“There will be a black Springbok over my dead body.” — Dr Danie Craven, President of the South African Rugby Board, 1969

Just a year after the controversial D’Oliveira affair, the organised disruption of the all-white 1969/70 South African rugby and cricket tours to Britain represented a significant challenge to apartheid politics. Led by future cabinet minister Peter Hain, the ‘Stop the Seventy Tour’ campaign brought about the cancellation of both tours, presaging white South Africa’s expulsion from the Olympics and the end of apartheid sport altogether.

With his brand of attention-grabbing, direct action sports protest, the 19-year-old Hain emerged as a hero to some and enemy to others. Now, reflecting on these experiences with fifty years of hindsight, Lord Hain, together with South Africa’s foremost sports historian and fellow anti-apartheid activist André Odendaal, shows how decades of relentless international and domestic campaigning for equality led to a Springbok team captained by black athlete Siya Kolisi winning the 2019 Rugby World Cup.

Interspersing a wide range of examples with personal testimony, Pitch Battles explores the themes of sport, globalisation and resistance from the deep past to the present day. Published in the same year as the Stop The Tour documentary from acclaimed director Louis Myles, this compelling story of sacrifice, struggle and triumph reveals how sport should never be divorced from politics or society’s values.

From South Africa to Zanzibar, from Kenya to Britain, activists are battling to save lion prides, today more threatened by extinction than rhinos and elephants, as a result of illegal wildlife trading. Having thwarted murderous poachers in The Elephant Conspiracy, the Veteran, Thandi and Mkhize are back battling to save lion prides from being killed for their claws, teeth and bones. As the demand for lion parts soars, impoverished local communities are being incentivised to poach, and the fight against this illegal plunder becomes ever more vicious.

Struggling to defeat the international criminal syndicate responsible for poaching, the team find themselves embroiled in mafia-style smuggling, illicit night flights, tense shoot-outs, and an encounter with a protégé of Vladimir Putin.

A highly readable, dramatic story of a colourful South African journey in politics lasting over 50 years, from anti-apartheid protester to Right Honourable Lord, from Pretoria childhood to senior British Cabinet Minister.

A Pretoria Boy begins with the story of how Peter Hain’s journey came full circle when he used parliamentary privilege in 2017–18 to expose looting and money laundering, supplied with the ammunition by his ‘deep throat’ inside the Zuma State. In so doing, he put South Africa’s state capture and corruption on the front pages of the New York Times and Financial Times, which some suggest played a part in Zuma’s toppling. Going back to an anti-apartheid childhood in Pretoria in the late 1950s and early 1960s, there are vivid descriptions of his parents’ arrest, banning, harassment, helping an escaped political prisoner, the hanging of a close white family friend, and enforced exile to London in 1966 after the government prohibited his architect father from working.

It tells of how, at aged 19, Hain organised and led militant anti-Springbok demonstrations in exile in London in 1969–1970, for which he was denounced by the South African media as ‘Public Enemy Number One’. It is about how he narrowly escaped jail after a South African government-financed prosecution landed him in the Old Bailey in 1972 for conspiracy to disrupt those all-white South African sports tours and, then in 1975, how he was framed for a bank theft committed by an apartheid security agent. His return to South Africa came first on a secret mission in December 1989, then as a parliamentary observer during the 1994 elections.

The book ends with his perspective on the country’s future.

This book continues the ICTMA tradition of influencing teaching and learning in the application of mathematical modelling. Each chapter shows how real life problems can be discussed during university lectures, in school classrooms and industrial research. International experts contribute their knowledge and experience by providing analysis, insight and comment whilst tackling large and complex problems by applying mathematical modelling. This book covers the proceedings from the Twelfth International Conference on the Teaching of Mathematical Modelling and Applications.
Covers the proceedings from the Twelfth International Conference on the Teaching of Mathematical Modelling and ApplicationsContinues the ICTMA tradition of influencing teaching and learning in the application of mathematical modellingShows how real life problems can be discussed during university lectures, in school classrooms and industrial research

There are thirteen knives. One by one they begin to disappear Nora didn't expect Hidden Lake Camp to be in a state of ruin. Dock full of rotten boards, smashed windows, cabins falling apart. To her new husband, Paul, the camp is the past he'd just as soon bury. Nora agreed to drive north with him to get his elderly parents settled while he makes enough repairs to sell the property. Only a few months, Paul said. The summer camp, however, and its deep lake have other plans. After Nora's first meal with his difficult family, one knife-part of a prized collection-goes missing. By the time the fourth and fifth vanish from behind locked doors and out from under watchful eyes, Nora can barely sleep. There's talk of ghosts, secret rooms and someone at the summer camp found dead in the tall grass. Unsettling, gripping, and totally original, Book of Knives is a literary thriller that shows how one person's unraveling can bring the whole house down.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.