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1. The book highlights the politics, practicalities and creativity
of exhibition making, using case studies from a diverse range of
institutions from around the world. 2. Drawing on postcolonial and
decolonial analysis, the chapters offer lessons and models for a
more equitable future in both scholarship and practice. The book
will appeal to academics and students working in museum studies,
design and architecture, as well as those engaged in the study of
culture, history and the history of art and design. 3. The book is
one of the first to explore the impact that the hierarchies of
ethnicity, race, class, gender and sexuality have had on exhibition
design and its histories.
1. The book highlights the politics, practicalities and creativity
of exhibition making, using case studies from a diverse range of
institutions from around the world. 2. Drawing on postcolonial and
decolonial analysis, the chapters offer lessons and models for a
more equitable future in both scholarship and practice. The book
will appeal to academics and students working in museum studies,
design and architecture, as well as those engaged in the study of
culture, history and the history of art and design. 3. The book is
one of the first to explore the impact that the hierarchies of
ethnicity, race, class, gender and sexuality have had on exhibition
design and its histories.
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