Radical Intellectuals and the Subversion of Progressive Politics is a challenge to contemporary radical politics and political thought. This collection of essays critiques the dominant trends and figures on the left that have distorted the legacy of progressive politics, arguing that they have moved politics away from issues of class and economic power toward a preoccupation with culture and identity. The contributors discuss this new radicalism from the perspective of a more rational form of leftism capable of reviving interest in a more politically relevant form of politics.

The Political Thought of African Independence: An Anthology of Sources brilliantly frames the debates that captivated the world as former European colonies in Africa began their transition to sovereign rule in the 1950s and '60s. Its wealth of key documents are enhanced by Gregory Smulewicz-Zucker's General Introduction, part introductions, headnotes, and annotations, providing needed contextual information and supports for readers.

In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.

In his Village Voice "Movie Journal" columns, Jonas Mekas captured the makings of an exciting movement in 1960s American filmmaking. Works by Andy Warhol, Gregory J. Markapoulos, Stan Brakhage, Jack Smith, Robert Breer, and others echoed experiments already underway elsewhere, yet they belonged to a nascent tradition that only a true visionary could identify. Mekas incorporated the most essential characteristics of these films into a unique conception of American filmmaking's next phase. He simplified complex aesthetic strategies for unfamiliar audiences and appreciated the subversive genius of films that many dismissed as trash. This new edition presents Mekas's original critiques in full, with additional material on the filmmakers, film studies scholars, and popular and avant-garde critics whom he inspired and transformed.

The Political Thought of African Independence: An Anthology of Sources brilliantly frames the debates that captivated the world as former European colonies in Africa began their transition to sovereign rule in the 1950s and '60s. Its wealth of key documents are enhanced by Gregory Smulewicz-Zucker's General Introduction, part introductions, headnotes, and annotations, providing needed contextual information and supports for readers.