This volume is the first to provide a comprehensive Latin American perspective on the role of humor in the Spanish- and Portuguese-language internet, highlighting how the production and circulation of online humor influence the region’s relation to democracy and civil society and the production of meaning in everyday life. Several case studies consider memes, including discussions of political cartoons in Mexico and imagery that portrays the mismanagement of natural disasters in Puerto Rico. Essays on Brazil examine how memes are shared on WhatsApp by Jair Bolsonaro supporters and how the Instagram account Barbie Fascionista offers memes as political commentary. Other case studies consider video content, including the sketches of Argentinian comedian Guillermo Aquino, the short-form material of Chilean vlogger Germán Garmendia, and a satirical YouTube column created by journalists in Colombia. Contributors also offer new methodologies for studying the laughable on social media, including a model for analyzing fake Twitter accounts. Internet, Humor, and Nation in Latin America demonstrates that internet humor can generate novel means of public interaction with the political and cultural spheres and create greater expectations of governmental accountability and democratic participation. This volume shows the importance of paying serious attention to humorous digital content as part of contemporary culture. Contributors: Eva Paulina Bueno | Juan Poblete | Alberto Centeno-Pulido | Damián Fraticelli | Juan Carlos Rodríguez | Viktor Chagas | Paul Alonso | Ulisses Sawczuk da Silva | Héctor Fernández L'Hoeste | Alejandra Nallely Collado Campos | R. Sánchez-Rivera | Mélodine Sommier | Fábio Marques de Souza

This volume is the first to provide a comprehensive Latin American perspective on the role of humor in the Spanish- and Portuguese-language internet, highlighting how the production and circulation of online humor influence the region’s relation to democracy and civil society and the production of meaning in everyday life. Several case studies consider memes, including discussions of political cartoons in Mexico and imagery that portrays the mismanagement of natural disasters in Puerto Rico. Essays on Brazil examine how memes are shared on WhatsApp by Jair Bolsonaro supporters and how the Instagram account Barbie Fascionista offers memes as political commentary. Other case studies consider video content, including the sketches of Argentinian comedian Guillermo Aquino, the short-form material of Chilean vlogger Germán Garmendia, and a satirical YouTube column created by journalists in Colombia. Contributors also offer new methodologies for studying the laughable on social media, including a model for analyzing fake Twitter accounts. Internet, Humor, and Nation in Latin America demonstrates that internet humor can generate novel means of public interaction with the political and cultural spheres and create greater expectations of governmental accountability and democratic participation. This volume shows the importance of paying serious attention to humorous digital content as part of contemporary culture. Contributors: Eva Paulina Bueno | Juan Poblete | Alberto Centeno-Pulido | Damián Fraticelli | Juan Carlos Rodríguez | Viktor Chagas | Paul Alonso | Ulisses Sawczuk da Silva | Héctor Fernández L'Hoeste | Alejandra Nallely Collado Campos | R. Sánchez-Rivera | Mélodine Sommier | Fábio Marques de Souza

Every nation in the Americas--from indigenous Peru to revolutionary Cuba--has been touched by the cultural and musical impact of rock. "Rockin' Las Americas" is the first book to explore the production, dissemination, and consumption of rock music throughout the Caribbean, Mexico, Central America, Brazil, the Andes, and the Southern Cone as well as among Latinos in the United States.

The contributors include experts in music, history, literature, culture, sociology, and anthropology, as well as practicing "rockeros" and "rockeras". The multidisciplinary, transnational, and comparative perspectives they bring to the topic serve to address a broad range of fundamental questions about rock in Latin and Latino America, including: Why did rock become such a controversial cultural force in the region? In what ways has rock served as a medium for expressing national identities? How are unique questions of race, class, and gender inscribed in Latin American rock? What makes Latin American rock Latin American? "Rockin' Las Americas" is an essential book for anyone who hopes to understand the complexities of Latin American culture today.