In this unprecedented book, Hamid Dabashi provides a provocative account of Iran in its current resurrection as a mighty regional power. Through a careful study of contemporary Iranian history in its political, literary, and artistic dimensions, Dabashi decouples the idea of Iran from its colonial linkage to the cliche notion of "the nation-state," and then demonstrates how an "aesthetic intuition of transcendence" has enabled it to be re-conceived as a powerful nation. This rebirth has allowed for repressed political and cultural forces to surface, redefining the nation's future beyond its fictive postcolonial borders and autonomous from the state apparatus that wishes but fails to rule it. Iran's sovereignty, Dabashi argues, is inaugurated through an active and open-ended self-awareness of the nation's history and recent political and aesthetic instantiations, as it has been sustained by successive waves of revolutionary prose, poetry, and visual and performing arts performed categorically against the censorial will of the state.

The Iranian Revolution represented to intellectuals and professionals the potential of spiritual values to triumph over the great power of economic imperialism. Yet out of this revolution has emerged an identity crisis that touches Islamic ideological heights and reaches down to the very ground of Islamic practice. The contributors to this collection, experts on Iranian cultural and political history, analyze the 'fragmented self' of today's Iranian, refracted through that country's institutions, market forces, and modern thought. Each essay both deepens our understanding of contemporary Iran and adds to the broader discussion of the relationship between Islam and the West.

Edward Said (1935-2003) was a towering figure in post-colonial studies and the struggle for justice in his native Palestine, best known for his critique of orientalism in western portrayals of the Middle East. As a public intellectual, activist, and scholar, Said forever changed how we read the world around us and left an indelible mark on subsequent generations. Hamid Dabashi, himself a leading thinker and critical public voice, offers a unique collection of reminiscences, travelogues and essays that document his own close and long-standing scholarly, personal and political relationship with Said. In the process, they place the enduring significance of Edward Said's legacy in an unfolding context and locate his work within the moral imagination and environment of the time.

Europe has long imagined itself as the centre of the universe, although its precise geographical, cultural and social terrains have always been amorphous. Exploring the fear and fascination associated with the continent as an allegory, Hamid Dabashi considers Europe to be a historically formed barricade against the world. Frantz Fanon's assessment that 'Europe is literally the creation of the Third World' is still true today; but in more than one sense for the colonial has always been embedded in the capital, and the capital within the colonial. As the condition of coloniality shifts, so have the dividing lines between coloniser and colonised, and this shift calls for a reappraisal of our understanding of nationalism, xenophobia and sectarianism as the dangerous indices of the emerging worlds. As the far-right populists captivate minds across Europe and Brexit upsets the balance of power in the European Union, this book, from a major scholar of postcolonial thought, is a timely and transformative intervention.

Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers.Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of "the Islamic Ideology." Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, Theology of Discontent is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of "liberation theologies," comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume "a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history."

In this unprecedented study, Hamid Dabashi provides a critical examination of the role that immigrant
"comprador intellectuals" play in facilitating the global domination of American imperialism. In his pioneering book about the relationship between race and colonialism, "Black Skin, White Masks," Frantz Fanon explored the traumatic consequences of the sense of inferiority that colonized people felt, and how this often led them to identify with the ideology of the colonial agency." Brown Skin, White Masks "picks up where Frantz Fanon left off. Dabashi extends Fanon's insights as they apply to today's world. Dabashi shows how intellectuals who migrate to the West are often used by the imperial power to inform on their home countries. Just as many Iraqi exiles were used to justify the invasion of Iraq, Dabashi demonstrates that this is a common phenomenon, and examines why and how so many immigrant intellectuals help to sustain imperialism.The book radically alters Edward Said's notion of the "intellectual exile," in order to show the negative impact of intellectual migration. Dabashi examines the ideology of cultural superiority, and provides a passionate account of how these immigrant intellectuals -- homeless compradors, and guns for hire -- continue to betray any notion of home or country in order to manufacture consent for imperial projects.

With its title borrowed from Machiavelli, The Persian Prince goes far beyond Machiavelli's wildest imagination as to how to rule the world. Hamid Dabashi articulates a bold new idea of the Persian Prince-a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space and continues to inform political debate today. Drawing on works from Classical Antiquity and the vast Persianate worlds from India to the Mediterranean, as well as the Hebrew Bible and European medieval mirrors for princes, Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype. He traces this archetype through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad. Bringing poetics and politics together, Dabashi shows how this archetypal figure has long defined political authority throughout the wider Iranian and Islamic worlds. With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts, histories of global empires and colonial conquests, this sweeping work offers a deeply learned, richly erudite, and transformative piece of critical thinking. As Dabashi shows, the Persian Prince remains the stuff of current debate across the Muslim and Persianate worlds, in contestations over the public domain and the collective will to power, and above all in the prospects of democratic institutions.

