject in contemporary psychoanalytic debates. British Psychoanalysis: New Perspectives in the Independent Tradition will be important not only to psychoanalysts and psychoanalytic psychotherapists and the full spectrum of professionals involved in mental health. It will be of great value in psychotherapy and counselling training and an important resource for teaching and academic activities.

The Dead Mother is based on a series of papers written by Ronald Britton over the past fifteen years which explore the concepts of belief and imagination from a Kleinian perspective, covering such topics as:
* the status of fantasies in an individual's mind (are they regarded as facts or possibilities)
* how the notions of objectivity and subjectivity are interrelated and have their origins in the Oedipal triangle, and
* how fantasies which are held to be products of the imagination, rather than facts or beliefs about the world, can be accounted for in psychoanalytic terms, given the lack of any account of imagination in any modern model of the mind.
As well as exploring the various aspects of belief encountered in analysis, Britton also examines the relationship between psychic reality and fictional writing, and the ways in which the issues of belief, imagination and reality are explored in the works of Wordsworth, Rilke, Milton and Blake.

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Interest in the relationship between psychoanalysis and art - and other disciplines - is growing. In his new book Reflections on the Aesthetic: Psychoanalysis and the uncanny, Gregorio Kohon examines and reflects upon psychoanalytic understandings of estrangement, the Freudian notions of the uncanny and Nachtraglichkeit, exploring how these are evoked in works of literature and art, and are present in our response to such works. Kohon provides close readings of and insights into the works of Franz Kafka, Jorge Luis Borges, Louise Bourgeois, Juan Munoz, Anish Kapoor, Richard Serra, Edvard Munch, Kurt Schwitters, amongst others; the book also includes a chapter on the Warsaw Ghetto Monument and the counter-monument aesthetic movement in post-war Germany. Kohon shows how some works of art and literature represent something that otherwise eludes representation, and how psychoanalysis and the aesthetic share the task of making a representation of the unrepresentable. Reflections on the Aesthetic is not an exercise in "applied" psychoanalysis; psychoanalysis and art are considered by the author in their own terms, allowing a new understanding of the aesthetic to emerge. Kohon's book makes compelling reading for psychoanalysts, psychotherapists, art therapists, literary and art critics, academics, students and all those interested in the matter of the aesthetic.

In Love and its Vicissitudes Andre Green and Gregorio Kohon draw on their extensive clinical experience to produce an insightful contribution to the psychoanalytic understanding of love. In Part I, 'To Love or Not to Love - Eros and Eris', Andre Green addresses some important questions: What is essential to love in life? What, in the psychoanalytic method, is related to it? Should we understand love by referring to its earliest and most primitive roots? Or should we take as our starting point the experience of the adult? He argues that while science has made no contribution to our understanding of love, art, literature and especially poetry are the best introduction to it. In Part II, Love in the Time of Madness, Gregorio Kohon provides a detailed clinical study of an individual suffering a psychotic breakdown. He describes how the exclusive as well as the intense lasting dependence to a primary carer create the conditions for a "normal madness" to develop. This is not only at the source of later psychotic states and the perversions but also at the origin of all forms of love, as demonstrated in its re-appearance in the situation of transference. Love and its Vicissitudes moves beyond conventional psychoanalytic discourse to provide a stimulating and revealing reflection on the place of love in psychoanalytic theory and practice.

In Love and its Vicissitudes Andre Green and Gregorio Kohon draw on their extensive clinical experience to produce an insightful contribution to the psychoanalytic understanding of love. In Part I, 'To Love or Not to Love - Eros and Eris', Andre Green addresses some important questions: What is essential to love in life? What, in the psychoanalytic method, is related to it? Should we understand love by referring to its earliest and most primitive roots? Or should we take as our starting point the experience of the adult? He argues that while science has made no contribution to our understanding of love, art, literature and especially poetry are the best introduction to it. In Part II, Love in the Time of Madness, Gregorio Kohon provides a detailed clinical study of an individual suffering a psychotic breakdown. He describes how the exclusive as well as the intense lasting dependence to a primary carer create the conditions for a "normal madness" to develop. This is not only at the source of later psychotic states and the perversions but also at the origin of all forms of love, as demonstrated in its re-appearance in the situation of transference. Love and its Vicissitudes moves beyond conventional psychoanalytic discourse to provide a stimulating and revealing reflection on the place of love in psychoanalytic theory and practice.

