What is 'addiction'? What does it say about us, our social arrangements and our political preoccupations? Where is it going as an idea and what is at stake in its ongoing production? Drawing on ethnographic research, interviews and media and policy texts, this book traces the remaking of addiction in contemporary Western societies.

What is 'addiction'? What does it say about us, our social arrangements and our political preoccupations? Where is it going as an idea and what is at stake in its ongoing production? Drawing on ethnographic research, interviews and media and policy texts, this book traces the remaking of addiction in contemporary Western societies.

In this innovative and original collection, people are seen as active agents in the development of new ways of understanding the past and creating histories for the present. Chapters explore forms of public history in which people's experience and understanding of their personal, national and local pasts are part of their current lives.

In this innovative and original collection, people are seen as active agents in the development of new ways of understanding the past and creating histories for the present. Chapters explore forms of public history in which people's experience and understanding of their personal, national and local pasts are part of their current lives.

The untold story of how the 9/11 Commission overcame partisanship and bureaucracy to produce its acclaimed report.
From the beginning, the 9/11 Commission found itself facing obstacles -- the Bush administration blocked its existence for months, the first co-chairs resigned right away, the budget was limited, and a polarized Washington was suspicious of its every request. Yet despite these long odds, the Commission produced a bestselling report unanimously hailed for its objectivity, along with a set of recommendations that led to the most significant reform of America's national security agencies in decades. This is a riveting insider's account of Washington at its worst -- and its best.

Amy Schapiro has written the first biography of Millicent Fenwick, the popular and colorful New Jersey congresswoman. Affectionately remembered as the pipe-smoking grandmother who many believe served as the model for Garry Trudeau's Doonesbury character Lacey Davenport, Fenwick transcended that stereotype to become, in the words of Walter Cronkite, "the conscience of Congress." Born in 1910 into comfortable circumstances, Fenwick faced tragedy at an early age when her mother was lost in the sinking of the Lusitania. Following an upper-class childhood and a failed marriage, she began a fourteen-year career at Vogue magazine. In the 1960s, Fenwick became involved in the civil rights movement and took part in local and state politics in New Jersey. Blessed with striking good looks and a sharp wit, she cut a glamorous figure, rising quickly through the ranks of the state Republican party at a time when most of her peers were retiring. When this colorful, outspoken figure-one of only five New Jersey women ever elected to Congress-went to Washington in 1975 at age sixty-four, her victory was portrayed by the media as a "geriatric triumph." Schapiro's extensive interviews with Fenwick's son, Hugh, who granted her exclusive rights to Fenwick's personal papers, oral histories, letters, and photographs, provide rare insight into the life and career of one of America's most memorable politicians. Amy Schapiro is a native New Jerseyan who currently lives in the Washington, D.C., area and works at the U.S. Department of Justice.