This book is a radical piece of counter-intuitive rethinking of the clash of civilizations theory and global politics. In this richly detailed criticism of contemporary politics, Hamid Dabashi argues that after 9/11 we have not seen a new phase in a long running confrontation between Islam and the West, but that such categories have in fact collapsed and exhausted themselves. The West is no longer a unified actor and Islam is ideologically depleted in its confrontation with colonialism. Rather we are seeing the emergence of the US as a lone superpower, and a confrontation between a form of imperial globalized capital and the rising need for a new Islamic theodicy. The combination of political salience and theoretical force makes Islamic Liberation Theology a cornerstone of a whole new generation of thinking about political Islamism and a compelling read for anyone interested in contemporary Islam, current affairs and US foreign policy. Dabashi drives his well-supported and thoroughly documented points steadily forward in an earnest and highly readable style.

Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran. Missing from this body of scholarship, however, has been a comprehensive analysis of the intellectual and ideological cornerstones of one of the most dramatic revolutions in our time. In this remarkable volume, Hamid Dabashi brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of this cataclysmic event. Dabashi has spent over ten years studying the writings, in their original Persian and Arabic, of the most influential Iranian clerics and thinkers.

Examining the revolutionary sentiments and ideas of such figures as Jalal Al-e Ahmad, Ali Sharicati, Morteza Motahhari, Sayyad Abolhasan Bani-Sadr, and finally the Ayatollah Khomeini, the work also analyzes the larger historical and theoretical implications of any construction of "the Islamic Ideology." Carefully located in the social and intellectual context of the four decades preceding the 1979 revolution, "Theology of Discontent" is the definitive treatment of the ideological foundations of the Islamic Revolution, with particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.

This volume will be of interest to Islamicists, Middle East historians and specialists, as well as scholars and students of "liberation theologies," comparative religious revolutions, and mass collective behavior. Bruce Lawrence of Duke University calls this volume "a superb and unprecedented study.... In brilliant figural strokes, he arrays EuroAmerican sociological theory as the crucial backdrop of a deeper understanding of contemporary Iranian history."

With its title borrowed from Machiavelli, The Persian Prince goes far beyond Machiavelli's wildest imagination as to how to rule the world. Hamid Dabashi articulates a bold new idea of the Persian Prince-a metaphor of political authority, a figurative ideal deeply rooted in the collective memories of multiple nations, and a literary construct that connected Muslim empires across time and space and continues to inform political debate today. Drawing on works from Classical Antiquity and the vast Persianate worlds from India to the Mediterranean, as well as the Hebrew Bible and European medieval mirrors for princes, Dabashi engages a diverse body of political thought to reveal the construction of the Persian Prince as a potent archetype. He traces this archetype through its varied historic gestations and finds it resurfacing in postcolonial political thought as a rebel, a prophet, a poet, and a nomad. Bringing poetics and politics together, Dabashi shows how this archetypal figure has long defined political authority throughout the wider Iranian and Islamic worlds. With meticulous attention to literary and poetic texts, moral and philosophical treatises, allegorical and anecdotal stories, sacred and secular evidence, visual and performing arts, histories of global empires and colonial conquests, this sweeping work offers a deeply learned, richly erudite, and transformative piece of critical thinking. As Dabashi shows, the Persian Prince remains the stuff of current debate across the Muslim and Persianate worlds, in contestations over the public domain and the collective will to power, and above all in the prospects of democratic institutions.

The Green Movement in Iran contains Hamid Dabashi's most important writings on the Iran's June 2009 election, its tumultuous aftermath, and the characteristics and aspirations of the emerging Green Movement. These analyses range from close analysis of the nature of the events to the Green Movement's historical background and future political consequences. The writings have been modified and updated for book publication. The volume presents Dabashi's account of the events since June 12, 2009 the Election Day itself and his recap of highlights of the build-up period to the mass protests. He provides insightful background for events on the ground, dealing with debates about the credibility of the election. He then discusses political continuity in Iran, as well as the characteristics of the Green Movement. Dabashi argues that the reaction of the custodians of the Islamic Republic to the charge of the election being a fraud only affirms its lost legitimacy, and casts the system as being neither "Islamic" nor a "republic." Dabashi also comments on US politics and its relations to Iran and the Green Movement, pointing out shortcomings in American media culture. The role of the Iranian opposition in the Green Movement and American political policies, the political and economic consequence of the U.S. sanctions against Iran, and the way these may be interpreted by Iranian society are all viewed from an enlightening perspective. Dabashi argues that the Iranian regime, suffering deeply from legitimacy issues, makes use of its bureaucratic, economic, and political leverage to stage a show of support and project division among the people.

