The first complete national and international survey in the English language of the clandestine newspapers and books published in the occupied countries of Europe during the Second World War.
A man with earphones crouching in the attic listening in with a crystal set, a prisoner writing fearfully even in the condemned cell, youths taking courses in weightlifting so as to be able to carry cases of lead type with apparent ease: these are just some of the people who helped produce clandestine newspapers and books in the occupied countries of Europe during the Second World War. Writing in the Shadow describes the risks these people ran and the ingenuity and brilliant improvisation they used to hoodwink the Nazis and distribute newsletters to tens of thousands of people.

"With Sao Paulo, Tokyo, New Delhi, Mexico City, and Teheran rapidly approaching densities that are environmentally and emotionally unfit for human habitation, the need for urban planning has never been more pressing. Dispersed City of the Plains inventively pumps fresh air into the debate about what constitutes city building at the end of the twentieth century. It is a book that not only questions authority but supplies an alternative vision."
"--James Stewart Polshek, FAIA, Polshek and Partners"

Stone argues that the formation of towns has been based largely on the play of economic forces, without sentiment or prior attachment to place. In envisioning humane and rational improvements, he suggests that older notions of settlement be left behind in order to come to terms with the unfolding realities of the dispersed city.

"With Sao Paulo, Tokyo, New Delhi, Mexico City, and Teheran rapidly approaching densities that are environmentally and emotionally unfit for human habitation, the need for urban planning has never been more pressing. Dispersed City of the Plains inventively pumps fresh air into the debate about what constitutes city building at the end of the twentieth century. It is a book that not only questions authority but supplies an alternative vision."
"--James Stewart Polshek, FAIA, Polshek and Partners"

Stone argues that the formation of towns has been based largely on the play of economic forces, without sentiment or prior attachment to place. In envisioning humane and rational improvements, he suggests that older notions of settlement be left behind in order to come to terms with the unfolding realities of the dispersed city.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ England's Riviera: A Topographical And Archaeological Description Of Land's End, Cornwall And Adjacent Spots Of Beauty And Interest John Harris Stone K. Paul, Trench, Trubner & Co., Ltd., 1913 History; Europe; Great Britain; History / Europe / Great Britain; Travel / Europe / Great Britain

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Revue and proper musical comedy have provided some of the longest runs in the West End theatre. Yet both were killed stone dead by television. And both have virtually been forgotten even by theatre historians. The reason is largely because both forms depended on comedians making spontaneous jokes so that few working scripts have survived. Also the musical numbers were simple jolly tunes with no pretentions to light opera. Altogether they were so transient they have escaped serious study. Nor for that matter have the two forms of theatre previously been considered in tandem. Yet authors, composers and stars were constantly crossing. Then revue and musical comedy have unsuspected similarity in construction, the chorus and the topical wit which played an essential part in the comedy. These two theatrical genres in parallel held sway on the West End stage for all the last century. This book covers that century in full and interesting detail.

Here, for the first time, are outlined the subterfuges and wiles of the six queens who largely ruled Europe during the second half of the sixteenth century, as well as the complex relationships between them. Up against what was essentially a man's world, they proved highly adept at using women's intuition and marriage - or more particularly engagement - to gain international advantages. They also showed an ambiguity towards Protestantism which was in stark contrast to the tyranny of kings. Above all, these were the women who stormed the cartel of male rulers and were the first to win respected places on the stage of international politics. As a journalist, the author has felt at liberty to pursue and describe these fascinating and unconventional characters and incidents beyond the strict confines of the qualified historian.

This volume collects for the first time all of Charles Dickens' extant plans and notes for his novels. Dickens wrote his novels in segments during the course of serial publication. Beginning with Dombey and Son, the sixth novel, he wrote out plans for each segment as he went along, sketching future developments, querying himself about options, noting motifs, establishing recurrent images, working out chronologies, experimenting with names, and, in general, reminding himself of what he had done and what he should do next. Some notes survive from before Dombey and those for a few novels after that are incomplete or abbreviated, but for the most part the plan from Dombey on are full and complete. Each sheet of these notes is reproduced here in actual-size photographic facsimile and is transcribed on the facing page in typographic facsimile, a format that preserves Dickens' holographic nuances and at the same time allows for the instant decipherment of his often difficult hand. Included are his plans for The Old Curiosity Shop, Martin Chuzzlewit, Dombey and Son, David Copperfield, Bleak House, Hard Times, Little Dorrit, Great Expectations, Our Mutual Friend, and Edwin Drood. The volume also contains thirty-three full-page illustrations and a full-color frontispiece.
Harry Stone, an internationally recognized Dickens scholar, provides the reader with a full account of Dickens' methods of planning and working. In a comprehensive introduction and extensive notes, he uses Dickens' written plans to illuminate the thought and technique of the novels. He examines creative concerns, such as Dickens' process of naming and visualization, and technical matters, such as his use of various pen nibs, ink colors, and papers.
By making fully available and comprehensible Dickens' own cache of in-process plans, possibilities, and alternatives for shaping his novels, Dickens' Working Notes offers unparalleled insights into the novelist's art and into the nature of the creative imagination.