This book looks beyond both theory and practice to the politics and cultural resonances of psychoanalysis-in the torments and anxiety of artistic endeavour, and in the urgent and wearying sense of the blindness of our troubled history and politics, in Israel and in South America.

In his new book, Considering the Nature of Psychoanalysis: The Persistence of a Paradoxical Discourse, Gregorio Kohon describes the complexity of the psychoanalytic encounter, questioning the misguided attempts to simplify and/or reduce it to either art or science. Kohon disputes the contemporary use of parameters offered by evidence-based medicine as a research model to study psychoanalysis. Instead, he proposes to reconsider the relevance of the psychoanalytic single case study, its importance and pre-eminence. The present book will be of great interest to all psychotherapists, councillors, psychiatrists, mental health workers and students and academics of the social sciences.

Interest in the relationship between psychoanalysis and art - and other disciplines - is growing. In his new book Reflections on the Aesthetic: Psychoanalysis and the uncanny, Gregorio Kohon examines and reflects upon psychoanalytic understandings of estrangement, the Freudian notions of the uncanny and Nachtraglichkeit, exploring how these are evoked in works of literature and art, and are present in our response to such works. Kohon provides close readings of and insights into the works of Franz Kafka, Jorge Luis Borges, Louise Bourgeois, Juan Munoz, Anish Kapoor, Richard Serra, Edvard Munch, Kurt Schwitters, amongst others; the book also includes a chapter on the Warsaw Ghetto Monument and the counter-monument aesthetic movement in post-war Germany. Kohon shows how some works of art and literature represent something that otherwise eludes representation, and how psychoanalysis and the aesthetic share the task of making a representation of the unrepresentable. Reflections on the Aesthetic is not an exercise in "applied" psychoanalysis; psychoanalysis and art are considered by the author in their own terms, allowing a new understanding of the aesthetic to emerge. Kohon's book makes compelling reading for psychoanalysts, psychotherapists, art therapists, literary and art critics, academics, students and all those interested in the matter of the aesthetic.

In his new book, Considering the Nature of Psychoanalysis: The Persistence of a Paradoxical Discourse, Gregorio Kohon describes the complexity of the psychoanalytic encounter, questioning the misguided attempts to simplify and/or reduce it to either art or science. Kohon disputes the contemporary use of parameters offered by evidence-based medicine as a research model to study psychoanalysis. Instead, he proposes to reconsider the relevance of the psychoanalytic single case study, its importance and pre-eminence. The present book will be of great interest to all psychotherapists, councillors, psychiatrists, mental health workers and students and academics of the social sciences.

British Psychoanalysis: New Perspectives in the Independent Tradition is a new and extended edition of The British School of Psychoanalysis: The Independent Tradition, which explored the successes and failures of the early environment; transference and counter-transference in the psychoanalytic encounter; regression in the situation of treatment; and female sexuality. Published in the mid-1980s, it had an important influence on the development of psychoanalysis both in Great Britain and abroad, was translated into several languages and became a central textbook in academic and professional courses. This new, updated book includes not only many of the original papers, but also new chapters written for this volume by Hannah Browne, Josh Cohen, Steven Groarke, Gregorio Kohon, Rosine Perelberg and Megan Virtue. Addressing and reflecting on the four main themes of the first collection, the new papers discuss such subjects as: * a new focus on earliest infancy * new directions in Independent clinical thinking * the question of therapeutic regression . the centrality of sexual difference in Freud. They also highlight the connections between and the mutual influence of British and French psychoanalysis, now a critical subject in contemporary psychoanalytic debates. British Psychoanalysis: New Perspectives in the Independent Tradition will be important not only to psychoanalysts and psychoanalytic psychotherapists and the full spectrum of professionals involved in mental health. It will be of great value in psychotherapy and counselling training and an important resource for teaching and academic activities.

Kohon and Toni Griffiths' stunning translation has the power to transport you to the 1960s, to Buenos Aires, to those first overpowering experiences of sexual love. Odetta in Babylon and the Canada Express invites you to step onto the train, and to let go. Lose yourself in the music and enjoy the journey, wherever it takes you.