The name of Mohsen Makhmalbaf is almost synonymous with the dramatic rise of Iranian cinema in the aftermath of the Islamic Revolution, and over the last quarter of a century, his career as filmmaker and writer has reflected the tumultuous history of his homeland and the fate of its neighbours. Hamid Dabashi draws from his friendship with Makhmalbaf, as well as his direct involvement with Makhmalbaf's films and thought, to give us this deeply engaging book on the tumultuous life and spectacular career of a great filmmaker. This is also the account of Makhmalbaf's transformation, from committed Muslim revolutionary, who was jailed for his part in the revolution, into an artistic humanist of great energy and elegance. His films, including "The Peddler" and "The Time for Love", "Salaam Cinema", "Gabbeh", "Silence" and "Kandahar", confound conventional genres and are always surprising. They represent his own journey and take part in it, in ways that Dabashi explores with great insight. Makhmalbaf's cinematic career started in Iran and has since expanded into Turkey, Tajikistan, Afghanistan, Pakistan, India and into Europe. Dabashi uncovers how, moving across boundaries, Makhmalbaf's creative genius can illuminate our contemporary world. And this book is in part the story of a friendship. As Mohsen Makhmalbaf writes in its Preface: 'Hamid Dabashi - this pious atheist friend of mine, the man who loves cinema and hates art, this political activist who abhors politics, this thinking, pondering, critical intellect...I have learned much from him. Perhaps he too, has learned from me. The times he and I have spent together have been occasions of discovery and illumination.'

From the origins of Muhammad's prophetic movement through the development of Islam's principal branches to the establishment of the Umayyad dynasty, the concept of authority has been central to Islamic civilization. By examining the nature, organization, and transformation of authority over time, Dabashi conveys both continuities and disruptions inherent in the development of a new political culture. It is this process, he argues, that accounts for the fundamental patterns of authority in Islam that ultimately shaped, in dialectical interaction with external historical factors, the course of Islamic civilization.

The book begins by examining the principal characteristics of authority in pre-Islamic Arab society. Dabashi describes the imposition of the Muhammadan charismatic movement on pre-Islamic Arab culture, tracing the changes it introduced in the fabric of pre-Islamic Arabia. He examines the continuities and changes that followed, focusing on the concept of authority, and the formation of the Sunnite, Shiite, and Karajite branches of Islam as political expressions of deep cultural cleavages. For Dabashi, the formation of these branches was the inevitable outcome of the clash between pre-Islamic patterns of authority and those of the Muhammadan charismatic movement. In turn, they molded both the unity and the diversity of the emerging Islamic culture. "Authority in Islam "explains how this came to be.

Dabashi employs Weber's concept of charismatic authority in describing Muhammad and his mode of authority as both a model and a point of departure. His purpose is not to offer critical verification or opposition to interpretation of historical events, but to suggest a new approach to the existing literature. The book is an important contribution to political sociology as well as the study of Islamic culture and civilization. Sociologists, political scientists, and Middle Eastern specialists will find this analysis of particular value.

This pioneering explanation of the Arab Spring will define a new era of thinking about the Middle East. In this landmark book, Hamid Dabashi argues that the revolutionary uprisings that have engulfed multiple countries and political climes from Morocco to Iran and from Syria to Yemen, were driven by a 'Delayed Defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism. Sketching a new geography of liberation, Dabashi shows how the Arab Spring has altered the geopolitics of the region so radically that we must begin re-imagining the 'the Middle East'. Ultimately, the 'permanent revolutionary mood' Dabashi brilliantly explains has the potential to liberate not only those societies already ignited, but many others through a universal geopolitics of hope.

Post-Orientalism is a sustained record of Hamid Dabashi's reflections over many years on the question of authority and power. Who gets to represent whom and by what authority? Dabashi's work picks up where Edward Said's Orientalism left off. Said traced the origin of the power of representation and the normative agency that it entails to the colonial hubris that carried a militant band of mercenary merchants, military officers, Christian missionaries, and European Orientalists around the globe. This hubris enabled them to write and represent the people they sought to rule. Dabashi's book is not as much a critique of colonial representation as it is of the manners and modes of fighting back and resisting it. He does not question the significance of Orientalism and its principal concern with the colonial acts of representation, but he provides a different angle that argues for the primacy of the question of postcolonial agency. Dabashi uses the United States as an example of a country that initiated militant acts of representation in Iraq and Afghanistan. He attempts to unearth and examine the United States' deeply rooted claim to normative and moral agency, particularly in light of the world's post-9/11 political reality.

The Iranian Revolution represented to intellectuals and professionals the potential of spiritual values to triumph over the great power of economic imperialism. Yet out of this revolution has emerged an identity crisis that touches Islamic ideological heights and reaches down to the very ground of Islamic practice. The contributors to this collection, experts on Iranian cultural and political history, analyze the 'fragmented self' of today's Iranian, refracted through that country's institutions, market forces, and modern thought. Each essay both deepens our understanding of contemporary Iran and adds to the broader discussion of the relationship between Islam and the West.

The Green Movement in Iran contains Hamid Dabashi's most important writings on the Iran's June 2009 election, its tumultuous aftermath, and the characteristics and aspirations of the emerging Green Movement. These analyses range from close analysis of the nature of the events to the Green Movement's historical background and future political consequences. The writings have been modified and updated for book publication. The volume presents Dabashi's account of the events since June 12, 2009--the Election Day itself--and his recap of highlights of the build-up period to the mass protests. He provides insightful background for events on the ground, dealing with debates about the credibility of the election. He then discusses political continuity in Iran, as well as the characteristics of the Green Movement. Dabashi argues that the reaction of the custodians of the Islamic Republic to the charge of the election being a fraud only affirms its lost legitimacy, and casts the system as being neither "Islamic" nor a "republic." Dabashi also comments on U.S. politics and its relations to Iran and the Green Movement, pointing out shortcomings in American media culture. The role of the Iranian opposition in the Green Movement and American political policies, the political and economic consequence of the U.S. sanctions against Iran, and the way these may be interpreted by Iranian society are all viewed from an enlightening perspective. Dabashi argues that the Iranian regime, suffering deeply from legitimacy issues, makes use of its bureaucratic, economic, and political leverage to stage a show of support and project division among the people.

This book is a sustained record of Hamid Dabashi's reflections over many years on the question of authority and the power to represent. Who gets to represent whom and by what authority? When initiated in the most powerful military machinery in human history, the United States of America, already deeply engaged in Afghanistan and Iraq, such militant acts of representation speak voluminously of a far more deeply rooted claim to normative and moral agency, a phenomenon that will have to be unearthed and examined.

In his groundbreaking book, "Orientalism," Edward Said traced the origin of this power of representation and the normative agency that it entails to the colonial hubris that carried a militant band of mercenary merchants, military officers, Christian missionaries, and European Orientalists around the globe, which enabled them to write and represent the people they thus sought to rule. The insights of Edward Said in "Orientalism" went a long way in explaining conditions of domination and representation from the classical colonial period in the 18th and 19th century to the time that he wrote his landmark study in the mid 1970's. Though many of his insights still remain valid, Said's observations need to be updated and mapped out to the events that led to the post-9/11 syndrome.

Dabashi's book is not as much a critique of colonial representation as it is of the manners and modes of fighting back and resisting it. This is not to question the significance of "Orientalism" and its principal concern with the colonial acts of representation, but to provide a different angle on Said's entire oeuvre, an angle that argues for the primacy of the question of "postcolonial agency." In Dabashi's tireless attempt to reach for a mode of knowledge production at once beyond the legitimate questions raised about the sovereign subject and yet politically poignant and powerful, postcolonial agency is central. Dabashi's contention is that the figure of "an exilic intellectual" is ultimately the paramount site for the cultivation of normative and moral agency with a sense of worldly presence. For Dabashi the figure of the exilic intellectual is paramount to produce counter-knowledge production in a time of terror.

"Hamid Dabashi" is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of, among other works, the acclaimed "Authority in Islam: From the Rise of Muhammad to the Establishment of the Umayyads," in religion and philosophy.

Ayn al-Qudat is one of the geniuses of Islamic intellectual history and has even been described as the true father of deconstructionism. Provides a clearly-written critical introduction to the intellectual, literary, religious and philosophical struggles of the 12th century as expressed by one of Islam's greatest and most radical writers.

Hamid Dabashi was born and raised in southern Iran in the 1950s and 1960s. During this time, his homeland was changed beyond recognition, from the 1953 coup d'état to the 1963 political protests and the beginning of the Marxist rebellions against the Shah in 1971. In this vibrant, unique and personal study, Dabashi recounts his experience of this defining period in modern Iranian history, deftly blending the personal with the political, the ordinary with the extraordinary. Lyrically written, he combines vivid childhood memories with careful reflection to explore the intersection of history and memory. The book draws upon a rich tapestry of themes and sources, including art, literature, and folklore. In doing so, Dabashi asserts the power and place of the knowing postcolonial subject. Redrawing the limits of modern literary historiography, he asks what it means to be a Muslim and an Iranian, and, indeed, what it is that forms the humanity of a person.

Exploring the furthest reaches of the globe, Persian travelers from Iran and India travelled across Russian and Ottoman territories, to Asia, Africa, North and South America, Europe and beyond. Remapping the world through their travelogues, Reversing the Colonial Gaze offers a comprehensive and transformative analysis of the journeys of over a dozen of these nineteenth-century Persian travelers. By moving beyond the dominant Eurocentric perspectives on travel narratives, Hamid Dabashi works to reverse the colonial gaze which has thus far been cast upon these rich body of travelogues. His lyrical and engaging re-evaluation of these journeys, complimented by close-readings of seminal travelogues, challenges the systematic neglect of these narratives in scholarly literature. Opening up the entirety of these overlooked or abused travelogues, Dabashi reveals not a mere repetition of cliche accounts of Iranian or Muslim encounters with the West, but a path-breaking introduction to a constellation of revelatory travel narratives that re-imagine and reclaim the world beyond colonial borders.

This book is a radical piece of counter-intuitive rethinking of the clash of civilizations theory and global politics. In this richly detailed criticism of contemporary politics, Hamid Dabashi argues that after 9/11 we have not seen a new phase in a long running confrontation between Islam and the West, but that such categories have in fact collapsed and exhausted themselves. The West is no longer a unified actor and Islam is ideologically depleted in its confrontation with colonialism. Rather we are seeing the emergence of the US as a lone superpower, and a confrontation between a form of imperial globalized capital and the rising need for a new Islamic theodicy. The combination of political salience and theoretical force makes Islamic Liberation Theology a cornerstone of a whole new generation of thinking about political Islamism and a compelling read for anyone interested in contemporary Islam, current affairs and US foreign policy. Dabashi drives his well-supported and thoroughly documented points steadily forward in an earnest and highly readable style.

The invention of the nation-state was the crowning achievement of the Sykes-Picot Agreement between the United Kingdom and France in 1916. As a geostrategic move to divide, defeat, and dismantle the Ottoman Empire during World War I, it was a great success and the modern colonial borders of the Arab nation-states eventually emerged in the course of World War II. Today, as nations are reconceiving their own postcolonial interpolated histories, Arab and Muslim states are becoming total states on the model of ISIS with Iran, Syria, Turkey and Egypt, among others, violently manufacturing their legitimacy. And yet simultaneously, examples such as the Nobel Peace Prize winning formation of a civil society 'Quartet' in Tunisia allude to a growing transnational public sphere across the Arab and Muslim world. In The Emperor is Naked, Hamid Dabashi boldly argues that the category of nation-state has failed to produce a legitimate and enduring unit of post-colonial polity. Considering what this liberation of nations and denial of legitimacy to ruling states will actually unfurl, Dabashi asks: What will replace the nation-state, what are the implications of this deconstruction on global politics and, crucially, what is the meaning of the post-colonial subject within this moment?

For a Western world anxious to understand Islam and, in particular, Shi'ism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of Shi'ism as a religion of protest-successful only when in a warring position, and losing its legitimacy when in power. Dabashi makes his case through a detailed discussion of the Shi'i doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, Shi'ism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see Shi'ism in its combative mode-reminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims Shi'ism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years. Shi'sm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.

This book explores the life and legacy of Jalal Al-e Ahmad (1923–69) – arguably the most prominent Iranian public intellectual of his time – and contends that he was the last Muslim intellectual to have articulated a vision of Muslim worldly cosmopolitanism, before the militant Islamism of the last half a century degenerated into sectarian politics and intellectual alienation from the world at large. Hamid Dabashi places Al-e Ahmad beside other towering critical thinkers of his time, showing how he personified a state of Muslim anticolonial modernity that has now disappeared behind the smokescreen of sectarian politics. This unprecedented engagement with Al-e Ahmad’s life and legacy is a prelude to what Dabashi calls a ‘post-Islamist Liberation Theology’. The Last Muslim Intellectual is about expanding the wide spectrum of anticolonial thinking beyond its established canonicity and adding a critical Muslim thinker to it – an urgent task, if the future of Muslim critical thinking is to be considered in liberated terms beyond the dead-end of its current sectarian predicament.